The Boy Scout Camera Club; Or, the Confession of a Photograph — A Reader’s Guide

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Ralphson, G. Harvey (George Harvey), 1879-1940 Project Gutenberg 2005
Boy Scouts of America -- Juvenile fiction; United States. Secret Service -- Juvenile fiction; Photography -- Juvenile fiction; Appalachian Mountains -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

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Words: 52,345
Reading time: 228 min
Text sections: 6
This editorial note examines how Ralphson structures the narrative through alternating clubroom and mountain settings, and how recurring images of photography, signaling, and disguise shape the boys' investigation of a missing prince.
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Oliver was the son of a ship builder, and had a launch and a yacht of his own. He was liked by all his associates in spite of his tendency to grumble at trifles. However, if he complained at small things, he met large troubles with a smile on his bright face. He now seized Teddy about the waist and waltzed around the room with him.

"And that's all!" Ned decided, closing the book. "We can't take more than six."

A wail went up from the others, but they were promised a chance at the next "hike" into the hills, and soon departed, leaving the six members of the Camera Club to perfect arrangements for their departure. It was a warm May night, still Ned closed the door leading out into the wide corridor which ran through the house on that floor.

"We can't afford to take others into our plans," he said, "for this is to be another Secret Service expedition."

"For the Government?" demanded Frank Shaw. "Then," he added, without waiting for a reply, "I'll call up dad's editorial rooms and have a reporter sent up here. Top of column, first page, illustrated! That's our Camera Club in the morning newspaper!"

Frank's father was owner and editor of one of the big New York dailies, and the boy always took along, on his trips, plenty of blank paper for "copy," but never sent in a line! His letters to his father's newspaper were usually addressed to the financial department, upon which he had permission to draw at will!

"Huh!" Jimmie commented, wrinkling his freckled nose, "if you should ever furnish an item for your daddy's newspaper he'd never live it down! You've been on all our trips with Ned, and never wired in a word!"

The Boy Scouts of the Black Bear and Wolf Patrols had been through many exciting experiences with Ned Nestor, who, young as he was, was often in the employ of the Secret Service department of the United States government. Frank, as Jimmie said, had been with Ned from the start, and had never sent in a line of "copy" for the paper.

"I'm going to furnish a column a day this trip!" Frank declared, making a motion to seize Jimmie. "We're going to take pictures, aren't we? We'll take 'em by the acre, and dad's newspaper is going to catch every one of them."

"Huh!" Jimmie declared, with a freckled nose in the air. "I'm a newspaper man, too. You needn't think you're the only cherry in the pie! I used to sell newspapers before I got into the Secret Service with Ned!"

From his earliest years Jimmie had indeed been a newsboy on the Bowery. He had never had a home except that provided by himself, and this, in the early days of his life, had as often been a box or barrel in an alley as anything else.

"Why the mountains?" asked Frank Shaw, presently. "Do you have to go to the hills on this trip? I'm glad if you do, of course, but I'd like to know something about it before we start. Dad will have to be shown this time, I reckon! He thinks we rather _overdid_ the stunt when we went to Lady Franklin bay!"

"Never had so much fun in my life!" laughed Jimmie. "When you get where it is forty below, there's some delight in living!"

"What are we going to take pictures of?" demanded Teddy Green.

"Moonshiners!" laughed Frank. "Isn't that right, Ned?"

"Not exactly," was the answer. "This is not a whisky case at all."

"Counterfeiters, then?" queried Oliver. "They live in the hills!"

"No, not counterfeiters, either," Ned replied. "The government has plenty of men to look after counterfeiters and moonshiners. All we've got to do is to go into the mountains and take pictures, and keep our eyes open."

"Open for what?" insisted Jimmie. "My peepers will be open for a venison steak about the first thing! You remember how fine the venison steaks were up in British Columbia? That Columbia river trip was some exciting! What?"

"Well," Ned began, "you all know that I'm in the Secret Service, for you've been with me, some of you, at Panama, in China, and under the ocean, so we'll let the details go without explanation. I'm going to the mountains to look after a precious package stolen from Washington--from almost under the eyes of the president--three days ago!"

"Papers?" asked Jimmie. "You know we went to Lady Franklin bay after papers."

"And they think the mountaineers stole this package?" asked Oliver.

"Tell us what it was that was taken first!" insisted Frank. "I'm beginning to see a front-page story in this, right now!"

