Bessie Bradford's Prize — Background and Themes

(0 User reviews)   29
In Category - School Stories
Mathews, Joanna H. (Joanna Hooe), 1849-1901 Project Gutenberg 2004
Conduct of life -- Juvenile fiction; Children -- Conduct of life -- Juvenile fiction; Students -- Juvenile fiction; Sisters -- Juvenile fiction; Police -- Juvenile fiction; Theft -- Juvenile fiction; Letters -- Juvenile fiction; Prizes (Property captured at sea) -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 59,403
Reading time: 259 min
Text sections: 5
Joanna H. Mathews's 1893 children's novel uses distinct dialect, contrasting voices, and precise social detail to explore theft, trust, and community among the Bradford sisters and their acquaintances.
Share
Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

"Here comes Mrs. Fleming," said Jennie Richards, in a tone indicative of anything but pleasure in the coming of Mrs. Fleming.

Mrs. Granby responded with an exclamation which savored of a like sentiment, and rising, she tossed aside the little frock she was working on, as she added:

"I don't see what she's comin' for! I didn't want her a comin' here, bringin' her mournin' an' frettin' an' lookin' out for troubles to pester you, Mary Richards, an' I told her I would be over to her place this evenin'. I did tell her, you know, I'd fit that dress for her Mrs. Bradford give her to Christmas, but she just needn't a come here when I told her I'd go there; an' a kill-joy she is an' no comfort to nobody. You go into the kitchen, Mary, an' stay there till she's gone, which I won't be long fittin' her, an' I'll get rid of her soon's I can,"

Mrs. Richards was about to comply with the suggestion, when Jennie, who was still gazing out of the window, exclaimed with a total change of tone:

"And here come the little Miss Bradfords, with Jane, and Miss Belle Powers and Miss Lily Norris along with them."

The little sister whom she was diverting by holding her up to the window, began to clap her hands, and Mrs. Richards settled herself back into her chair again, saying:

"I ain't going into the kitchen to miss _them_, and I'll set the sunshine they'll bring against the clouds Mrs. Fleming drags."

Mrs. Granby beamed upon her.

"Well, I declare, Mary Richards, you ain't no great hand to talk, but when you do, you just do it beautiful; now don't she, Jennie? That's the po'tryest talkin' I've heard this long while, real live po'try, if there ain't no jingle about it. I allers did think you might a writ a book if you'd set about it, an' if you'd put such readin' as that kind of talk into it, I'll be boun' it would bring a lot of money, an' I'm right glad the little young ladies is comin', on'y I wish Amandy Flemin' hadn't hit the same time."

It was plain to be seen that the visit of the young party who were on the way to the door was a source of gratification to the policeman's family, whatever that of Mrs. Fleming might be. Their quicker footsteps brought them in before Mrs. Fleming, and they received a warm welcome. It is to be feared that the younger girl had an eye to the loaves and fishes with which they usually came laden on their visits to the Richards' household, as she ran to them on their entrance, saying,

"What did oo b'ing me?"

"Augh! Shame!" said the scandalized Mrs. Granby, snatching her up; and, "You'll excuse her, young ladies," said Mrs. Richards, mortified also; "but she's only a little thing, and you spoil her, always bringing her something when you come."

That they were not offended or hurt was soon evidenced by the fact that Lily presently had the little one on her lap, while Belle was showing her a linen scrap-book which had been brought for her.

Mrs. Granby was a seamstress, and Jane had brought some work which her mistress, Mrs. Bradford, had sent; and Maggie and Bessie, with Belle and Lily, who were spending the day with them, had chosen to accompany her, the first three because they were generally ready for a visit to the family of the policeman, who had befriended Bessie when she was lost, the latter because she thought Mrs. Granby "such fun." To have Mrs. Fleming come in, as she presently did, was bliss indeed to Lily, who delighted in pitting the cheery, lively little Mrs. Granby against the melancholy, depressing Mrs. Fleming. Nor was the entertainment long in beginning.

Jane was to carry home some work which Mrs. Granby had finished, and as the latter was putting it up Mrs. Fleming came in and was bidden by her to take a seat till she was ready to attend to her.

"And how's little Miss Neville, Miss Maggie?" asked Mrs. Richards. "I think that's the name of the young lady who was so brave in saving her little sister, and was so burned."

"Yes, that's her name," answered Maggie. "She is a great deal better, Mrs. Richards. The doctor has said she is out of danger, and her mother has been able to leave her and to go back to the son who is ill."

"I'm very glad to hear it," said Mrs. Richards, cordially. "My husband was telling me how wonderful and brave she was, and how she never thought of herself trying to save the other children; and how the gentleman Miss Staunton is to marry was burned very bad saving her."

