The Girl Aviators on Golden Wings — Reading Notes

(1 User reviews)   159
Burnham, Margaret Project Gutenberg 2004
Adventure and adventurers -- Juvenile fiction; Aeronautics -- Juvenile fiction; Airplanes -- Juvenile fiction; Women air pilots -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 48,754
Reading time: 212 min
Text sections: 6
An editorial note on Margaret Burnham's 'The Girl Aviators on Golden Wings,' focusing on the narrative's shifts between dialogue-driven scenes and descriptive passages, the use of period-specific slang, and the contrasting tones of adventure and domesticity.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

National was a board structure, formerly painted--with some originality of taste--a bright orange hue, relieved with red trimmings round doors, windows and eaves. But the sun had blistered and the hot desert winds had cracked and peeled its originally gaudy hues, and it was now a melancholy monotone of dull, pallid yellow. Here and there the paint had vanished altogether, and the bleached boards showed underneath. Like most of the other structures in Blue Creek--which boasted a general store, post office and Chinese laundry and restaurant combined the National House was coated with a thin layer of gray alkali dust, the gift of the glittering desert beyond its gates.

Cash Dallam's companions on the porch, which faced the railroad station and so was a favorite lounging place for the prominent citizens of Blue Creek and the guests of the hostelry, seemed only languidly interested.

"Thet's a powerful pile of baggage they're toting round," observed "Shavings" Magoon, who owed his nickname to the peculiar color and length of his hair, which looked as if it might have been gathered up bodily from the floor of a carpenter's shop and transferred to the top of his wrinkled countenance, about which it hung like a dubious aureole.

"You say that the tall chap yonder is Jim, Bell?"

The question, asked with some appearance of interest, came from a slender, dark-haired man in a blue shirt and leather "chaps," his face overshadowed by a big sombrero, who up to this time had not spoken. He had been leaning against the front wall of the National, thoughtfully removing some more of its paint by scraping it with the big rowelled Mexican spurs which he affected. These spurs, heavily mounted with Silver, together with a red sash he wore in the Mexican style about his waist, rather marked him out from his fellows on the National's porch.

Cash Dallam looked round as if in astonishment at the voice.

"Why hal-lo, stranger," he said, "whar you bin hidin' all these moons? Yes, that's Jim Bell, sure enough. Wouldn't think he wuz a millionaire ter look at him, would yer?"

The other shook his head.

"Can't most always sometimes tell," he remarked humorously; "that's a right pretty gal yonder, too. Any of you heard what Jim Bell's doing in Blue Creek?" The question came abruptly.

"Don't rightly know," was Cash's reply, "but I heard thet before he went Fast Jim Bell worked his way further inter ther desert than any man has ever bin. What he wuz arter I dunno, but it wouldn't be like Jim Bell ter risk his life fer muthin'."

"Do you reckon it was gold?"

The slender young man's dark eyes kindled in the word he used there was some potent fascination for him.

"Donno 'bout gold," said Cash, thoughtfully; "Thar's silver, yes, and platinum back younder. So ther Injuns say anyhow. But thar's mighty few white men hes ever got thet fur, an' if they did, they never come back to tell." He gazed out over the crystalline, quivering desert, burning whitely as a spangled Christmas card under the scorching sun. In his day Cash had seen many set out across it who never reappeared.

"Pity thar hain't no way of gitting thar without having ter use stock."

"Ortermobiles?" suggested a withered old man with the desert tan and wrinkles upon him.

"Tired 'em," struck in another of the same type. "No go. Sunk to ther hubs in mud holes an' then if it wusn't thet ther wuz ther sand to shove through and they hed ter give it up. No, ther vehicle or ther critter hain't invented that's goin' ter get away off thar back of beyond whar the gold lies--or whar they say it does," he added rather doubtfully. "When I was a kid back East my poor mother used ter tell me that gold lay at ther end of ther rainbow. I began huntin' it then and I've kep' it up ever since, an' will to ther end, I reckon."

