Princess Polly's Gay Winter — Themes and Context

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In Category - School Stories
Brooks, Amy Project Gutenberg 2004
Friendship -- Juvenile fiction; Girls -- Juvenile fiction; Students -- Juvenile fiction; Elementary schools -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 33,112
Reading time: 144 min
Text sections: 4
This editorial note examines how Amy Brooks structures 'Princess Polly's Gay Winter' through seasonal movement, domestic interiors, and recurring images of cats and cozy treats, focusing on the transition from summer at 'The Cliffs' to winter in Avondale.
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She had spent the bright, happy summer at the shore, and surely Uncle John's fine residence, "The Cliffs," had been a delightful summer home.

Then Uncle John had one morning told a bit of wonderful news.

"I've something to tell you, my little girl," he said, drawing Rose to him.

"This is our summer home," he continued, "and a fine summer place it is, but Rose, little girl, we're to spend the coming Winter at Avondale."

It had been very exciting!

Before closing "The Cliffs," those treasures that Uncle John held dearest were carefully packed to be sent to the new home, and then, in the big, luxurious car, they had motored to Avondale.

"Good-bye," Rose had said, as she looked back toward "The Cliffs," and then, after throwing a kiss toward the house, she nestled back in the car, and tried, for the twentieth time, to "guess" how the new home would look.

It had proved to be more grand, more beautiful than she had dreamed. "And so near sweet Princess Polly," she said, "just the next house but one."

She sprang from the low step, and ran down to the sidewalk to see if Princess Polly was yet in sight. "I think it is a little early," she said, "for Polly said she'd come over at nine, and it isn't nine yet."

The dainty Angora came down the walk to meet her, her tail like a great plume, her soft coat as fluffy as thistle down. Proudly she walked as if she knew her beauty.

"Oh, you darling puss!" cried Rose. "You make this new home seem just as if we'd always lived here."

"That's right, Miss Rose," said the housekeeper, as she looked from the window.

"A cat does make a place seem homelike. She's not stared about, nor acted wild as most cats do. She made herself at home, and seemed at home the first day the captain brought her to you. Do you remember, Miss Rose, she sprang from the basket, sat down on the rug, and began to wash her face?"

"I know she did, and that proves that she's a wonderful cat. She couldn't act like a common cat. Could you, dear?"

The cat rubbed lovingly against Rose.

"We're going to choose a name for her to-day, and Princess Polly is coming over to help me. Oh, there she comes now!" Rose ran down the path to meet Polly, the white cat trotting along after her.

"I wanted to bring Sir Mortimer over to get acquainted with her, but he's just dear, in all but one thing. He isn't _always_ polite to other cats, and _sometimes_ he's really horrid, and growls so dreadfully that you'd think he hadn't any manners," said Polly.

"I guess it's just as well," Rose said, "for we'll be pretty busy choosing a name."

Polly had written a list of fine names, and together they read them, the white cat sitting and eagerly watching them for a time, and then playing on the lawn with a ball that was her own especial toy. At last after reading the list of imposing names again and again, they decided that, after all, Beauty best suited the lovely creature.

"To think that you are to live here at Avondale again!" Polly said, when at last the name had been chosen.

"Yes, and to think that there's only one house between yours and mine!" said Rose.

"You'll be happier in this handsome house with your Uncle John, than you ever were when you lived here at Avondale before at the little wee cottage with your Aunt Judith."

"Oh, yes," Rose said quickly, "because _now_ I know that Aunt Judith loves me, but _then_, I thought she didn't. With Uncle John,--why every moment since I've lived at his house, I've known that he loved me."

A moment she sat thinking, then she spoke again.

"When I lived here at Avondale before, I lived _all_ the time at the cottage, but now I'll live here, with dear Uncle John, and go down to see Aunt Judith, oh, sometimes."

Then she turned to look at her playmate.

"Polly, _Dear_ Polly!" she cried. "You look more like a princess than when we first called you 'Princess Polly.' Now, who ever thinks of calling you Polly Sherwood, your real, _truly_ name?"

"Who cares which they call me, so long as they love me?" cried Polly with a merry laugh.

They were in the garden at the rear of the house, but between trees and shrubbery they could see a bit of the avenue.

Something moving attracted their attention.