"The package stolen," Ned went on, with a smile, "was more precious than any bundle of papers could be! It wasn't of gold, silver, diamonds, or anything possessing that kind of value. It was of flesh and blood!"

"A child stolen!" cried Frank. "This goes to dad's sheet right now!"

"Boy or girl?" asked Oliver. "Age, please!"

"Boy," answered Ned. "A boy belonging to one of the ambassadors! Age seven!"

"But why should the mountaineers steal such a child?" asked Jimmie.

"I said the boy belonged to one of the ambassadors," Ned corrected himself. "I should have said he belonged at one of the foreign embassies."

"The son of one of the attaches?" asked Teddy. "That's strange! Why?"

"Teddy," reproved Jimmie, "you can ask more questions in a minute than a motion picture machine can take in a hundred years."

"The stolen boy is in no ways related to any one in this country," Ned answered, "yet his safety is of the utmost importance. It is up to us to find him."

"But why should the mountain men make a grab at a kid?" insisted Jimmie. "I've asked that question numerous times now," he added, with a wrinkled nose.

"It is not believed that the mountain men know anything about the matter," Ned replied. "No one suspects them of taking the child. Mountain men are not up to that sort of thing, as a rule. They will make moonshine--some of them will--and may hide a counterfeiter, but they don't steal children!"

"Then who did steal him?" asked Frank. "Don't be so mysterious."

"I want the matter to sink deep into your alleged minds!" was Ned's smiling rejoinder, "and that is the reason I'm drawing the explanation out. It is thought the boy was stolen by some one who came over the sea to do the job--some one never before in this country."

"I twig!" Jimmie declared, skipping about the room. "The stolen boy is next of succession to some measly old throne! What? And he was sent out here to get him out of the zone of danger, and now he's been nipped?"

The boys looked at Ned with redoubled interest. It had been interesting, the very idea of going into the mountains in quest of an abducted child, but the thought of going after a boy who would one day be a king! That was exciting indeed!

"I can't tell you who the boy is." Ned went on, "but I can tell you that he must be found! The Secret Service men at Washington have a pretty good idea as to who got him, and they believe the criminals are not above committing the crime of murder. In a certain sense, this boy is in the way in the old country!"

"Oh, they wouldn't kill a kid like that!" Jimmie asserted.

"Wouldn't they?" demanded Teddy Green. "If you read up on history, you'll soon find out whether ambitious men will murder children who stand in their way! I half believe the boy was murdered at the very moment he was taken!"

"He has been seen alive since that time," Ned responded. "This is Thursday. He was taken on Monday, and was seen yesterday. Or a boy believed to be the prince was seen yesterday, on a launch on the Potomac river."

"Prince, eh?" cried Frank. "It is a prince, is it? Say, but won't dad be glad to hear about this? I'd like to write the headlines!"

"We may as well call him the prince," Ned laughed.

Before more could be said, a servant knocked at the door and Jack opened it so as to look out. In a moment he turned back inside with a flushed face.

"Say, boys," he said, "there's something strange going on here to-night!"

THE HOLE IN THE ATTIC FLOOR

Ned sprang to his feet in an instant and beckoned Jack to one side. The others gathered around, but Ned motioned them back.

"Let us find out exactly what Jack means before any remarks are made," he said.

"Well," Jack began, almost in a whisper, "the servant who came to the door said--"

"Wait a moment!" Ned requested. "Let us get this at first hand. Is the servant you refer to still out in the corridor? Look and see."

Jack opened the door an inch and looked out.

"Yes," he reported, facing Ned, with the door still ajar, "he is still there."

"Then ask him to come in here," Ned suggested, "and you, boys," he added, turning to the wondering faces at the other side of the apartment, "you get as close as you wish while this man is talking, but don't interrupt. It may be that we shall have to do something right soon. I reckon our hunt for the prince starts right here, in the Black Bear Patrol clubroom, in the heart of little old New York."

The servant Jack had beckoned to now entered the room and stood with his back to the door, looking from one boyish face to another. He was a heavily built, muscular fellow, evidently an Irishman, judging from his face and manner.

"Will you kindly come over here and sit down?" Ned asked.

The servant complied and the others gathered around him.

"Now," Jack began, "tell Ned what you just told me--about the man in the attic, and about the hole in the ceiling."

Every eye in the room was instantly turned toward the lofty ceiling, but nothing out of the ordinary was to be seen there.

