My Short Story Book — Reading Companion
Edition facts
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
se Lane they went, in spite of Roger’s trembling.
“Now, shut your eyes,” said Lawson, when they got to the gate. He opened it, and led his brother through.
“Look, now!” he said, with a merry laugh. And what do you think Roger saw?
An old scarecrow, forgotten since last year. There she stood, the “Snow Witch”—an apron and ragged shawl, two sticks for arms, a bit of Grandpapa’s hat to crown all—that was the witch!
“Shake hands with her, Roger,” said Lawson. And shake hands they both did, till the old scarecrow tumbled to pieces, never more to frighten either birds or little boys. “Dear Lawson,” said Roger lovingly, as he held up his little face for a kiss. And happy, indeed, were the rest of the Christmas holidays.
THE CHRISTMAS TREE PUNCH.
“YOU mustn’t go into the dining-room, children,” said Mother, popping her head in at the school-room door.
“All right, Mother!” Jack and Dorothy and Eva called after her, but Jim didn’t say anything.
He was the naughty boy of the family, and went by the name of “Jim the Terrible,” and I am afraid he very often deserved his name.
When the others went to say good night to Mother, Jim paused outside the dining-room door; it was open just the least little bit in the world, and he peeped in and saw a wonderful tree, standing in the middle of the room, laden with toys.
Right at the top hung a Punch doll, dressed in satin and tinsel, and he shone and glittered so that Jim could see him better than the other toys.
But his Mother called to him, so he could not wait to examine the tree more closely.
When the children were in bed Jim made up his mind to lie awake, and as soon as the others were asleep, he stole softly downstairs to have another look at the Christmas-tree.
The room was a blaze of light now, and the Punch doll at the top shook his staff at Jim as soon as he entered.
“Oh! you naughty boy,” he cried. “You Terrible Jim. What do you mean by coming here when your Mother told you not to go near the dining-room! I’ll teach you to disobey! Oh—o—o—o—! Go to bed! go to bed!”
All the while Punch was speaking he was growing larger and larger, until at last he seemed as big as the giant in the pantomime, and then he gave a terrific jump from the top of the tree, and began to chase Jim upstairs.
Oh! how the little boy ran, with Punch close behind him all the time.
At length he reached the nursery, and with a bound sprang into his bed and tucked the clothes up round him. There he lay trembling for ever such a time, but when at length he ventured to peep out, the nursery was quite dark, and Punch had evidently gone away, so he curled himself up and went to sleep.
The next day when the children were called in to the forbidden room, they simply danced and screamed with delight when they saw the beautiful Christmas-tree.
At least all except Jim, for when he looked at the Punch doll on the top of the tree, it seemed to him that it was frowning at him, and he made up his mind _never_ to peep through cracks of doors again, when it was forbidden him, however much he might want to know what was behind them.
Now, before he had made this good resolution he had been thoroughly miserable.
He could take no pleasure at all in the beautiful presents which Mother gathered for them from the Christmas-tree, for all the time he was watching the Punch doll to see if he would come down from his perch and chase him upstairs again.
No sooner did he resolve to be a better boy in future than the expression on Punch’s face changed in a most surprising manner: he seemed almost to smile at Jimmy.
Even when the tree was stripped of everything except Punch, and the children were busy pulling the plums out of the big snapdragon Father had lighted, Jimmy fancied the old fellow nodded his head at him once or twice in a friendly fashion, and the little boy was so relieved and happy that he clapped his hands for joy, and shouted with the rest.
THERE was once a poor old pedlar who sold ribbons and brooches and tapes and needles; his hair was long and his back was bent, and perhaps he did look rather strange; but that was no reason why the boys should have called him names and thrown stones at him as he went through the village. At last a stone hit him on the forehead and he fell on the dusty road, and the bad boys ran away, afraid of what they had done. But one boy named Jack had seen the thing from a field some way off, and now he came running up, and bathed the poor old man’s head and spoke kindly to him, and when the pedlar was better he said: “You are a good boy and you may have what you like out of my pack.”