"Look!" cried Rose. "What's _that_?" Polly did look.

Something like a huge wheel, all spokes and hub, but no tire, was whirling down the avenue.

"It's Gyp!" said Polly.

"What? _That_?" said Rose.

"Yes, that's Gyp, and he's going down the avenue whirling first on his hands, then on his feet," Polly said.

"Oh, I wish he wasn't in this town," cried Rose, "because no one ever can guess what horrid thing he'll do next. And he won't stay over by the woods where he lives. He keeps coming over to this part of Avondale, and I wonder someone doesn't stop him."

"Who could stop Gyp?" Polly asked.

And who, indeed, could stop him? He was one of a family that was more than half Gypsy, and Gyp was, surely, the wildest of the clan.

He _would_ steal, yet so crafty was he that no one ever caught him. He was full of mischief, and nothing delighted him more than the assurance that he had really frightened someone.

As he usually felt very gay when he had done some especially annoying bit of mischief, it was safe to say that he had spent a busy morning somewhere, and now was turning handsprings to give vent to his hilarious feelings.

"Oh, what _do_ you s'pose he's been doing?" Polly asked.

"I don't know," Rose said slowly, "but I remember that he always acted just like that when he'd been _very_ naughty."

"Rob Lindsey said yesterday that somebody ought to watch Gyp, and whenever he seems to feel gay, just look around the neighborhood, and learn what he has been doing," said Rose.

"You'd have to watch him all the time, then," Polly replied, "for he always acts as if he felt full of fun, and mischief."

"Then whoever watched Gyp could do nothing else. He wouldn't have a minute for--oh look!" Rose sprang up on to a low ledge that the gardener had left showing because of its natural beauty. Flowers grew at its base, and the little rock, or ledge, rose just enough to show its crest above the blossoms. Something bright and fair was racing down the street, as if pursuing Gyp.

It shouted lustily. "You Gyp! You _mean_ old,--oh, I don't know what!"

"Why, that's Gwen Harcourt!" said Polly, "and she's chasing Gyp!"

Like a small whirlwind composed of muslin, lace, and ribbons, Gwen tore down the avenue, shouting, and screaming as she ran.

She had snatched a handful of gravel just as she started to chase him, and she hurled the small, round stones after his flying figure.

Not one of them hit him, and as he ran, he looked over his shoulder to grin like an imp, as he shouted:

"Oh, what a shot! Ye couldn't hit the side of the house!"

That so maddened Gwen, that she forgot to run, and in the middle of the street, stood stamping her foot, and shrieking.

Of course Gyp was delighted! If he had not frightened her, he had, at least, the joy of seeing how angry Gwen could be. He vaulted over a low wall, and carelessly whistling, went at high speed across the lawn, toward the river, crossed the bridge, and, as usual, hid in the forest beyond.

Gwen stood, where he had left her, watching him as he hurried away, and finally disappeared.

"Horrid thing!" she cried. "How I wish I knew of something I could do to plague him!"

Gwen was quickly angered, but her anger was never long-lived.

She turned toward home.

"_Let_ him run, if he wants to. Who cares? I don't."

Already she was humming a merry tune.

"I read a story yesterday 'bout a house that had a secret closet in it. 'Twas a fine story, and I guess I'll tell it to the first girl I meet," she said.

It happened that Rose and Polly were walking down the avenue, on the way to Sherwood Hall, just as Gwen Harcourt gave up chasing Gyp.

"Hello!" she cried, "I wondered when you'd come to Avondale to live. How long have you been here?"

"Two weeks," said Rose.

"Why didn't you let me know? I'd have been over to see you long before this," Gwen replied.

Polly looked at Rose. She knew that Rose was not at all fond of Gwen, and wondered what reply she would make.

Rose did not have to answer, for Gwen continued:

"Sit down on this wall, and I'll tell you a story. I'll come over to your house some day this week, but now listen, while we sit here. It's a story I read yesterday, 'bout a house that had a secret closet, and ours has one, do you hear?" She leaned forward and pointed her ringer, first at Polly, then at Rose.

"_Our_ house has a secret closet. Don't you both wish yours had?"

"Why, Gwen Harcourt! What could we do with secret closets?" said Rose.