"Yes; it was a terrible time," said Maggie; "but Mr. Howard is much better now, too; so we are all very happy."

All this time Mrs. Fleming had sat nodding her head mournfully, as if she would say, "Don't be encouraged; there is no ground for hope."

"Look! Look at her!" Lily whispered to Bessie. "She's like an insane Chinese mandarin, rolling round her old head that way."

"Hush!" whispered Bessie, "she'll hear you."

"Don't care if she does," answered Lily.

And now Mrs. Fleming broke forth in just such a lackadaisical, tearful tone as one would have expected to issue from her lips.

"Oh, Miss Maggie," she whined, "if the dear lady, your ma, 'ad but listened to me. I told her no good wouldn't come of 'avin' that number of children to her Christmas tree--twice thirteen; an' I said if thirteen was hunlucky, twice thirteen was twice worse; an' your ma just laughed at me; an' the next day came the burnin'."

Bessie looked gravely at her.

"My mother says that is wrong and foolish, too," she said, in an admonitory tone, "and that thirteen is no worse than any other number."

"You nor your ma can't gainsay that there come the burnin', Miss," persisted the woman.

"I know that Colonel Rush's house was on fire, and that Miss Lena was burned, and Mr. Howard, too," answered Bessie, equally determined to maintain her side of the case. "But they are both a great deal better, and it ought to show you that such things don't make any difference to God, and that He can take just as good care of one number as another."

The other children were rather surprised to hear Bessie speak so decidedly to one older than herself; but this was a subject on which she felt strongly; her own faith and trust and reliance on the goodness and power of God were very strong; and more than one occurrence in her little life had tended to foster these, and she always rather resented the want of them in others. And now Mrs. Fleming, in her turn, resented being chidden by this mite who appeared even younger than she really was. But it pleased her, as usual, to assume the injured role.

"Well, Miss," she said, "'tain't for me to contradick you nor your ma. I can't help havin' my hown feelin's an' hopinions; but the Lord made me to be down-trod, an' I'm willin' to habide 'is will an' stay down-trod."

This was beyond Bessie; she had no answer, no argument for folly such as this, if, indeed, she grasped the woman's meaning; but she did understand that she was still making her moan over matters and things in general, and that in some way she seemed to be blaming her own dear mother. She looked displeased and turned away; but here Mrs. Granby, who had her head in a wardrobe, looking for a large sheet of paper, withdrew it and came to the front.

"Well," she said, raising her voice so that it might be heard above the rattle of the stiff paper which she unfolded and wrapped about the completed work Jane was to carry back, "well, if so be as you enjoy bein' 'down-trod,' as you do enjoy most things as other folks don't find pleasin', there ain't nobody goin' to hinder you; but you look here, Mrs. Flemin', you nor nobody else ain't goin' to cast no slurs onter Mrs. Bradford which there never was a better lady, nor one that was so far from down-treadin' folks but more like to be upliftin' 'em if only they'll let themselves be uplift, an' all her family the same an' the little ladies brought up accordin'; so, if you please, no slurs on any of 'em afore me an' Mary Richards which we would have feelin's on account of it an' wouldn't stan' it in _this_ house. I don't see why you can't live agreeable like other folks; an' it does fret me outer patience to hear a body mortifyin' the Lord's mercies an' you such a heapin' lot sent to you this very winter, an' it's for your own good I speak, which the Lord He does get out of patience with us sometimes I do believe when we're faithless an' mistrustin', an' takes back His blessin's when He finds we don't hold 'em in no appreciation."

By this time Mrs. Fleming had dissolved into tears and buried her face in an already much bewept pocket-handkerchief.

Seeing this Mrs. Granby resumed in a soothing tone and with some self-reproach.

"But just hear me now rattlin' on about my neighbors' short-comin's an' me plenty of my own, me that ain't a woman of many words neither. There, Mrs. Flemin', don't mind, an' if you've a min' to compose your feelin's in the kitchen just step in an' I'll fit your dress soon's Jane's business is over."

But Mrs. Fleming had no idea of retiring to privacy to compose her "feelin's;" she preferred to indulge them in public, and she sat still, sobbing only the louder. The situation was becoming embarrassing to the young party, and Maggie, with her usual ready tact, seized upon an opening to change the subject.

"Why, Mrs. Granby," she said, "I did not know you made dresses. I thought you only did plain sewing such as you have done for our family."

