The Motor Girls on Cedar Lake; Or, the Hermit of Fern Island — Inside the Classic

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Penrose, Margaret Project Gutenberg 2004
Camping -- Juvenile fiction; Girls -- Societies and clubs -- Juvenile fiction; Mystery fiction; Motorboats -- Juvenile fiction Readers of public-domain and historical texts
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Words: 52,011
Reading time: 227 min
Text sections: 6
Cora Kimball launches a new motor boat on Cedar Lake and soon discovers a mysterious hermit and a sick girl on Fern Island, blending camping adventure with a rescue plot.
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Jack said she would fall a prey to that clump of white birches over there, and would want to paint pictures on the bark. But I fancied she would take more surely to the pines; they are so strong--and, like the big boys--always to be depended on. But not a word about camp now. Something more important is on. My new motor boat has just arrived!"

"Has it really?" This as a duet.

"And truly," finished Cora with a smile. "Yes, it has, and there is not a boy on the premises to show me how to run it. Jack expected to be here, but he isn't. So now I'm going to try it alone. I never could wait until evening to start my new boat. And isn't it lovely that you have arrived in time to take the initial run? I remember you both took the first spin with me in my auto, the Whirlwind, and now here you are all ready for the trial performance of the motor boat. Now Belle, don't refuse. There is absolutely no danger."

"But the water," objected the timid Belle.

"We can all swim," put in her sister, "and you promised, Belle, not to be nervous this trip. Yes, Cora, I'm all ready. I saw the craft as we came up. Wasn't it the boat with the new light oak deck and mahogany gunwale? I am sure it was,"

"Yes, isn't she a beauty? I should have been satisfied with any sort of a good boat, but mother wanted something really reliable, and she and Jack did it all before I had a chance to interfere."

"I wonder what your mother will next bestow upon you?" asked Belle with a laugh. "She has such absolute confidence in you."

"Let us hope it will not be a man; we can't let Cora get married, whatever else she may do," put in Bess, as she shook the dust from her motor coat, and prepared to follow Cora, who was already leaving the camp. Belle, too, started, but one could see that she, though a motor girl, did not exactly fancy experimenting on the water. It was but a short distance to the lake's edge, for the camp had been chosen especially on account of the water advantage.

"There she is! See how she stands out in the clear sunshiny water! I tell you it is the very prettiest boat on Cedar Lake, and that is saying something," exclaimed Cora, the proud possessor of the new motor craft.

"Beautiful," reiterated the Robinson twins.

"But what do you know about running it?" queried Belle.

"Why, I have been studying marine motors in general, and have been shown about this one in particular," replied Cora. "The man who ran it up from the freight depot for me gave me a few 'pointers,' as he called them."

She stepped into the trim craft and affectionately patted the shining engine.

"'It is much simpler to run than a car, and besides, there isn't so much to get in your way on the water," Cora went on.

"My!" exclaimed Bess as she stepped in after her hostess. "This is really--scrumptious!"

"You take the seat in the stern, Belle, and Bess, you may sit here near me," said Cora, "as I suppose you will be interested in seeing how it works. Oh! There is the steamer from the train. Hurry! Perhaps there are folks aboard we know. Let us act at home, and pretend we have been running motor boats all our lives."

Cora took her place at the engine and before Bess or Belle had really gotten seated she was turning on the gasoline.

"You see this is the little pipe that feeds the 'gas' from the tank to the carburetor," she explained. "Now, I just throw in the switch: that makes the electrical connection: then I have to give this fly wheel--it's stiff--but I have to swing it around so! There!" and the wheel "flew" around twice slowly and then began to revolve very rapidly. "Now we are ready," and the engine started its regular chug chug.

"How do you steer?" asked Bess anxiously, for the big steamer with its cargo of summer folks seemed rather near.

"I can steer here," and Cora turned a wheel amidships, "or one may steer at the bow. Suppose you take the forward wheel Bess, as I may, have enough to do to look after the engine."

"Very well," acquiesced the girl, "but I hope I make no mistakes."