"You say the vehicle isn't invented that will cross that stretch of alkali?" asked the tall young man, with a jingle of the metal ornaments hanging from the chased shank of his spurs.

"Thet's what. No rig, er devil wagon, er critters neither."

The reply was given with the emphasis of conviction.

"How about airships?"

The remark was dropped carelessly almost, by the spur-wearer.

"Airships! By ginger, thet's so!"

The pessimist spoke in a rather crestfallen tone.

"Seems ter me I read in an Eastern paper a while back suthin' about Jim Bell's bin at a place near New York and engaging a young chap ter build him some aeroplanes. Thar was a good bit of mystery about it. Say, boys, I wonder ef that's what Jim Bell's in Blue Creek fur?"

"Thar's one thing sartin," spoke up "Shavings" Magoon, "ef Jim Bell's got ther means ter git an aerial gold line he'll be safe enough frum them ornery road agents like ther fellers thet stuck up ther Laredo stage only last week an' got away with the specie box from Red River Falls. I reckon thar ain't no stage robbers with acroplanes yet a while."

"Queer thing about that Laredo robbery," put in Cash thoughtfully, "thar was several inter it, an' it seems thet they've all got clar away."

"Good thing for them, eh?" said the stranger, jingling his spur ornaments harder than ever.

"Good thing. Wall, stranger, I'd hate ter tell you what 'ud be the least of what 'ud happened to them, it would freeze your blood."

"Not an unpleasant thing to have happen to day," said the stranger, carelessly, and carefully flicking some gray dust from his "chaps" with his rawhide quirt, "so you think that Jim Bell means to start some sort of an air line from whatever he has discovered in the interior into this place?"

"Don't know nothing about it," snapped Cash, rather impatiently; "you're a heap interested in Jim Bell, stranger."

"Naturally. He's quite a famous man in his way. I suppose he is one of the greatest mining authorities in the West."

But at this point Cash perceived that Mr. Bell's party had finished seeing to the disposal of their piles of baggage and were headed for the hotel. The operation had been a long one, as they bestowed particular attention upon sundry wooden boxes of oblong shape which might have held almost anything. Whatever their contents might be they were evidently held in some esteem by the Bell party.

A few seconds after Cash had broken off the conversation so abruptly, he was greeting the new arrivals. The other porch loungers stood sheepishly at some distance, some of them uneasily twisting their fingers. The presence of the young girls in the party filled them with a bashful terror such as the had never experienced in the numerous adventures and perils through which most of them had passed.

"The young ladies are Miss Prescott and Miss Bancroft," Mr. Bell said, introducing his companions, after the fashion of the Western country, to the hotel proprietor; "this is Roy Prescott and his chum, Jimsy Bancroft, and this," indicating the man whose resemblance to himself had already been remarked upon, "this is my brother, Mr. Peter Bell."

"Glad ter meet yer, miss; glad ter meet yer all, I'm sure," sputtered out Cash with one of his finest bows, and Cash was reckoned to be "a right elegant chap" in that primitive society.

After supper--a queer meal to their Eastern tastes--the young folks were glad enough to retire to their rooms.

"Oh, what a funny place!" cried Jess, as she and Peggy, carrying a glass lamp which reeked of kerosene, entered their chamber. The walls were of rough boards with no attempt at ornamentation, a gorgeous checked crazy-quilt covered the bed--for though the days are hot on the desert, the nights are quite sharp. The floor, like the walls, was bare, and when the girls peered at themselves in the tiny mirror they gave little squeals of amused disgust. The heat of the sun, too, had drawn out the resinous qualities of the raw wood, and the room was impregnated with an aroma not unlike that of a pine forest under a hot sun.

"I expect we'll see some much funnier places before we get back East," said Peggy decidedly, and beginning to unpack her silver-fitted dressing-bag, which was the one luxury she had allowed herself.