Now, Jack did not like to take anything valuable out of a poor man’s pack, so he looked at all the pretty things, and then he picked out an old knife.
The pedlar laughed. “You have chosen the most valuable thing I have,” he said; “that knife will cut through iron or stone as easily as through butter.”
“Oh! then,” said Jack hastily, “let me have these old spectacles.”
The pedlar laughed louder than ever.
“Those spectacles will make you see to any part of the world, and see through stone or iron as easily as through glass,” he said; “there—take both!”
And putting the two into Jack’s hand he vanished—and he did it quite easily, because he was a magician.
So now Jack’s fortune was made; he could see where gold and precious stones lay under the earth and he could cut away the rocks that covered them as though they were butter.
So he was rewarded for his kind-heartedness.
But the greatest reward of all came to him when the Princess of that land was carried off and hidden by an enchanter. And the King, after vainly offering all sorts of other prizes, at last said that any man who could find the Princess and set her free should marry her.
So Jack put on his spectacles and saw the Princess sitting crying in a lonely tower. It was a year’s journey off, but he made the journey, and wherever he was, he put on his spectacles again and looked at the beautiful Princess, and that gave him courage.
At last he came to the tower, and with his magic knife he cut through the iron door and set the Princess free, and with the same knife he killed the wicked enchanter.
Then he took the Princess home in triumph and the grateful pedlar came to the wedding-feast.
THE LITTLE LOST DOLL.
SHE was lost as they went through the wood. How it happened nobody quite knew, but they supposed she must have tumbled out of the perambulator as Kitty pushed it through the ferns and long grasses, and so poor Dolly was left there, lying on her back, staring up at as much sky as was visible through the fern-fronds, and the foxglove leaves, and the branches of the trees overhead.
Would they come back for her? The children’s voices and footsteps grew fainter and fainter, till at last they died quite away in the distance, and the robin began singing again on the branch over her head. Presently the little bird caught sight of Dolly, and flew down and looked at her with his bright eyes, and then a tiny field-mouse ran round and over her with her little light paws—which must have tickled, but still Dolly never moved, and a wise old beetle came out of his hole, and twiddled his long whiskers as he peered at her curiously.
“Sweet! sweet!” said the robin. “Who is she?”
“Twee! twee!” whispered the mouse. “I don’t know!”
“Hum, hu-um!” buzzed the beetle. “Why doesn’t she speak?”
But Dolly didn’t say a word!
Now, eventide came, and the sun grew tired, and put himself to bed under a crimson-and-gold counterpane. The robin found a comfortable twig on which to perch, and tucked his head under his wing. The mouse went home to her babies, of whom she had six—all packed warm and tight in a neat little nest hung on to a cornstalk in the next field. And the beetle spread his shining wings and went for a fly round before he, too, rolled himself in a roseleaf blanket and went to sleep! But Dolly never closed her eyes!
Then the great stars lit their lamps, and looked down at her through the fern-fronds, but if they said anything no one heard them—they were too far off!
“Dolly, dear Dolly, where are you?” cried a little voice, and little footsteps came pressing through the tall bracken fern.
But Dolly didn’t answer!
“Dolly! Dolly! Oh! I wish I could find my Dolly!” There were tears in the little voice now, and the footsteps were more hurried. Yet Dolly lay still!
The sobs grew louder and louder, the little feet almost touched Dolly as she lay hidden under the big foxglove; then the little steps went on, and the sobs grew fainter in the distance, and Dolly lay still staring up at the sky!
So the days went by, and the winter came, and the falling leaves drifted over Dolly, and the snow covered her, but she never moved nor shivered—till one day in spring-time a great wind arose, which blew all the dead dry leaves away in little rustling dances—and lo! John the woodman caught sight of Dolly’s pink cheeks and blue eyes still staring up at the sky!
“Why,” he exclaimed, “I do believe there’s little missie’s doll, as she fretted so at losing!”
And he took Dolly home in his pocket!
