Jane Allen, Junior — Key Ideas to Explore
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There was no mistake about it, something was wrong, for Jane Allen swung along the path, calling greetings to friends grouped in knots and colonies with an evident half heartedness foreign to her usual buoyant, cheerful personality.
Espying her own contingent on the poplar slope she threw her arms out in a reckless, boyish sort of gesture to give force to the "Hello girls!" she called, but even that was much too mild for Jane.
"We were in despair," began Judith, Jane's particular friend and school-long companion. "Janie dear, why the clouds? What's up? Let us know the worst, do. We are fortified now, whereas in an hour hence we may be weak from interviews with the new proctor. Sit down Jane. We just rose to go in search of you, and by my new watch I see there is still time before the hour to report. There," and the little spot cleared for Jane in the semi-circle was now covered with a pretty plaid skirt, "do tell us. You really look worried,"
"Not really?" contradicted the gray eyed Jane. "Worried, and on our very first lovely day? You surely wrong me!" she tried to get her arms around more girls than even finger tips might touch. "I'm simply bubbling with joy, as I should be. I was detained in the office longer than I wanted to stay, and you all know how mean it is to have to sit on one particular chair facing the desk while a lot of new girls ask a larger lot of foolish questions. Perhaps that made me a little cross, but do forgive me. I wouldn't spoil this initial hour for worlds. Please tell me everything in one breath. I am just dying to hear."
No one answered. Ted Guthrie did gurgle a bit, and Velma Sigsbee threw a handful of leaves in Nettie Brocton's hair, but the pause was a riot. Why should Jane deceive them? Cross from delay in the busy office indeed, as if she would not have bolted out and left the whole room to the nervous new students! The girls looked from one to the other and finally Judith Stearns saved the situation by proposing that the juniors line up to help the seniors show newcomers about the grounds. On this day at least, class lines were forgotten at Wellington.
"We were just waiting for you Janie," she declared adroitly, "and Mildred Manners has been whoo-hooing her lungs out across the campus. Come along girls, and see you don't waylay all the millionaires. I hear every garage in the village is bursting with classy cars, and the livery stable can't take another single boarder. Ted, you take Velma and Maud, and be careful not to divulge any club secrets; Janet, you tag along with Winifred and just gush to death over that timid little blonde who seems to have a whole bag full of hand made handkerchiefs for weeps. Jane, may I have the honor of your company?"
Judith's black eyes looked into Jane's gray orbs that asked and answered so many questions.
"Thanks, Judy," said Jane aside. "You're a dear. Let's go and do the honors."
The next moment Wellington grounds rang with shouts and laughter, and the voice of Jane Allen defied the criticism her pretty face had so lately invited.
"It's perfectly all right," she assured Judith, but the latter stuck her chin out in contradiction.
"Can't fool me, Janie," she whispered between handshakes and greetings. "But I'll wait till the picnic winds up. Did you ever see so many new girls? Has some college burned down since last year?"
"No, love, but our reputation has gone forth. This is a glorious day for Wellington and, Judy Stearns, it is going to be a glorious year for us. We are still juniors!" and Jane trailed off to find her place in the long line that was automatically forming around the great old elm. An extension course in special work kept Jane with her junior friends.
"Wellington, dear Wellington!" rang out the then famous strain in hundreds of silvery voices. The college song was echoed from every hill into every grass lined hollow, and if the new girls doubted the spirit of comradeship they were to be favored with there, the consecration brought it home to them, like strong loving arms stretched out in the sea of school day mysteries.
It was hours later, when the pattering of feet in the long corridors died down to a mere trail of sound, that Jane and Judith managed to pair off for a confidential chat.
"You have got to tell me," demanded Judith.
"As if I wouldn't," replied Jane.
"You can't blame us for being curious, Janey. This afternoon was almost a failure, just because your eyes had a faraway look."
"I'm so sorry, really, Jude. What an abominable temper I must have."
"We all know better than that girlie." Judy might now have been charged with harboring a faraway look herself.
"Just give me a little time," smiled Jane, "and if there's anything on my conscience I'll gladly transfer it to yours."
The look in both gray and brown eyes was suddenly changed to intimacy. It was no longer faraway.
I thought everyone had been supplied with the anti-tack hammer circular," remarked Jane, falling back where Judith's cushions ought to be. "Just hear that tattoo over in the wing. I'll bet it's Dozia."