"The hole he refers to," Jack, smiling, explained, "is not in sight. It is under the ornamental brass piece that circles the rod from which the chandelier hangs. It was made to listen at, and not to see through, I take it!"

"That makes a good starter," Ned smiled, "so go on."

"Half an hour ago," the servant began, "I was called to this floor by one of the maids, Mary Murphy it was, and she was that scared she looked like a bag of flour! She pointed to the staircase leading to the attic and asked me to go up there.

"So I says to her: 'Why do you want me to go up there? If there's a haunt there, or a burglar, or a man after one of the girls, why should I risk the precious neck of me, when it's the only one I've got, with no prospect of ever getting another in case this one was damaged beyond repair?' So she says to me, she says--"

"Never mind what she said," Ned interrupted, fearful of a long, involved dialogue between the two servants. "Tell me what you did."

"I went up the staircase, three steps at a jump, an' bumped the head of me on the edge of the door at the top of it. You can see the dent in my coco now!"

"And what did you find there?" asked Ned.

"There was a rug on the floor and a hole in the floor, and a twinkle of light shining into the attic from this room. Some one had been listening there!"

"Never a soul! I'm that sorry I can't express it!"

"When were you in that attic before--the last time before to-night?"

"Late yesterday afternoon it was."

"Was there a rug in the middle of the floor at that time?" Ned went on.

"No more than there is a bold lion in the middle of this floor, sir."

"Well, what did you do after you got up there to-night?"

"I hunted around for the man who had been lying there listening to the talk in this room, but I didn't find him, sir."

"Did you ascertain where all the servants were at the time the listening must have been going on?" asked Jack, after a short pause.

"All but one," was the reply.

"And that one? Where is he now? That is, tell, if you know where he is?"

"I don't know, sir. He has left the house, I reckon--bag and baggage."

"Who was it?" demanded Jack, moving toward the door.

"Chang Chu, the Chink, may the Evil One get into his bed!"

"And then you came here and notified Jack?" asked Ned. "As soon as you learned that Chang Chu was not in the house?"

"Indeed I did--within a minute and a half."

"Where is this girl, Mary Murphy?" asked Ned, turning to Jack. "We must get hold of her right away. I want to hear her story of what she saw in the attic."

Jack went out of the room, but was back in a minute with the girl, a pretty, modest maid of about eighteen. She looked frightened at finding herself the center of interest, but was soon in the midst of her story.

"I went up to the attic to get a piece of cloth for a bandage, Sally having cut her hand with the bread knife. When I got to the door of that room I heard some one inside of it. I listened at the crack there is between the panel and the stile and heard footsteps, slow and soft like. I thought it was one of the maids, and opened the door quick, so as to give her a scare."

The girl paused and wiped her face with a white apron bordered with pink.

"Go on," Ned requested. "Tell us what you saw in the attic."

"It wasn't much, sir," was the agitated answer. "I saw just a flash of dark blue, coming at me like the lightning express, and then I was keeled over--just as if I had been a bag of meal, sir!"

"He bunted into you, did he?" asked Jack. "Who was it?"

"Indeed I don't know, sir," was the reply. "It was dim in the room, there being only the light from the hall as I opened the door. Then he came at me with such a bunt that it took the breath out of me body!"

"And what followed?" asked Ned.

"She wint down f'r the count!" chuckled the servant who had been first questioned.

"I did not!" was the indignant retort. "When I got up the man was still on the stairs leading to this floor, and I picked up the great shears which had tumbled out of me hand and heaved thim at him. I had brought the shears up to cut a bandage, sir."

"Did you hit him?" asked Jack with a smile. "Where are the shears?"

"I never went back after them!" answered the girl. "I'll go this minute."

"Wait," Ned said, "and I'll get them. Now, you say you saw a blue streak coming at you, head-on! Who wears blue clothes around the house?"

"Chang Chu, the Chink, sir."

"You saw him dressed in blue to-day?" asked Ned.

"All in blue he was!" the male servant interrupted, "with his shirt on the outside of his trousers, like the bloody heathen he is."

"And so you looked for him and failed to find him on the premises?" asked Jack.

"He's gone, bag and baggage," answered Terance, the coachman. "Bad luck to him!"

"Still, you don't really know that it was the Chinaman?" asked Ned.

"He was dressed like the Chink," was the reply. "He smelled like a saloon!"