EFFIE was quite in distress about the spare room in her doll’s-house, because she had no “visitor doll.”
All the other rooms were occupied, for there were two smart maids in the kitchen who were beginning to cook the dinner; then in the dining-room there was a “mamma” sitting on the blue sofa, gazing at the bowl of gold-fish. In the nursery, the three children were already put to bed, and the poor, tired nurse rested by the bright coal-scuttle on the floor. In the drawing-room, two gay dolls in ball-dresses sat by the piano; but there was no one for the spare room!
“It seems a great pity,” said Mamma, “because you put all the nicest things in this room, Effie—the wax candles, the pretty box of chocolates, the lace curtains to the bed, and the dumb-bells; we must try and think of someone to come and stay here.”
“Mamma, do you think Rosie would lend me one of her dolls?” suggested Effie.
“Supposing you write and ask her,” said Mamma.
Effie seemed to think this a good idea, but then she would have to wait a few days, because her friend was away, staying at a farmhouse.
“Shall we put the china baby in,” said Mamma, “or is he quite one of the family?”
“Oh, Mummy, he’s the youngest child of all!” replied Effie, shaking her head.
“I am afraid he is too much of a baby,” said Mamma, looking into the spare room, “and he might get into the shower-bath or open the door of the bird-cage—perhaps it would be unsafe.”
“We will write to Rosie, then,” said Mamma encouragingly.
That night, when Effie was fast asleep, a little grey mouse peeped through a crack in the nursery floor, and seeing that the room was empty, she hurried into every corner to find some chance crumb of cake or bread, but alas for her! the room had been too carefully swept, so the hungry little mouse could find nothing for her supper.
Suddenly, she saw the dolls’-house, so she squeezed through the glass door, which Effie had not quite shut, and very soon found her way into the spare room.
“_The very thing!_” cried she to herself, whisking her tail with joy. “Here is a nice little bed to sleep in, and a wax candle on the dressing-table for supper! How lucky I am! this is indeed a nice house to visit!”
The next morning, Effie ran to her dolls’-house and gave a little scream. “Mummy,_ look_! there’s been a mouse in the spare room! It’s eaten two of the candles—look!”
“That is not quite the guest you hoped for, is it, Effie?” said Mamma.
“No, but do you think it will come again to-night? Oh! I should like to see it in the morning!” said Effie.
A GAILY-TINTED little flower once lived in the corner of a field. No other flowers grew near, and she often felt sad and lonely. But one day a beautiful butterfly hovered over her head and began to talk to her. Presently he alighted upon one of her leaves, and gazed admiringly into her sweet face. The flower felt very happy, and said: “How good it is of you to stop here and talk to me!”
“I must be going soon,” replied the butterfly. “How I wish that you could fly away with me! You have no idea how delightful it is to flit about in the air!”
“It must indeed be nice!” replied the little flower. “But I cannot fly, for, as you see, I have no wings, and besides, my stalk holds me fast to the ground. So I have to stay always in one place. I must just make the best of it,” added she, trying to be brave, although her heart ached at the thought of parting with her winged friend.
Then a kind little Fairy popped up out of the grass, and said: “I have been listening to your talk. If you, fair flower, would indeed like to fly away with your friend, I will give you a pair of wings like mine.”
Then the Fairy touched the flower with her wand, and she sprang from her stalk, with two gauze-like wings to bear her up. She looked now something like the butterfly, only even more beautiful. The two friends flew away together over the fields, and the Fairy returned to Fairyland, feeling very happy because she had been able to please the little flower.
THERE was once a little yellowy-brown rabbit, who was so proud that there was no bearing him. He ran away from home and went to live with some strange rabbits. “I have a right to be proud,” he said, “because my parents are Belgian hares.” But he looked so exactly like the other rabbits that no one believed him, and they turned him out for boasting.
So he went to live in the cucumber-frame, and as the gardener did not notice him he had rather a good time of it. But presently the cucumbers were all over, and then the gardener shut up the frame and went away. And then the bunny grew hungrier and hungrier, and he cried aloud, but no one would help him. “It serves him right for being so proud,” said the other rabbits.