"She has a collection of movie queens and I doubt not that is the official coronation. Let us hope the new proctor is deaf on the left, Dozia's room leans that way," replied Judith. Then she tossed a couple of sweaters at Jane's head. "Put those under your ears dear," she ordered, "my pillows aren't unpacked yet and you may find Neddie's last year tacks in that burlap. There now, you look almost human. But the wistful whimper lingers. Jane, what has happened? You are simply smothered in the soft pedal. Tell your Judy all about it," she cooed.
Feet stretched out straight in front of her and arms ending with finger tips laced over her black head, Judith looked longer than she really needed to measure up or down. Also, she looked too stiff to be comfortable, but the wooden pose was Judith's favorite. She rested that way, defying every known law for relaxation. Jane, au contraire, was curled up like a kitten, with one red sweater balled under her ruffled head and the other blue one tangled about her slim ankles. Both girls were tired--justly so, for the opening day at Wellington was ever a time of joyous activity, and the day just closed had roared and yelled itself into an evening still vibrant with bristling energy, tack hammers and movie pictures smashing rules and regulations, until the night gong sounded its irrevocable warning. Then roommates paired off even as did Jane and Judith.
"Has anything happened to your baggage?" prompted Judith, as her companion failed to confide.
Jane teased one small worsted tassel of Judith's blue sweater free from its tangle with her shoe lace, then she poked her dimpled chin forward saucily.
"Can't ever have a secret, I suppose, Pally dear," she mocked the girl sliding slowly but surely out of her chair. "But I don't mind. Shows how truly you love me. There, you will feel better on the rug. I knew you were coming." Judith had landed.
"I believe I'll sleep here," declared Judith, one end of the international carpet sample was bunched up under her ear. "Never was so tired on any other first or last day." The long legs shot out straight again. "And if your secret is really thrilling Janie, pray keep it for a more auspicious occasion. I am apt to snore when I should groan, or even sneeze when I should----" A choking spasm interrupted. "Don't tell me to take quinine, Janie. This is the end. I have had it since August and it is due to depart now, exactly now." A couple of sneezes added punctuation to this.
"But get up from that floor instantly," ordered the girl on the divan. "Nothing worse for colds than rag carpet rugs. There's plenty of room up here out of drafts. Come, lovey. Do try to curl up some. I always fear you will break up in splinters when I see you go wooden."
"Too comfy, Dinks, I can't move."
"Sneeze then and I'll catch you. You have just got to get up off that chilly floor somehow. Besides the oil may be contagious. It still smells gooey."
"Anything for peace. Give me a lift. There," Judith hung over the edge but Jane held on to the black head. "It's not so safe as the floor but I suppose it is more prophylactic. Now I will sleep. The girls seem to have died down. Strange"--yawn and groan--"how they do love to fuss up the rooms."
"Temperment, my dear. Dozia wouldn't sleep a wink with her photograph gallery unhung. What do you think of the crowd this year? Spot any stars?"
"A couple. Did you see that beauty with the shiny gold hair? The one who stood under the hemlock alone during the cheering? Isn't she tragically pretty?"
"Exactly that. One couldn't help seeing her, although she struck me as being shy."
"Scared to death, and so unconscious of her charms. There Janie, my brain is sound asleep this moment. If I say real words they must be coming from another world. This is gone." Judith ducked deeper into the pillowless couch. She plainly was sleepy.
"Why Judith Stearns," called Jane severely, "you are giving me as much trouble as a baby. Don't you dare fall asleep. We have got to make beds yet. That comes of your notion not to have ready-to-wear beds in our suite. And you can just see how much fun it is to drag things out on tired nights." Jane sprang up from the divan and tried to yank the sleepy girl after her. "Come on, Pally," she implored. "I'll do most all the fixing, only I really demur at the disrobing. You know my hatred for buttons and fastenings. I wouldn't leave one snap to meet its partner. Come on Judy," the feet were again on the rug, "we will be simply dead in the morning, and we have got to be very much alive. We do miss the Weatherbee. I don't see why we let her go. Dear, prim, prompt Weatherbee! Now we know we loved her. Her successor is too young to be motherly."
"Jane Allen, you're a pest," groaned Judith. "I can't hear a thing but words, and I suppose you are calling me names. Who's this guy Bed, I heard you mention? Lead me to her," and whether the collapse was assumed or real Judith rolled over twice and once more stretched out on the long runner at Jane's feet.
"Have it your own way. Stay there if you insist and sneeze your head off, but I'm going to bed," decided Jane helplessly.