"Does the Chinaman drink?" asked Ned, facing Terance. "Does he get drunk?"

"He does not," was the reply. "He doesn't know the taste of good liquor!"

"That's all," Ned concluded. "Now you two keep on looking for the Chinaman. He may be hiding in the house, or he may be at some of the dens such people frequent. You, Mary, look for him in the house, and you, Terance, see if you can learn where he usually went when he left the house."

"Pell street!" cried Jimmie. "Look in Pell street!"

"Or Doyers!" Jack exclaimed. "Look in the dumps in Doyers street."

The two went away, forgetting all about the shears which Mary had hurled at the mysterious man she had caught in the attic. Asking the boys to remain where they were, Ned went out to the staircase and secured the article. Taking it carefully by the handle, he returned to the room and held up one blade.

Jack looked at the blade casually at first, then cried out that there was blood on it, and that Mary had speared the sneak.

"Yes," Ned explained, "there is blood on it. Mary hit the fellow on the head with this blade. What else do you see on the steel?" he asked with a smile.

Jimmie looked and backed away in disgust. His freckled face was thrust out of the door for an instant, and they heard him calling to Mary, who, being in the kitchen, beyond sound of his voice, did not respond.

"What do you want of Mary?" demanded Jack. "Shall I call her?"

"She said it was the Chink, didn't she?" the boy asked. "Or, she said it was a man dressed like the Chink? Well, it wasn't the Chink."

Ned laughed and looked at the boy admiringly.

"How do you know that?" he asked. "Why are you so sure it was not the Chink?"

Jimmie looked up into Ned's face with a provoking grin.

"You know just as well as I do that it wasn't the Chink," he said. "Just you look on that blade again! Ever see a Chink with light brown hair?"

"Now, what do you think of that?" roared Jack. "Sometimes this boy, Jimmie, seems to me to be possessed of almost human intelligence!" The lads gathered closer around the shears, one blade of which Ned was still holding out for inspection. There was the blood, and there was the long, blonde hair!

"Hit him on the belfry!" Jimmie grinned. "Knocked off a shingle and brought away a piece of it! Now, why did the Chink run away? That's what I'd like to know!"

"Where did the man get the Chink's dress?" asked Oliver. "That's what you'd better be asking? Why did the Chink let him in and then loan him the dress?"

"I rather think that's why the Chinaman ran away!" laughed Ned. "You boys seem to have reasoned it all out. He might have let the sneak in and then let him have some of his own clothes to wear! And that will make trouble for us!"

"Do you think the fellow heard about the Camera Club trip, and the object of it?" asked Oliver. "If he was scared away half an hour ago he didn't learn much, for we hadn't begun to talk much about it at that time!"

"He may not have heard anything important," Ned replied, "but the fact that he was sent here to listen is significant! Some one in Washington knows that we have been chosen to search the mountains for the prince! Some one knows that we are going out as an innocent-looking Boy Scout Camera Club, but really to find the boy. Now, what will that person do to the Camera Club, after we get out into the mountains?"

"The question in my mind," Jimmie broke in, "is what we shall do to him!"

"I'm sorry the information about our going leaked out," Ned said, gravely. "As boy snapshot friends we might have been able to do things which the Secret Service men could not do. No one would pay much attention to a group of boys roaming over the mountains. But now I'm afraid our investigations will be all in the limelight!"

"Tell you what," Jimmie cut in, "suppose we find the Chink and make him point out the man who was in the house--listening?"

WHAT THE BOX CONTAINED

"All right," Oliver encouraged. "Let's go out and make a throw at finding him, anyway! He may be in the garage, or the carriage house right this minute."

Jimmie and Oliver rushed away to find Terance, the coachman, and undertake the search suggested, while Ned, Jack, Frank and Teddy sat at the open windows looking out on the street.

"Chang Chu was at liberty to go into the attic at any time?" asked Ned, tentatively.

From its first chapter, The Boy Scout Camera Club establishes a pattern of movement between two sharply contrasting settings: the orderly clubroom in New York City and the rugged Appalachian Mountains. The opening scene, with its roll call of patrols—"Two Black Bears!" "Two Wolves!"—and the boys' eager clamor for membership, gives way almost immediately to talk of "mountains of Virginia, West Virginia, North Carolina, Kentucky and Tennessee." This rapid shift from indoor organization to outdoor adventure sets the structural rhythm of the novel, as the camera club's investigations repeatedly pull them from the safety of the city into the uncertainties of the wild.