"I expect so, too; and I think it's jolly to rough it," chimed in her chum; "but it's hard to get used to it all at once. Stepping right off a Pullman into this is rather a sharp contrast, you must admit."

"It is," agreed Peggy, heartily. She stepped to the window and gazed out on an uncovered porch outside. It was, in fact, the roof of the one below. On it flourished quite a little grove of scraggly plants of various kinds, which were carefully tended by Cash's wife. They were, perhaps, the only green things in Blue Creek.

But Peggy had little eye for all this. Her lips parted in a quick gasp of admiration as she gazed upon the night spell of the desert. The dark sky was sprinkled with countless stars, large and luminous and beaming with a softer, stronger light than in the North. A brooding silence hung over the town--the silence of the desert. The hush was broken only by the droning notes of a song, accompanied on a guitar, which came from off in the distance on the outskirts of the little settlement. The music emphasized rather than broke the silence.

Jess came to Peggy's side, and upon her, too, descended the feeling of awe that the "Great Alkali" casts over all who encounter it for the first time.

"Peggy," she said at length, "I'm--I'm the least bit frightened."

Her chum felt a slight shiver run through the girl as she pressed against her.

"Frightened, girlie? Frightened of what?"

"I don't just know. That's what makes it feel so bad. I guess it's the silence, the sense of all that loneliness out beyond there that upsets me. It feels almost as if there were some living presence off over the alkali that meant us harm."

"I think I know what the matter is," said Peggy gently, "you're tired and overwrought. Come, let us get to bed, for Mr. Bell has ordered in early start in the morning."

Just how long afterward it was the awakened Peggy had no means of telling, but as she lay sleepless she felt a longing to look out over the light-shrouded desert once more. Arising she tiptoed to the window, and drawing the shade without making more than the merest rustle of noise she looked out. As she did so Peggy almost uttered a startled exclamation, which, however, she instantly checked.

Three men had just emerged upon the balcony from an adjoining window. They brought chairs with them and sat there smoking. Peggy could catch the rank, strong odor of the tobacco.

"It's better out here and we can talk more quietly," said one of them, as they sat down. "You say that Bell and his outfit start to-morrow?"

"That's what I overheard him say when I was listening to 'em talking arter supper," struck in another voice, "so I guess it's the early trail for us, too."

"Reckon so," came in a third speaker; "Jim Bell is going to travel fast. He's got the best horses and mules in this part of the country, and he won't spare 'em."

"You mean the alkali won't, I guess," put in the first speaker with an unpleasant laugh; "but he won't go far with ther stock. At the last waterhole he'll leave 'em and go on by aeroplane."

"Never more sensible in my life. I--"

"Hush! Don't make such a racket. Fer all we know some of them may be awake and hear us. Now the old Steer Wells trail--"

But here the speaker sank his voice so low that it was impossible to hear his further words. But Peggy, as she crept back to bed with her heart throbbing a little bit fast, felt vaguely that the conversation boded some ill to the mining man and his party of gold seekers.

"I'm sure I recognized one of those voices," she said to herself; "it was that of the tall, dark young man with the immense spurs and that picturesque red sash, who was eyeing us so at supper. Jess and I thought he looked like a romantic brigand. What if he should turn out in real earnest to be a desperate character?"

Determining to speak to Jim Bell in the morning about the conversation she had overheard, Peggy dropped off into a deep slumber at last, but her dreams were disturbing ones. Now she was traversing the Big Alkali, with its pungent dust in her nostrils and her feet crunching its crusty surface. She was lost, and would have cried out had she been able to open her lips. Then she was dying of thirst. Her lips were parched and cracked and the sun beat pitilessly down. So the hours passed till the stars began to pale and a new day was at hand. Before sunrise the party had been called, and, filled with excitement, made the wooden walls of the National Rouse resound with the hum of preparation.