"That's the girl. Her name is Bed. I want to meet her. Heard so much about her. Jane dear introduce me, there's a dar--link," Judith muttered.
"Someone is coming and I just hope it is Prexy or Proxy. I'll open the door wide as I can," declared the outraged Jane.
She stepped over the long girl but even the tap on the door did not disturb Judith.
"It's I--are you up, Jane?" The voice came as the tap subsided.
"Yes Dozia. Come along in. I can't get Judy to bed. Just look at her!"
"Poor child," commiserated Dozia, surveying the figure on the floor very much as a policeman looks upon an ambulance case. "We ought to help her. Is the day bed translated?"
"Yes, I got it ready. But Judy won't undress," Jane protested.
"Why need she? If I ever slept like that I would murder a disturber. Just get hold of that rug Janie, and we'll dump her into bed."
Judith was actually sleeping when the two compassionate friends picked up the rug, hammock fashion, and proceeded to "dump her into bed." She never moved voluntarily. Judith Stearns knew a good thing when it came her way, and what could be better than this?
"She'll ruin her skirt," suggested Jane as they drew the rug out from under the blue accordion pleats.
"What's a mere skirt compared with that?"
Dozia stood aside to admire the unconscious Judy, but striking a statuesque pose she caught the critical eye of Jane and was rewarded with a most complimentary smile.
"Where did you get that wonderful robe, Dozia?" Jane asked. "You simply look like--like some notable personage in those soft folds and with your hair down. What a pity we must make ourselves ugly to be conventional."
"Ain't it now," mocked Dozia, abusing language to make comedy. She swung the velveteen folds about her and spun around to wind them tighter. "Like this? Do I resemble a movie queen? That's what brought me, Janie. This nocturnal visit is consequent upon a disaster. My hammer, the one I put my queens up with, fell through the mirror. Silly little hammer. You know how this house staff feels about breaking looking-glasses."
"Yes, spoils the set of course. You are not insinuating anyone here might be superstitious? I am awfully sorry you broke the mirror. How did it happen?"
"Sissh!" Dozia sibilated, pointing to Judith who had actually turned over. "Don't wake her, this really is a secret. Girlie," dragging Jane down into a chair, "have you noticed that ugly, fat, common country girl, with the wire hair and gimlet eyes? Well, she came in, pushed her way in really, and squatted down plumb in my best Sheraton chair. The size of her!" (This with seething indignation.) "I was so provoked--why, Jane, what is the matter? You are frightened or nervous or something. Have you seen a ghost anywhere?" broke off Dozia.
"Oh no, but I am so tired," Jane edged away from the suspector. "After all I do believe Judy is sensible, see her slumber."
"Jane Allen, you are a fraud," pronounced the girl in the velveteen robe. "You are smothering some mystery and I must have stepped on the spring," guessed the inquisitive caller. "Was it the tack hammer or the spindle chair or the fat girl? Not she, you have had no chance to do uplift work yet. Land knows that farmer will need your greatest skill, but dear, don't waste it on her. She's incurable."
"Bad as all that?" asked Jane colorlessly. "But what happened? You did not try to hit her with the hammer I hope?"
"I didn't try to hit her, I did hit her. It fell accidentally on her fat head and she tossed it through the mirror. Now what can a girl do in a case like that?"
The haunted look, so foreign to the face of Jane, shaped itself again.
"Is she--did you hurt her?"
"I hope so," dared Dozia. "It would be a charity to send her home. Her name is Shirley Duncan and she's from some country town. But Jane, if she gets really horrid, I mean more horrid than she is now, I want you to stand by me. That's what I came for."
"All right Dozia," said Jane, "but I hope it won't have to go as far as that."
"Me too," responded the carefree Dozia. "But there's no telling what Shirley may do."
For some moments after Dozia glided out Jane stood there, her gray eyes almost misty.
"Of all the tragedies!" she was thinking. Then with a jerk she pulled herself up. "But I guess I can handle it," she declared finally, and when she succeeded in rousing Judith no one would have suspected anything new amiss.
Jane Allen might have worries but they could not dominate her. Sunny Jane, with sunny hair and gray eyes, was no mope. It would take fight to conquer this new condition, she realized, but Jane could fight, and her dreams on this first night back in college were strangely confused with school-day battles.
More than once she awoke with a start, as if some danger were impending, and a sense of uneasiness possessed her. Each time it seemed more difficult to fall back into slumber, and all this was new, indeed, to happy Jane.