"Oh you won't. Just turn the wheel the way you want to go. Now we'll hurry. I want to show off my boat."

Bess took up her place at the steering wheel and turned it so that the boat started on a clear course. Everything seemed to work beautifully, and presently Bess was so interested in the gentle swerving of the craft, as the rudder responded to her slightest touch, that she, too, thought it very much simpler than motoring on land.

"There are the Blakes!" suddenly exclaimed Belle. "See, they are waving to us."

"Yes," answered Cora as she snatched off her cap and fluttered a response to the folks on the steamer. "Bess, keep clear out. The landing is just over there! The steamer makes quite a swell."

Bess turned, but she did it too suddenly. A wave from the steamer caught them broadside, and drenched the girls before they knew what had happened.

"Oh!" screamed Belle, "--we are running right into the steamer!"

"Bess! Bess!" called Cora. "Turn! I can't connect--"

Shouts from the steamer added to their confusion. Would they be run down on this, their very first attempt at navigation?

"They are the motor girls!" Cora heard some one on the steamer shout, and while this much has been told it may be well to acquaint the reader with further details of the situation. The Motor Girls were friends whom we have met in the four previous volumes of this series entitled respectively: "The Motor Girls," "The Motor Girls on a Tour," "The Motor Girls at Lookout Beach," and "The Motor Girls Through New England." In each of these volumes we have met Cora Kimball, the handsome, dashing girl who conquers everything within reason, but who, herself, is occasionally conquered, both in the field of sports and in the field of human endeavors. It was she who had the first automobile, her Whirlwind and while out in it she had some very trying experiences.

In the first volume she managed to unravel the mystery of the road. Bess and Bell, the Robinson twins, were with her, as they were again in the second volume, the story of a strange promise. This promise, odd as it was, all three girls kept, to the delight and happiness of little Wren, the crippled child. Next the girls went to Lookout Beach, where they had plenty of good fun, as well as time enough to find the runaways, two very interesting young girls, who had decamped from the "Strawberry patch." It was like a game of hide and seek, but in the end the motor girls did capture the runaways. Then in the story "Through New England," it was Cora who was hidden away by the gypsies, and what she endured, and how she escaped were assuredly wonderful. There were brothers and friends of course, Jack Kimball being the most important person of the first variety, while Walter Pennington and Ed Foster were friends in need and friends indeed.

And now we find these same girls undertaking a new role--that of running a motor boat, the gift of Mrs. Kimball to her daughter, for that mother, in her days of widowhood, had learned how safe it was to repose confidence in her two children, Cora and Jack.

The camp at Cedar Lake had been taken by Cora and her friends for a summer vacation on the water, and now, after a day's run from Chelton, the home town, in their auto, the Flyaway, the Robinson girls had again joined Cora who had come up the day previous, with a maid to get the camp to rights.

The steamer was indeed too close! Cora was frantically trying to turn the auxiliary steering wheel, but Bess in her fright was turning the more powerful bow wheel in the very direction of danger!

"Oh! Mercy!" shrieked Belle. "We are lost!"

Another wave almost submerged them. The passengers on the steamer had all run to one side of their boat.

"Turn right!" shouted Cora as she jumped up and fairly jerked from Bess the forward wheel. "Turn to the right!"

For some seconds no one seemed to know just what had happened. The steamer was clear, and the motor boat was running safely. Three very wet girls were thanking their good fortune that the water was their only damage--and water in the shape of a shower of spray is not much of a matter to complain of, after you escape a collision.

"What happened?" asked Belle, when she had the courage to uncover her eyes.

"Bess turned wrong," said Cora.

"I couldn't tell which way to go," put in the frightened girl. "I was simply stage-struck. But what saved us?"

"I jerked the wheel just enough to get a little to one side, and then the steamer had a chance to turn away," replied Cora. "I tell you we had a close shave, but that makes our first trip all the more interesting. Bess, can I trust you now to take my place while I look at that wheel? The rope may have slipped?"

"Oh, don't do anything," pleaded Belle. "Call to that boat over there, and let us have help. See, they are coming this way."