The Clubroom as a Launching Point

The clubroom of the Black Bear Patrol, located on the top floor of Jack Bosworth's father's residence, serves as a staging ground for the boys' plans. Here, Ned Nestor orchestrates the club's formation, and the boys' excitement is channeled into a structured enterprise. The room itself is a space of order and camaraderie, where patrol identities—Black Bear, Wolf, Eagle, Moose—are declared and recorded. Yet this order is immediately disrupted by the prospect of the mountains, which Frank Shaw calls "the mountains that get us!" The clubroom thus functions as a narrative springboard: it is the place where the mission is defined, but the real action always lies beyond its walls.

Trail Signs and the Language of the Wilderness

Once the boys move into the Appalachian setting, the narrative shifts to a different kind of order: the system of trail signs used by the Boy Scouts. In chapter XIV, Ned follows a series of marks—a hole in a tree, a round stone on a larger one, a bunch of grass tied at the top—each conveying a specific instruction: "This is the trail. Keep on in this direction." These signs replace the verbal commands of the clubroom with a silent, visual language that the reader must decode alongside Ned. The precision of these descriptions—"a long cut in the bark of the left side" meaning "Turn to the left"—grounds the adventure in a practical, learnable skill, while also creating suspense as Ned wonders who made the trail and whether it leads into a trap.

Photography as Evidence and Deception

The camera club's name promises photography as a central tool, and the excerpts bear this out in unexpected ways. Ned carries a camera and takes "snapshots as he came to desirable scenes," but the most striking use of photography is the "confession of a photograph" promised by the title. In one scene, Ned observes a man named Bradley mixing a black dye and applying it with a brush near a sleeping child—a moment that suggests photography may be used for disguise or falsification. The camera is not merely a recorder of truth but a potential instrument of deception, and the boys must learn to distinguish between what a picture shows and what it conceals.

The Recurring Motif of the Missing Person

The first chapter's title, "Lost: A Foreign Prince!," announces a central mystery that drives the plot: the disappearance of a prince. This motif of a missing person recurs throughout the excerpts, most notably in the figure of the sleeping child whom Bradley approaches with a brush. The child's vulnerability and the adults' secretive actions around him echo the prince's abduction, suggesting that the boys are dealing with a pattern of concealment and removal. The narrative structure—moving from the clubroom's planning to the mountains' pursuit—mirrors the boys' attempt to locate what has been lost, whether a person or the truth behind a photograph.

Readers attentive to the novel's structure will notice how Ralphson uses the contrast between indoor order and outdoor chaos to propel the story. The trail signs, the camera, and the repeated motif of missing persons are not just plot devices but threads that tie the clubroom scenes to the mountain adventures. Paying attention to these recurring elements—especially the way photographs are taken, altered, or interpreted—offers a clearer view of the mystery at the heart of the book.

That rainy afternoon, the boys’ lantern-lit signals felt like quiet code for something I couldn’t name—then I set the book down and picked up another, purely by accident. The photograph’s confession softened into a rabbit’s meandering worry. There was the same gentle patience, the same small clues. Uncle Wiggily's fishing trip — Text and Context held a simpler version of that same seeking light.

Carter Anderson
2 weeks ago

Noah Torres
1 month ago

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  • ...
    Ronald Gibson - 3 weeks ago
    The Boy Scout Camera Club is a clever and engaging mystery that combines photography with sleuthing. The boys' adventures are realistic and filled with camaraderie, and the plot keeps you guessing as they uncover the truth behind a mysterious photograph. It's a nostalgic trip back to a simpler time, with a plot that still resonates today. Highly recommended for young detectives.

  • ...
    Angela Hernandez - 2 weeks ago
    The plot has potential, but the execution is dull and the mystery is all too predictable. The characters are interchangeable and lack distinct personalities. The author relies on stereotypes, and the ethical dilemmas are handled in a preachy manner. Overall, it feels like a forgettable series filler that fails to stand out.

  • ...
    Hannah Cobb - 1 week ago
    This is a decent mystery for young readers, with an intriguing concept centered on photography. The characters are likable, and the story moves along, but the mystery is somewhat simplistic, and the dialogue feels a bit dated. Still, it's a fun, quick read that might spark an interest in photography or detective work.


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