But his mother, who lived quite on the other side of the field, heard him cry, and she came jumping on to the cucumber-frame with such a bounce that she broke the glass and tumbled in. “Come home this minute,” she said. “I’ll teach you to run away from home.”
As she took him past the strange rabbits they all called out: “Hullo, Stuck-up, where are you off to?”
“He’s going home to his father and mother,” said Mrs. Bunny.
“But he said his father and mother were Belgian hares.”
“Belgian fiddlesticks!” said his mother. “I’ll teach him to be ashamed of his family!” So she took him home by the ear. He’s quite a different bunny now, and works hard to support his old father and mother, as all good rabbits should.
TOMMY was a terrible tease, and poor little Mamie came in for most of the teasing.
Tommy wasn’t really an unkind little boy, but he was very thoughtless, and very often he led Mamie into all sorts of scrapes. One day he persuaded her to play at Indians with him; he screwed up her hair into tight knots, made her shut her eyes and then blacked her face. When the little girl looked in the mirror over the mantelpiece and saw how ugly she was, she ran out of the room, meaning to go to Nurse to be washed clean again; but Tommy ran after her, and, just as she was passing the drawing-room door, he gave her a push, and in she went, right into the middle of a group of ladies who were visiting her Mamma. Oh! how angry Mamma was, for she thought Mamie had done it on purpose.
But what hurt Mamie’s feelings the most was the way in which Tommy treated her dolls. He didn’t like dolls himself, and he couldn’t understand how his sister _could_ love a silly wax thing. But she did. She thought Rosalind was the sweetest and loveliest of babies.
One day Tommy bought a penny squirt. He played for a long time at storms at sea with it, sailing his boat on a big pan of water that stood out in the garden, and squirting at it until it sank.
But he grew tired of this, and then he began to squirt Rosalind, as she lay cuddled up in Mamie’s arms.
Poor Rosalind! Mamie tried hard to protect her, but in vain. “It’s only an April shower,” said Tommy, laughing. “It won’t hurt her.” But dolly was soon wet through, and the last remaining bit of pink on her cheeks came off when Mamie dried her.
The next day Mamie told some of her friends of her troubles, and the little girls put their heads together to think how they could punish Tommy. “I know,” said Elsie Martin. And then there was a great deal of whispering and laughing, after which the little girls parted.
Tommy was going out to tea that afternoon, and as he passed the end of the garden wall, dressed out in his best, a sudden shower of water was squirted all over him, spoiling his nice clean suit.
Tommy looked up in astonishment, for it was not raining; then he heard a great deal of giggling and someone called out: “It’s only an April shower; it won’t hurt you!”
Tommy didn’t say a word, but marched straight home, for he knew he couldn’t go to his tea-party as he was. Mamie met him at the door. “I’m so sorry,” she said, for she had already begun to repent of what she had done. “Won’t you forgive me?”
“Never mind, Mamie,” said Tommy. “It served me right, and I’m sorry I squirted Rosalind, and I’ll never tease you again.”
ONCE there was a little boy called Tommy. His Mother sent him one day into the town to buy some needles. On his way home he got tired of carrying them, so when he saw a hay-cart which he knew would pass his Mother’s door he stuck the needles into a bundle of hay. When he got home his Mother said: “Well, Tommy, and where are the needles?”
“Oh! Mother, they will be here directly. I was tired of carrying them, so I stuck them into a hay-cart which is coming this way, and it will soon be here.”
“Oh, you stupid boy, Tommy! you _stupid_ boy! If you were tired of carrying the needles you should have stuck them into your coat.”
“I’ll do better next time, Mother; I’ll do better next time.”
A few days after, his Mother said: “Tommy, will you go into the town and fetch a pound of butter?”
Off went Tommy, bought the pound of butter, and put it all over his coat. When he got home his Mother said: “Well, Tommy, and where’s the butter?”
“I put it all over my coat, but the sun melted it.”