Now, though Peggy at midnight had fully determined to tell Mr. Bell all she had overheard, Peggy, in the bright, crisp early dawn, felt that to do so would be absurd. After all, the men might merely have been chatting about the party, whose expedition was surely an adventurous and interesting one. It might make Mr. Bell think her a victim of girlish fancies if she went to him with the story, so Peggy decided to remain silent. Afterward she was sorry for this.

As arrangements had been made with the ubiquitous Cash for burros and ponies before the party left for the West, there was little or no delay in getting started. The girls uttered delighted exclamations as their little animals were led up to the hotel steps by a long-legged Mexican who was to accompany the party to Steer Wells, where the ponies were to be abandoned and a permanent camp formed. From that point the dash into the alkali would be made by aeroplane.

For Peggy there was a lively little "calico" animal which both girls pronounced "a darling." But Jess was no less pleased with her little animal, a bright bay with a white star on its forehead. For the boys similar animals had been provided, while Miss Prescott's mount was a rather raw-boned gray of sedate appearance. In her youth Miss Prescott had done a good deal of horseback riding, and the manner in which she sat her mount showed that she had not forgotten her horsemanship. Mr. Bell and his brother bestrode rather heavier animals than the rest of the party, while Juan, the guide, contented himself with a remarkably small burro. When in the saddle his lanky legs stuck out on either side of his long-eared steed and appeared to be sort of auxiliary propellers for the creature.

Six pack burros had been obtained, and on two of these the camp equipment and utensils were carried. The remainder of the little animals carried the wooden cases in which the three monoplanes were packed, and the boxes containing mining instruments and tools. One of these was painted red, and in it was carried a supply of "giant" powder--a kind of dynamite used in mining operations.

"I shall keep my eye on that particular burro," remarked Jimsy, "and if he ever runs away I shall gallop off in the opposite direction."

But Mr. Bell explained that the explosive stuff was packed in such a manner that even the most violent shock would not set it off.

"Still, we won't experiment," declared Roy.

Ten minutes after the cavalcade had drawn up in front of the hotel, attracting the attention of the entire population of Blue Creek, the party was ready to set out on the first stage of their adventurous, journey. The girls looked very natty in corduroy skirts, neat riding boots, with plain linen waists and jaunty sombreros. The boys, like Mr. Bell and his brother, were in khaki, and each carried a fine rifle, the gift of Mr. Bell. Miss Prescott had at first wished to resuscitate her old riding habit, but instead, before she left the East, the girls had persuaded her to have an up-to-date one made of cool, greenish khaki.

"You look like a modern Diana," said Mr. Bell, with a gallant bow, which brought the color Miss Prescott's blooming cheeks.

"Really, Mr. Bell, that is too bad of you, when you know I am trying to grow old gracefully," retorted Miss Prescott.

"And now," said Mr. Bell, running a watchful eye over the entire outfit, "we are all ready to start."

A cheer, which the girls took up, came ringing from the boys' throats.

"Hooray!" they shouted.

"Good luck!" cried Cash Dallam from his porch, and several in the crowd caught up the cry..

Juan uttered a series of extraordinary whoops, and working his legs like the long limbs of a seventeen-year locust, he dashed to the head of the procession. The next minute they were off, the pack burros trotting behind in a sedate line.

But just as they started an odd thing happened. Peggy experienced that peculiar feeling which sensitive persons feel when they are being watched. Glancing quickly round she encountered the penetrating glance of the tall, dark young man who had formed one of the group on the porch the previous evening. He turned his eyes away instantly as he perceived that his interested gaze had been intercepted. As he did so, Peggy, despite the heat, felt a little shiver run through her.

But the emotion passed in a moment under the excitement of the dash forward. Before long, the rough habitations of Blue Creek lay far behind them, and in front there lay, glittering under the blinding sun, the far-reaching expanse of the desert. Off to the southwest hovered what seemed to be a blue cloud on the horizon. But they knew that in that direction lay the Black Rock hills, a desolate chain of low, barren mountains.