"The girl in the story I read was locked into the closet by mistake, and she couldn't get out!" said Gwen, looking quite as excited as if she were telling something pleasant. Rose moved uneasily, and Polly shivered.

"Didn't they _ever_ find her?" Polly asked.

"I guess not," said Gwen, "and the funny thing is that the story stopped right there, so you see I'll never have any idea whether she ever got out or not."

"Oh, I like _pleasant_ stories," Rose said, as she slipped from the wall. In an instant Polly stood beside her, and the two turned toward home, but Gwen had no idea of losing her audience so soon.

"Wait a minute," she cried, "and I'll tell you 'bout the girl that fell into the ditch, and had to be pulled out by her hair!"

"Oh, _don't_!" cried Polly, and clapping her hands over her ears, she turned, and ran at top speed, followed by Rose.

They soon outran Gwen, and were glad to rest.

"Did you ever hear such _horrid_ stories?" Polly asked.

"Never!" cried Rose, "unless it was other stories that she told at other times. There's the one that she made us listen to when we were over to Lena Lindsey's one day. The one about the ghost that rode down the main street every night at twelve."

"Oh, I remember," said Polly. "That was the time that Rob Lindsey said the shivers ran up and down his spine until his back was all _humps_! He said the shivers had become _chronic_! We laughed at Rob, but even the funny things he said couldn't drive away the thoughts of the story that Gwen Harcourt had told."

The bright, sunny days sped as swiftly at Avondale, as they had at the shore.

Hints of pleasures that already were being planned for the coming Winter were floating as freely as if the wind carried them, and all over Avondale, wherever small girls and boys were at play, one might hear scraps of conversation that told of anticipated pleasures.

Some of the gossip reached Aunt Judith's cottage, and she resolved to do a bit of entertaining, if not on the grand scale in which her neighbors indulged, at least in a manner that her little friends would enjoy.

She laughed softly as she moved about the tiny rooms, and thought of the quaint, merry party that would at least be original.

"The cottage is small, and so it will have to be a little party, but we'll call it 'small and select,'" she said.

A light tap at the door, made her turn, and she hastened to open the screen door, that Rose might enter.

"The fine house, and fine friends don't make you forget your Aunt Judith, dear," she said.

"Oh, I'll never forget you," Rose said, "and I'll come to see you now I'm to live so near. To-day I'll sit beside you while you sew. I'll sit in the little chair that was always mine."

"It is yours now, dear, and, whenever you come, I'll 'play,' as you and Polly say, I'll 'play' that you are once more living here at the cottage."

There was news to be told. Uncle John was to have a fine conservatory built, and later it would be stocked with beautiful flowering plants.

Lena Lindsey was to give a fine party some time during the Winter, and Leslie Grafton, and her brother Harry had already hinted that there would be gaiety at their home.

Mrs. Sherwood always gave some sort of party for Princess Polly, and surely everyone remembered her beautiful party of the Winter before.

All these things she told Aunt Judith.

"And Uncle John says he will not permit his neighbors to do _all_ the entertaining, and when he says that he laughs," said Rose.

Aunt Judith stopped rocking and sat very straight.

"And _I_ shall entertain in a small way myself," she said.

"Oh, Aunt Judith!" cried Rose, her surprise making her eyes round, and bright.

"The wee party that I shall give will be in honor of my little niece, Rose."

Rose laid her warm hand on Aunt Judith's arm.

"How good you are," she said. "And I'll come over the day of the party, and help you get ready. I'll love to. 'Twill be half the fun. Oh, Aunt Judith, please tell me what the dear little party is to be like."

"Like a party that I once enjoyed when I was little," Aunt Judith said.

"I remember it as perfectly as if it had occurred yesterday. To repeat it now will be a quaint delight. I'll not tell you _all_ about it yet, but when my plans are made, you shall come over here to the cottage, and I'll tell you every detail. I believe the tiny party will do me good. I shall feel once more like the little lass that I was when I received the invitation, and then a week later, dressed in my best, went to my friend's house. There were twelve guests, and I shall have just twelve at _my_ party."

Little Sprite Seaford sat in the first car of the long train, her eyes bright with excitement, a tear on her cheek, and her red lips quivering.

One little hand nervously clutched her handkerchief, while the other grasped the handles of her very new suitcase.