"Daddy!" she murmured. "It's because of daddy's----"
She was finally sound asleep.
Yes, they were back in college and work was waiting. This thought invaded confused brains and stood out like a corporal of the guard, shouting orders into lazy ears on Wellington campus next morning.
Jane Allen threw first one slipper and then another at Judith Stearns' bed across the room from her own. But still Judith's hand ignored the hair brush on the chair at her elbow.
"Judy," called Jane, "the warning bell has warned. Turn down the corner on that dream and wake up." Each word of this climbed a note in tone until the last was almost a shout. Then Judith's hand moved to Jane's slipper on her own (Judith's) forget-me-nots, the little floral pieces that adorned a very dainty garment with the embroidery on Judith's chest--arms and neck ignored in the pattern.
"What say?" she muttered sleepily.
"Up," answered Jane. "Ever hear that little word before?"
"Yep, pony riding," drawled Judith. "Up, up, one, two, three, go!" and at this Judith sprang up with such vigor and volume (in point of scope) that she sprang over the neighboring bed and swooped down on Jane's hat box! Her black hair now fell fearlessly over the embroidered forget-me-nots, and her bare feet shot in their usual skating strike.
"Good thing that hat box is the new kind," commented Jane, "but even at that it will hardly serve as a divan. Still, I am glad you are up. Do you know where you are, Judy Stearns? And what you are expected to do today?"
"All of those things and additional horrors are seething through my poor brain," moaned Judith, "but a moment ago I was having a fast set of tennis with adorable Jack St. John--Sanzie they call him. Have I told you about him, Jane darling?" Judith gathered herself and her feet up from the black enameled box and glided over to her own corner.
"No, Judy, I do not recall Sanzie," replied Jane, who was already armed with soap and towel for the lavatory. "But keep the story. I shouldn't like to get interested in boy tennis just now. We must forget--" proclaimed Jane in tones so dramatic a poet calendar on the wall trembled in the vocal waves. "Forget! forget----" and Jane was outside the door with a sweeping wave of her big fuzzy towel and a rather alarming thrust of her fist full of soap.
"Ye-eah," groaned Judith, "forget is the word, Sanzie and tennis." She glanced at the tiny clock on a shelf of the bracket type. It was Jane's idea the clock should not be cluttered with surroundings.
"Gee-whiz! It is late, and this the first day. Glad the others on this corridor are all nice and punctual."
In bathrobe and slippers Judith soon followed Jane down the long hall. Neither dallied long in the plunge, for Judith was wide awake now, and presently, after dressing and patting herself and belongings into place, she confronted Jane with this: "I heard Dozia Dalton last night. And I know there will be trouble about the farmer girl. Jane, tell me, is she the scholarship?"
"Yes," almost gasped Jane the irreproachable. "And to think that I, in any way, should be responsible for bringing her to college!"
"But you are not, Janie dear," soothed Judith. "That your father should give this college a scholarship each year is a noble thing, and how can you tell who may win it? That girl is--well, a bit raw," she ground her mouth around the word, "but we have nothing to do with that. She doesn't belong among the juniors, and just leave it to little Judy to steer her off. Don't go trying any uplift; just cut her dead and watch her wilt. From the ashes there may arise a nice little green thing, even if it is of the common garden variety of onion. Now Jane, you have got to do exactly that. Keep Shirley Duncan on her own grounds. Shoo her out of junior haunts."
"You are right, Judy. I have been tortured with the idea that I would have to play fairy godmother to that--that 'hoodlum.' Honestly, did you ever see so ordinary a girl in Wellington?"
The late September day that opens Jane Allen, Junior is described as waving back at Summer “graceful as a child saying goodbye,” with sunshine “lazing through the stately trees” and every breeze cheering a farewell pageant. This ornate, personified nature writing sets a tone of heightened observation that carries into the mystery. The dialogue among Norma, Judith, Maud, and Ted immediately introduces contrasting attitudes—Judith’s ominous reading of shadows, Maud’s tentative science, Ted’s comic dread of ice sports—that foreshadow the blend of suspense and humor. The excerpts show Jane and Dozia investigating a hidden dumb-waiter in Lenox Hall, discovering a rope, a broken staple, and a car that “came down to earth with a bump.” The narrative voice is brisk and colloquial, with characters using slang like “freshies” and “spooks,” while the mystery is grounded in physical details: French heels in soft earth, a vine-roped foundation, and a tower that “shoots up past all that outside plumbing.”