"Why, it's the boys--our boys!" exclaimed Cora. "Why have they gone out without telling me, when they knew I wanted to use my boat?"

In a canoe that looked like a big eel as it slipped over the water could be seen Jack, Ed and Walter.

"Well!" called Jack. "I like that! Where did you get the--ocean liner, Cora?"

"Don't say anything about the accident," she had a chance to whisper to the girls before replying to her brother. "I found my boat tied up at the dock," she answered gaily. "Isn't she a beauty?"

"What are you going to call her?" asked Walter.

"The Whirlpool, I guess," replied Cora, "that would go nicely with my Whirlwind, don't you think?"

"Oh, no, don't," objected Belle. "I should always feel that we were going to be--"

"Whirlpooled?" finished Jack. "Better make her the Petrel, Cora, for two reasons. We bought it from Mr. Peters, and she can walk on the water like the old original sea-fowl. Just see how she does saunter along."

"All right. Petrel will do, but it will be Pet for short," said Cora as now she allowed the boat to drift a little way from beside the boys' canoe.

"What was the matter with the steamer folks?" asked Ed. "Thought I heard something as we passed."

"Yes, you might have heard them talking about us if your ears had on their long distance," replied Cora quickly. "The Blakes are aboard."

"I saw their trunks at the station," said Jack "and they were tagged to The Burrow."

"That's the hole in the hill, isn't it?" asked Walter. "Well, I'm glad they have come up--the Benny Blakeses. I like a lot of folks around here. It is apt to have a depressing effect upon me if company is scarce and fishing shy."

"Or weather wet," put in Ed. "But say, Cora, I'd like to try the Pet." He remembered he was in a blue bathing suit, ever the most appropriate costume for a canoe. "But I'll wait until later, though I hate to. We have, as a matter of fact, an engagement at Far Island. Have you heard?"

"No, what?" asked the girls in chorus.

"Just a suspicion yet, but it may be true. We think--shall we give it away boys?"

"No; sell it," suggested Jack. "They sold us on this first trip, why should we give them anything?"

"Oh, Jack! You know I expected you to take me out the first time," said Cora reproachfully.

"Yes, and you know all about a boat, and start out without giving a fellow the slightest warning."

"But why didn't you come up when you knew the boat had arrived?" questioned the sister.

"Because--but that was what Ed was going to give away. It's a mysterious secret, and it is situated on Far Island. So long girls, I suppose you know how to land."

"Oh, yes indeed," said Cora in spite of the protest that was trembling on Belle's lips. "We started out, and we will get back all right. Wish you luck in whatever you are after," and she winked at Bess, who was now beside her at the engine, as Cora had concluded to guide the boat by the auxiliary steering wheel.

"I wonder what they are up to?" asked Cora. "As soon as we can do so, without being noticed, I think we will follow them. There must have been something important on, when Jack did not wait to take me out."

"Oh, don't let us go farther out on the lake," begged Belle. "I am nervous yet."

"Then suppose we take you in? Nettie is at the camp, and then Bess and I can go out to the island. There was really nothing the matter with the boat, the mistake was all due to our own nervousness."

"Well, I would feel better not to sail any farther," admitted the, pretty blond Belle, as she tossed back some of her breeze stray curls. "I am subject to sickness on the water, anyhow."

"On still water?" asked Bess archly. "Well, we will take you in, Twiny. And we will then go out. I want to redeem myself."

"Good for you, Bess," said Cora. "There is nothing like courage, unless it be gasoline," and after starting the engine, she turned the boat toward the shore. "There are the boys heading for the other island!" she exclaimed a moment later.

"They are trying to fool us. I wonder why?" asked Bess. "See, Belle. There are Nettie and Mary an shore--two of the best maids on the island. You will be all right with them, won't you, dear?"

"Of course," replied the twin, rather confusedly. "I don't need attention."

"But you are tired," put in Cora, "and those girls have not done a thing since lunch time. Just command them."

"'Very well. But do be careful, you two girls. A bad beginning you know."