She had wound her pretty arms tightly around her mother's neck, kissed her, oh, so many times, and then, lest her courage fail her, had turned and fled from the house, where on the beach, she clung to her father's hand, and silently walked toward the station.

She felt that if she tried to talk she would surely cry, but why was the sturdy captain so silent? Did he feel, as his little daughter did, that safety lay in silence? Did he fear to speak lest the tears might come? It had been decided that Sprite should accept Mr. Sherwood's invitation, and spend the Winter at Avondale, enjoying the early Winter months at Sherwood Hall, and the latter part of the season as the guest of Uncle John Atherton and his little niece, Rose.

She had enjoyed the planning of her modest little wardrobe, she had talked of the delight of having Rose and Princess Polly for her playmates all Winter.

She had promised to be a faithful little pupil at school, and she had dreamed all night, and talked all day of the delightful Winter that she was to enjoy.

Now, seated in the car, ready to take her first journey from home, she looked about her with frightened eyes. Captain Seaford stood beside her. He had bought a box of candy, and a book, trusting that they might help to cheer her.

He looked down at the little daughter who was so dear to him.

"I'd make the trip with ye, Sprite, but yer ma, I'm thinking, will need me, 'bout the time she knows yer train has started," he said.

"Oh, she will. You _must_ go back to her," cried Sprite.

The conductor entered and stated that all who were intending to leave the car must leave at once, or remain on board. Captain Seaford stooped to kiss the little upturned face.

"Oh, father, dear! If you and mother hadn't worked so hard to get me ready for the long visit, I'd give it up now. I'd rather go back with you."

"Tut, tut, Sprite! Be a brave lassie, and try to make the trip bravely. Ye need the good schooling and the merry playmates. The Winter at the shore is always dull. Cheer up, now. We're to have a letter, remember, as soon as ye reach Avondale."

"Ay, ay, sir!" he said, as the conductor beckoned, impatiently, and with another kiss, and a hasty "Good-bye," he left the car.

Sprite knew that he would stand on the platform, and she turned toward the window.

Through blinding tears, she saw his stalwart form, and she tried to smile, for his sake.

Before she could chase away the tears, the train had started, she saw through her tear-dimmed lashes a blurred landscape, and then,--why she was actually riding away from her seashore home! For a time she sat, as if in a dream, and then the conductor came along. Little Sprite looked up into his pleasant face, and wondered why he paused.

"Let me see your ticket, my dear," he said, and she blushed at her forgetfulness, and drew it from her pocket.

He punched it, and then, in a gentle, fatherly way, he said:

"Your father, Captain Seaford, is a firm friend of mine. He asked me to look out for you, and see that you got off the train at Avondale. He said this was your first bit of travelling alone, but that your friends would be waiting for you when you arrived."

"They will, oh, they will!" she eagerly cried, "and thinking of that makes me feel happier. I've never been away alone before."

"I've a little girl at home who is much braver to talk about going away from home, than she is when the time comes to start. But don't worry, little Miss Seaford," he said, with a laugh, "for I'll be your friend all the way to Avondale."

"Oh, thank you," she said, and he thought that he had never seen a lovelier face. She opened the new book, hoping that the story and the pictures might make her forget her homesickness. It was evident that she considered a good book a good friend.

The story held her attention, the picture charmed her, and the box of candy was an added comfort. She nestled close to the window, her long golden hair fell over her shoulders, and framed her face, and the old conductor smiled when he passed down the aisle, and looked at the dear little figure.

"The book has made her forget to worry," he said, softly.

A little later, when he paused beside her seat, she looked up to smile at him.

"I keep right on reading," she said, "because if I stop to think, I remember that all the time I'm going farther away from home."

"Then whenever you look up from the page, just remember that you are getting nearer, and nearer to Avondale, where you can write your first letter home," he said in an effort to cheer her.

"Oh, yes," said Sprite, "and I'll do that before I go to sleep to-night, and post it early to-morrow morning." Then, for a long time, she read the fascinating story.

Just as she closed the book she realized that the train was slowing down.

The conductor was coming toward her. What was the brakeman saying?

"The next station will be Avondale!" he shouted, and little Sprite's heart beat faster.

The conductor stood at her seat now. "I'll take your suit case," he said. "Come with me."

How her little heart beat!