Seasonal Personification as Atmosphere
The opening paragraph of Jane Allen, Junior is a sustained metaphor: Summer is a child waving goodbye, Autumn has a “master hand” and a “brush poised for their fateful stroke of poisoned beauty.” This is not mere decoration; it establishes a world where nature is active and portentous. Judith immediately reads the “shadows come and go so weirdly” as a possible sign, linking the weather to the supernatural. The text does not confirm whether the ghost is real, but the prose consistently treats the campus as a stage for omens. Later, Jane notes that “even a fascinating ghost would soon have to be turned over to the proper authorities,” showing how the atmospheric opening contrasts with the characters’ pragmatic approach. The tension between poetic description and practical investigation is a recurring pattern.
The Hidden Dumb-Waiter as Structural Clue
Jane’s discovery of the dumb-waiter is the most concrete mystery in the excerpts. The hidden door is revealed by a rope “strung through a broken staple,” and when Jane pulls, she “toppled over backward.” Dozia’s reaction—“If here isn’t some sort of old elevator!”—mixes surprise with understatement. The dumb-waiter is described as having “big cables” and a car that goes “right up into that tower.” This mechanical detail grounds the ghost rumors in a physical object. The text emphasizes that the tower is “secretive” and that the building was “one time a show building” but has since “retrograded.” The contrast between the building’s former elegance and its current state, combined with the hidden mechanism, suggests that the mystery may have a rational explanation rooted in the building’s history.
Contrasting Voices and Comic Relief
The dialogue among the friends reveals distinct personalities. Ted Guthrie is comic and physical: she “rolled one more step nearer the boxwood lined path” and groans about becoming a “glazed mummy.” Maud Leslie is tentative and intellectual, offering science as a counter to superstition. Judith Stearns is dramatic and superstitious, waving her arms “to ward off the blow.” Jane and Dozia are the investigators, using practical language: “Let us get a line on that old tower,” Jane says, and Dozia reports “Squirrels do not usually wear French heels.” The humor—Ted’s fear of ice sports, the “ballet de follies” comment—lightens the suspense. The excerpts do not resolve the ghost, but the interplay of voices suggests the novel balances mystery with character-driven comedy.
The excerpts establish a pattern of contrasts: poetic nature writing versus practical sleuthing, superstition versus science, and comic banter versus eerie discovery. Readers may find it useful to track how each character’s initial attitude—Judith’s ominousness, Ted’s humor, Maud’s rationality—shapes their role in the investigation. The hidden dumb-waiter is a concrete piece of evidence, but the text leaves open whether the ghost is real or a prank. Pay attention to how the building’s history and the characters’ differing perspectives interact as the story unfolds.
Reading Jane Allen, Junior, the autumn chill and whispers about Lenox Hall’s dumb-waiter felt so familiar—that particular warmth of boarding-school secrets held close. It reminded me of another quiet favorite, Betty Wales, B. A.: A story for girls — Themes and Context, where friendship carries the same gentle weight. Both books, I think, understand how young women share a room and a hundred small, unspoken worries.
Mila Hall
1 month agoCharlotte Green
3 weeks agoJack Scott
3 weeks agoEmma Walker
3 weeks ago-
Justin Scott - 3 weeks ago
Jane Allen Junior offers a pleasant and straightforward narrative about school adventures and friendships. While the plot is engaging and the characters are likable, the pacing can occasionally feel slow, and some subplots are resolved rather predictably. Still, it's a solid read for fans of vintage juvenile fiction, providing a nostalgic glimpse into early 20th-century school life. A decent choice for a light, comforting read. -
Mark French - 3 weeks ago
Jane Allen Junior feels dated and lacks the depth that modern readers might expect. The storyline follows a predictable pattern with little character development, and the dialogue often comes across as stiff and unrealistic. The overall pace is sluggish, and the conflicts are resolved too easily to be truly engaging. While it may appeal to those who enjoy period pieces, it fails to captivate or leave a lasting impression. -
Samantha Rodriguez - 2 weeks ago
Jane Allen Junior is a charming and heartwarming tale that captures the essence of school life and friendship. The protagonist's journey is both inspiring and relatable, filled with genuine moments of growth and camaraderie. The writing is engaging, and the characters are well-developed, making it a delightful read for young adults and anyone who enjoys a classic coming-of-age story. Highly recommended for its uplifting message and nostalgic charm.
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Harper Flores
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