As if by instinct they all drew rein as the solitudes closed in about them. Rising in his stirrups Mr. Bell pointed into the distance. "Yonder lies the end of the rainbow!" he exclaimed with a touch of rude poetry.

"And back there are the wings to fetch forth the pot of gold," laughed Jess, indicating the packing cases on the burros' backs.

"Yes, the golden wings," struck in Peggy, but there was a wistful note underlying her light tone. The spell of the desert, the unreclaimed and desolate, was upon her.

While our little party had been making its way so arduously across the almost impenetrable waste of sand and alkali, another party equipped with tough, desert-bred horses and a knowledge, so intimate as to be uncanny, of the secret ways and trails of the sun-bitten land, had made preparations for departure.

It had been no fancy on Peggy's part when she imagined that she heard the partial details of a plot against Mr. Bell on the night during which she had lain awake in the rough hotel of Blue Creek. Had the party possessed the power of seeing through partitions of solid timber, they would have been able to behold within that room a scene transpiring which must, inevitably, have filled them with uneasiness and even alarm.

Red Bill Summers, one of the best known of the desert hawks, as the nefarious rascals who ply their highwayman's trade on the desert are sometimes called, had been one of the passengers on the train whose keenly observing eyes had surveyed the little party as they disembarked. His companion, the man with the drooping moustache was likewise invested with a somewhat sinister reputation. But probably the worst of the trio who foregathered that night at the National House was the romantic looking young man with the red sash and the silver spurs whom the others called Buck Bellew.

Mr. Bell and his expedition into the desert formed the topic of their conversation. It was evident, as they talked, that their main desire was to trap or decoy him on his way, but as they discussed plans this intention gradually changed.

"He's got kids with him, and young gals, too;" said the dark-mustached man, who seemed to be a little less ruffianly than his companions, "we don't want to do them no harm."

"Not if we can help it," rejoined Red Bill Summers, wrinkling his low forehead, "but I ain't goin' ter let them stand in our way."

Margaret Burnham's The Girl Aviators on Golden Wings opens with a train journey into the Nevada desert, immediately establishing a contrast between the characters' expectations and the harsh landscape. The dialogue among Peggy, Roy, Jimsy, and Jess is peppered with period slang—'typical Westerner,' 'cold cream'—that grounds the story in its early 20th-century context. The narrative voice alternates between brisk, conversational exchanges and more descriptive passages that linger on sensory details, such as the 'pungent' alkali dust that makes eyes smart. This oscillation between action and reflection sets the pace for the adventure to come.

Dialogue as Engine and Ornament

Burnham uses dialogue not only to advance the plot but also to characterize. In the opening chapter, Peggy's disdainful remark about the desert—'And so this is the great Nevada desert!'—is immediately undercut by her brother's teasing. The banter feels natural, with interruptions and overlapping speech: 'Um—er, I shall have to wait a while before I answer that,' rejoins Peggy judicially. Later, when Jess claims to feel like a 'regular cowgirl,' Peggy counters with a joke about cold cream, revealing both her wit and her awareness of social norms. These exchanges are brisk, often punctuated by physical actions—coughing, shaking dust from a coat—that keep the scene grounded. The dialogue also serves to convey information without heavy exposition, as when Jimsy explains 'alkali' and Roy outlines their plans. Burnham trusts her readers to infer character from what is said and how it is said, rather than relying on authorial commentary.