Would they be at the station? They had promised to be there when the train arrived.

She could not see from where she stood in the aisle.

Ah, now the train had actually stopped! She was out on the platform! She was going down the steps. The kindly conductor was saying something about wishing her a pleasant visit. The train was starting off.

Oh, was she utterly alone?

The opening chapter of Princess Polly's Gay Winter immediately establishes a pattern of movement between two homes: the summer residence 'The Cliffs' and the winter home in Avondale. Rose Atherton's reflection that 'wherever Uncle John is, seems better than anywhere else' anchors the emotional geography of the story. The transition is marked by packing treasures, a motor journey, and Rose's anticipation of seeing 'sweet Princess Polly' next door. This seasonal shift is not merely a change of setting but a structural device that frames the narrative, as the title itself promises a winter of gaiety.

Movement Between Homes as Structural Frame

The narrative opens with Rose sitting on the piazza steps, contemplating Avondale's beauty and recalling the summer at 'The Cliffs.' The journey from shore to inland is described in detail: packing 'those treasures that Uncle John held dearest,' motoring in a 'big, luxurious car,' and Rose's repeated attempts to 'guess' the new home's appearance. This movement is not a one-time event; the text later references a return to the shore in a 'breath of the sea' chapter, suggesting a cyclical pattern. The homes themselves are contrasted—'The Cliffs' as a 'delightful summer home' versus Avondale as 'more grand, more beautiful' than dreamed. This binary structure of summer/winter, shore/inland, gives the story a clear rhythmic pulse.

Domestic Interiors and Cozy Gatherings

Interior scenes are rendered with attention to sensory details that create a snug atmosphere. At Aunt Judith's party, the children sit 'watching the dancing flames' while listening to tales of adventure. The 'simple, old-time treat' includes sandwiches cut in fancy shapes, dainty cakes, and 'tiny wine glasses filled to the brim with delicious raspberry shrub.' The maid Greta appears in a 'striped gown and kerchief,' adding a quaint visual. These gatherings serve as set pieces where social bonds are reinforced—Polly, Rose, and Sprite are noted as 'the most favored of all the little lassies.' The party scene ends with the children walking home together 'talking all the way of the kindness of Aunt Judith,' emphasizing community warmth.

Recurring Animal Imagery: Cats and Gyp

Animals appear as markers of domestic comfort and character. The dainty Angora cat is introduced early: 'her tail like a great plume, her soft coat as fluffy as thistle down.' The housekeeper notes the cat's immediate sense of home—'she made herself at home, and seemed at home the first day.' Later, the boy Gyp is described as an 'impish figure' sitting astride an old wooden pump, waiting to see Aunt Judith. His odd seat and direct manner contrast with the refined cat. Gyp's concern about the nuts he provided—'I wanted ter know if them nuts was any good?'—shows a rough but earnest character. These animal and human figures alike underscore themes of belonging and eccentricity.

Dialogue and Voice: Directness and Formality

The characters' speech patterns reveal social dynamics. Rose's thoughts are often spoken aloud: 'And we live in the finest part of Avondale,' she says, continuing her thoughts aloud. Uncle John uses affectionate, formal address: 'I've something to tell you, my little girl.' The children's collective exclamations—'So do I!' cried the others, as if with one voice—create a chorus of enthusiasm. Gyp's dialect is markedly different: 'That's what I came fer.' This contrast between polished and rustic speech highlights class and character differences. The narrative voice itself is omniscient but gentle, often using phrases like 'she wondered if there were, in all the world, a lovelier spot' to align with the child's perspective.

Readers attentive to structure will notice how Brooks uses seasonal markers—the move from summer to winter, the cozy indoor parties, the recurring motif of the cat—to unify the episodic chapters. The excerpts suggest a book that values domestic stability and friendship over plot-driven adventure. Approach the text as a series of vignettes held together by place and recurring images, rather than a tightly plotted narrative.

I keep thinking about how Princess Polly's Gay Winter wraps its warmth around you through cheese dreams and purring cats, the house shrinking snug against the snow. That quiet, domestic steadiness reminds me of the sturdiness in Dick Merriwell's Glory; Or, Friends and Foes — A Reader’s Guide, where friendship feels like a hearth left burning through the harder chapters.

Owen Hall
1 month ago

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