"Oh, don't you worry about us," replied Cora confidently. "I feel as if this boat was a top in my hands. It is so much easier to handle than an auto. No gears, differentials or things like that. Good bye, Belle. Have supper ready when we return," and she sounded the small whistle that told of the start again.

"Good bye. Be careful," cautioned Belle. Then the two girls headed the craft for the little island around which they had just seen the boys disappear.

"I thought the boys looked very serious," said Bess, as she put her hand on the wheel Beside Cora's. "I wonder what is wrong?"

"Jack certainly had something very important on when he neglected me," said his sister. "I hope there is nothing really wrong. There are no people on that island, I believe."

"Then perhaps we had better not land?" suggested Bess. "It might be horribly lonely and we might not be able to find the boys."

"Well, when we get there we will be able to judge of all that," replied Cora. "Doesn't the Petrel motor beautifully?"

"And this lake," added Bess. "I never saw anything like it. Why some of those islands are big enough to inhabit."

"Yes, there is one island over there," answered Cora, pointing to the extreme eastern shore of the water, "and since I have seen it I am just dying to explore it. They call it Fern Island, and the store man tells the most wonderful tales about it. But we will have to wait until we all assemble. When did Hazel say she would come?"

"Tomorrow or next day. She has to take some special 'exams.' I am sorry that girl is so ambitious. It always interferes with her vacation."

"Hazel will make her mark some day, if she does not spoil it all by having someone make it for her--on a flat stone. But honestly Bess, I do hope she will come up before the others. Next to you and Belle I count more on Hazel Hastings than on anyone else in our party."

"And not a little on her brother Paul?" and Bess laughed in her teasing way. "Now Cora, Paul Hastings is acknowledged to be the most useful boy in all the Chelton set. He can fix an auto, fix an electric bell, fix an alarm clock--"

"And no doubt could overhaul a motor boat," finished Cora, as she turned the Petrel toward land. "Well, this is Far Island, and I am sure the boys headed this way. Let's shout."

Putting her hands to her mouth, funnel fashion, Cora sent out the shrill yodel known to all of the motor girls and motor boys. Bess took up the refrain; but there was no answer.

"If they were ashore wouldn't their boat be about?" asked Bess. "We can see all this side of the island, but you said it was too rocky to land on the other shore."

Cora looked about. Yes, one edge was all sandy and the other rocks. If the boys had come ashore they must have done so from the north side.

"My, what a lot of boats!" exclaimed Bess. "Cora, just see that flock," and she pointed to a distant flotilla of various craft across the lake.

"Yes, and so many canoes, we could hardly tell the boys in that throng. Do you suppose they are in that parade?"

"Oh, no. They had only bathing suits on, and that really looks like some fleet," replied Bess. "Yes, see there is their club banner. My! I had no idea that Cedar Lake boasted of such style."

"We may expect water picnics every day now," said Cora. "But just see that old man in the rowboat towing that pretty canoe. Do you suppose he has it for hire?"

"Likely. But how would anyone hire it out here? Why not from shore?" questioned Bess.

"Well, perhaps he is taking it to the dock," and Cora allowed her boat to touch the island shore. "At any rate if we are to find the boys we had better be at it, for I want to start back before that throng of boats gets in my way. I feel sure enough, but I like room."

Both girls stepped ashore as Cora caught the boat hook in the strong root of a tree and pulled the craft in. Then she shouted again.

"Jack! Jack!" she called. "Isn't it lonely here," she said suddenly, realizing that while she had expected the boys to be on the island, they might have gone to any of the other bits of land.

"Yes," said Bess. "I never felt so far away from everything before. On an island it is so different from being on real shore!"

"Yes, it is farther out," and Cora laughed at the description. "Bess, I guess I was mistaken. The boys do not seem to be here."

"Then do let's go back," pleaded Bess. "I am actually afraid."

"Of what? Not those 'jug-er-umms.' Just hear them. You would think the frogs were trying to drive us away from their territory."

"I always did hate the noise they make," declared Bess. "It sounds like a dead, dark night. Why do they croak in the daytime?"