Descriptive Pauses and Shifts in Tempo

Amid the rapid-fire dialogue, Burnham inserts descriptive passages that slow the narrative and deepen the setting. For instance, the monoplanes are described as 'giant scarabs, monsters indigenous to the baked earth,' a simile that momentarily lifts the story into a more mythic register. These pauses often occur at transitions—when characters are waiting, observing, or reflecting. The description of Miss Prescott as 'a sweet-faced woman of some fifty years of age' is delivered in a single, unhurried sentence that contrasts with the clipped speech around it. Similarly, the account of Alverado's 'curious kind of reticence' introduces an undercurrent of mystery without immediate explanation. By varying sentence length and rhythm, Burnham controls the reader's attention: long, flowing sentences for contemplation, short ones for action. This technique is especially effective in scenes of tension, such as the departure from camp, where the hummed song of old Mr. Bell provides a moment of levity before the serious business of the journey resumes.

Voice and Register: From Slang to Formality

The narrative voice in The Girl Aviators on Golden Wings shifts register depending on who is speaking or being described. The young characters use colloquialisms like 'sis,' 'guess,' and 'bime-by' (in Alverado's case), while the adult characters, particularly Miss Prescott and Mr. Bell, speak in more measured tones. Burnham also employs a third-person narrator who occasionally adopts a slightly formal, almost editorial tone: 'As readers of the first volume of this series know...' This direct address to the reader is rare but signals the book's place in a series. The narrator's vocabulary is generally straightforward, but moments of heightened description—'the merciless glare of the desert at noon day'—introduce a more literary quality. The contrast between Peggy's refusal to wear 'smoked glasses' because they would make her look 'like a feminine Sherlock Holmes' and Mr. Bell's polite laughter illustrates how Burnham blends humor with character development. These shifts in voice prevent the narrative from becoming monotonous and reflect the social hierarchies and generational differences among the characters.

Readers attentive to pacing will notice how Burnham uses dialogue to accelerate scenes and description to slow them down, creating a rhythm that mirrors the characters' journey. The interplay between the characters' voices—Peggy's sass, Roy's practicality, Jess's vanity—adds texture to the adventure. Pay attention to the moments when the narrative pauses: they often signal a shift in mood or a clue to future events. This editorial note is based solely on the provided excerpts and metadata; the complete book may reveal additional patterns.

Reading about how The Girl Aviators swings between bright dialogue and quieter stretches, I remembered lying on my grandparents’ porch, the same way that book’s airborne scenes settle into housebound calm. That rhythm—adventure folding into stillness—came back reading Little Jack Rabbit and Mr. Wicked Wolf — Key Ideas to Explore, where a chase softens into a burrow’s warm shade. Both feel like that. Not urgent, just real.

Leo Hall
1 month ago

5
5 out of 5 (1 User reviews )

Add a Review

Your Rating *
  • ...
    Alyssa Stephenson - 3 weeks ago
    {'rating': 5, 'text': "An exhilarating ride with the Girl Aviators! The Golden Wings adventure is filled with daring flights, cunning enemies, and a touch of mystery that kept me on the edge of my seat. The author's love for aviation shines through, and the female protagonists are refreshingly brave and resourceful. A must-read for anyone who loves early aviation tales and strong heroines."}

  • ...
    Kathy Jasmine Edwards - 3 weeks ago
    {'rating': 2, 'text': "While the concept of girl aviators in early aviation is intriguing, the book falls flat with its simplistic writing and clichéd characters. The dialogue feels stilted, and the villains are cartoonishly evil. The plot meanders and becomes repetitive, with the 'golden wings' aspect barely explored. It may appeal to young readers, but it lacks depth for a modern audience."}

  • ...
    Amy White - 1 week ago
    {'rating': 3, 'text': "The Girl Aviators On Golden Wings delivers plenty of aviation thrills and plucky heroines, but the plot can be a bit predictable at times. Still, the historical setting and the excitement of early flight make it an enjoyable read, especially for fans of vintage adventure stories. Just don't expect too many surprises."}


Reader reflection

Take a moment to reflect on this book

Create a short personal record of your experience with this book.

Your progress 0 / 10
1

How far have you progressed with this book?

2

How much did you enjoy the reading experience?

3

Would you encourage someone else to read it?

4

Did the language feel accessible?

Related eBooks