“Oh! you stupid boy, Tommy! You should have put it on a nice white plate and covered it with a piece of white paper.”
The collection opens with "The Snow Witch," a story that immediately establishes a wintry setting and a child's emotional world. Five-year-old Roger pines for his absent brother Lawson, while his sisters dismiss his sadness as mere stupidity. The narrative voice shifts between the children's dialogue and a knowing narrator, hinting at deeper fears—Roger's reaction to a witch story is far more intense than his sisters realize. This layered perspective, where adult readers can see what the characters miss, recurs throughout the book.
Animal Fables with a Twist
Several stories feature animals that speak and wear human-like clothing, but the moral lessons are often unexpected. In "The Fashionable Fur," a stoat who has been kept warm in a hutch fails to turn white like her wild relatives. The story explains that ermine coats are a natural winter adaptation, not a fashion choice, and the stoat's desire to be fashionable is gently mocked. The tale ends with a factual note: the stoat never got her ermine coat because spring came early. This blend of fantasy and natural history is typical of E. Nesbit's contributions, which often reward attentive readers with subtle scientific or social commentary.
Mysterious Disappearances and Returns
"Nell's Secret" begins with a dog named Nell vanishing, leaving a baby in tears. When she returns, she is half-starved and ragged, but after eating she disappears again. The pattern repeats until she finally brings a puppy to the nursery. The story withholds the secret until the end, creating suspense through repetition. Other tales in the collection use similar structures: a character goes missing, returns, and the reason is gradually revealed. Readers are encouraged to notice small clues—Nell's gobbling of food, her pride in the puppy—that hint at the resolution before it arrives.
Fairies and Everyday Objects
Fairies appear in several stories, but they are often tied to mundane items like a pen, a rubber, or a Christmas tree. In "The Pen Fairy," the fairy likely inspires writing, while "The Rubber Fairy" might erase mistakes. These stories blend the magical with the domestic, suggesting that wonder can be found in school supplies or household objects. The fairies are not always benevolent; they may teach lessons about responsibility or gratitude. The excerpts do not reveal the full plots, but the titles alone indicate a playful approach to fantasy that rewards curiosity about the ordinary.
Voice and Structure Across Authors
The anthology includes multiple authors, each with a distinct style. E. Nesbit's stories often feature a wry, explanatory narrator who addresses the reader directly or adds a factual coda. L. L. Weedon's contributions, such as "The Christmas-tree Punch" and "Contented Charlie," tend toward simpler moral tales with clear lessons. The table of contents shows a mix of realistic and fantastical titles, from "The Little Lost Doll" to "The Grateful Fairy." Readers may notice shifts in tone between stories—some are gentle, others more dramatic. Paying attention to the author's name before each story can help predict the narrative approach.
Recurring Motifs: Winter, Fashion, and Secrets
Winter appears in multiple stories, not just as a setting but as a plot device. In "The Snow Witch," the cold moonlight triggers Roger's fear; in "The Fashionable Fur," winter determines the stoat's coat color. Fashion itself is a recurring theme—the stoat worries about being unfashionable, and other stories may involve clothing or appearance. Secrets also drive the plots: Nell's secret is her puppy, and other characters hide their true feelings or identities. These motifs create cohesion across the collection, rewarding readers who notice connections between stories.
As you read, note how each story balances entertainment with a subtle lesson. The authors often leave room for interpretation—Roger's fear may be more than childish, and the stoat's failure to turn white is both natural and poignant. The book rewards careful attention to dialogue, description, and the occasional authorial aside. Enjoy the variety of voices, and consider how each story might resonate differently with a child reader versus an adult one.
Winter evenings in this anthology remind me of my grandmother’s armchair, where I first met talking foxes. Years later, Who Spoke Next — Edition Insights returned that same hush—the feeling of a secret unfolding just beyond the lamplight. Both books hold that quiet thrill of being trusted with a story, even when no one else hears it.
There are no reviews for this eBook.
Your personal reading reflection
Build a private reading journal entry for this title.