"Night is coming," Cora explained, "and besides, it is so quiet here they do not have to wait for nightfall. But listen! Didn't you hear those dry leaves rustle?"

"Oh Cora, come!" and Bess pulled at her friend's skirt. "It may be a great--snake."

Cora stood and listened. "No," she said, "that was no snake. It sounded like something running."

"Come on, Cora dear," begged Bess, so that Cora was obliged to agree. "See, all the boats have gone the other way. And if anything happened we might just as well be on this desert island as on that desert water."

They had not ventured far into the wood, so that it was but a few steps back to the boat. Cora loosened the bow line and presently the engine was chugging away.

The Motor Girls on Cedar Lake opens not with a mystery but with a motor boat—Cora Kimball’s new craft, which she insists on testing without waiting for her brother Jack. The twins Bess and Belle Robinson arrive at camp just in time for the initial run, and the dialogue immediately establishes character: Bess is eager, Belle hesitant. The boat’s description—light oak deck, mahogany gunwale—grounds the story in a specific, material world of early-twentieth-century leisure. But the lake setting quickly expands beyond pleasure. By the first chapter’s end, a glimpse of a hermit on Fern Island hints at the tension between the girls’ controlled camp life and the wild, unknown territory across the water.

Boat as Threshold

The motor boat is more than a prop; it is the story’s central threshold. Cora’s insistence on piloting the boat herself—“not a boy on the premises to show me how to run it”—signals a pattern of self-reliance that runs through the excerpts. The boat carries the girls from the safety of camp into the ambiguous space of the lake, where they encounter the hermit and the sick girl, Laurel. The craft’s name is never given in the excerpts, but its function is clear: it enables movement between two worlds. When Cora later uses the boat to rescue Laurel, the vessel becomes a literal lifeboat. The author repeatedly links mechanical competence with moral agency—Cora’s ability to handle the engine parallels her ability to handle the crisis.

The Island Hermit’s Language

The hermit of Fern Island speaks in a register distinct from the girls’ bright, colloquial banter. His dialogue is sparse and weighted: “They shall not find me,” he falters, and he calls his daughter “my little wild Laurel.” The name itself—Laurel—is both a plant and a symbol, and the father leaves a branch of laurel each day to guide her back. This detail, a fresh branch placed daily, is the most precise image of care in the excerpts. The hermit’s fear of being taken, his reference to an outcast’s “sick soul,” and the villain’s threat to “carry off” Laurel all point to a backstory of persecution or flight. The text does not reveal the cause, but the language of concealment—“I promise never to betray you”—suggests a world where trust is rare and danger is adult-sized.

Sisters, Twins, and the Group Dynamic

The Robinson twins, Bess and Belle, are introduced as a matched pair who nonetheless diverge in temperament. Belle is timid about the water; Bess is game for anything. Their dialogue often comes in unison—“Has it really?” as a duet—but the narrative distinguishes them through action. This doubling creates a subtle tension: the group includes both the bold and the cautious, and the story must accommodate both. Cora, as leader, mediates between them, urging Belle to overcome fear. The camp itself is a society of girls who rely on each other, yet the excerpts show that the real test comes from outside—from the isolated father and daughter on the island. The group’s cohesion is challenged not by internal conflict but by the intrusion of a larger, more threatening world.

The excerpts offer a story built on contrasts: the bright deck of a new motor boat versus the dark interior of a hermit’s hut; the confident chatter of camp life versus the whispered confidences of a fugitive. Readers attentive to the hermit’s fragmented speech and the repeated motif of branches and signals will find a narrative that rewards close attention to small details. The complete book likely develops these tensions further, but even in these pages, the lake itself becomes a character—a surface that both connects and separates.

I keep thinking about Cora finding that hermit on Fern Island, how someone can be so hidden yet so present. It reminded me of old friendships, the quiet kind that ask for nothing. That same feeling surfaced reading False Friends, and The Sailor's Resolve — Reading Companion, where loyalty whispers rather than shouts. Both left me wondering who else might be waiting, just out of sight.

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