"I do a bit at it, Miss Maggie," answered the seamstress; "though, to be sure, I wouldn't undertake to dress-make for ladies like your ma and aunts an' the like, but for them as hasn't much ambition as to their figgers, I can make out, an' I did tell Mrs. Flemin' I'd fit hers, so she could make it herself an' she shouldn't have to do no expenses about it, for it's on'y right we should all lend a helpin' hand, an' where would me an' the Richardses be if your folks hadn't thought the same an' acted accordin', which there's never a night on my bended knees I don't ask the Almighty's blessin' on you, an' there's none more deserves it, an' I do b'lieve the dear Lord's of the same way of thinkin', for there's none as I see happier nor more prosperin' an' does one's heart good to see it, an' never will I forget the night we was in such a peck of troubles an' seein' no way out of 'em me an' the Richardses, an' your pa comin' in an' turnin' the tide, an' since then, yes, ever since, all goin' so comfortable an' pleasant with us. I did think when I saw Mr. Bradford's face that night I first opened the door to him that he was the agreeablest-lookin' gentleman I ever did see, but me no idea what a blessin' he was a bringin' us all an' help outer our troubles, which the Richardses' troubles is always mine too. But I declare, just hear me runnin' on, as I always do if I get on them times; you'd think I was the greatest hand to talk ever was."

Lily was having her "fun," and she was quite loth to take leave when Mrs. Granby had the parcel ready and Maggie made the move to go.

"I'm sure, Miss Maggie," said Mrs. Richards, "that I am truly glad to hear that Miss Neville is likely to get well. I suppose she'll be leaving her uncle's now and going away with her mother. It isn't likely Mrs. Neville will want to be leaving her child again after such an escape as she's had. I'm sure I couldn't abide one of mine out of my sight after such a thing. And the bravery of her, too, the dear young thing. My husband says it was a risk a strong man, and one of the police themselves, might have shrunk from."

This was an unusually long speech for Mrs. Richards, who was that which Mrs. Granby so mistakenly called herself, "a woman of few words," for she, as well as the rest of the family, had been greatly interested in the adventure of the heroic little girl who had braved and endured so much to rescue her young brother and sister.

Maggie hesitated one moment, then said:

"No, Mrs. Richards. Mrs. Neville has gone back to her son, but Miss Lena has not gone with her. She is to stay with Colonel and Mrs. Rush for a long time, perhaps a year, and we are all so glad about it."

"And could the mother go and leave her, and she might any time take a turn for the worse, and be took off sudden?" interposed Mrs. Fleming, whose tears did not prevent her from hearing all that passed. "You never know when there's been burnin' if there ain't smothered fire, an' it shows up when you least hexpect it."

No one took any notice of this cheerful prophecy, but Mrs. Granby asked:

"And the young lady is like to be quite well again and about soon, Miss Maggie?"

"Oh, yes," answered Maggie, confidently; "and we hope to have her back at school before long. She is quite well enough now to enjoy everything except walking; but her feet are still tender and she cannot yet walk about. But come, girls, it is time to go;" and the young party took their leave.

When not far from their respective homes, which were all in the same neighborhood, they met Gracie Howard, and Maggie stopped to speak to her, although Gracie had shown no sign of wishing to do so; indeed, she seemed as if she would rather pass on. Of course, the others lingered too.

"Gracie," said Maggie, "I hope you will come to the meeting of our club the day after to-morrow. It is so long since you have been."

Gracie colored violently, looked down upon the ground, and in a nervous way dug the toe of her overshoe into the snow which had fallen that morning and still lay in some places on the street.

"I don't know; no, I think not--I think--perhaps I may go out with mamma," she stammered, anxious for some excuse, and yet too honest to invent one that was altogether without foundation. Perhaps she would go out with her mother; she would ask her to take her.

"Oh, come, Gracie; do come," persisted Maggie, determined to carry her point if possible. "It is so long since you have been, and you know there is a paper owing from you. Your turn is long since passed; and we'll all be so glad to have you."

Grade's color deepened still more, and she cast a sidelong glance at Lily, who stood at Maggie's elbow; and Lily saw that she was doubtful if that "all" included herself. Lily was very outspoken, particularly so where she saw cause for disapproval, and above all if she thought others were assuming too much; and she had on certain occasions so plainly made known her opinion of some of Grade's assumption, that a sort of chronic feud had become established between the two, not breaking out into open hostility, but showing itself in a half-slighting, half-teasing way with Lily, and with Gracie in a manner partly scornful, partly an affectation of indifference.

Some six weeks since, at a meeting of the club of the "Cheeryble Sisters," to which all three little girls belonged, Gracie's overweening self-conceit and irrepressible desire to be first had led her into conflict with another of her classmates, Lena Neville, in which she had proved herself so arrogant, so jealous and ill-tempered that she had excited the indignation of all who were present. But if they had known what followed after Gracie had been left alone in the room where she had so disgraced herself, how would they have felt then? How she had stood by and seen the source of contention, a composition, which she believed had been written by Lena, torn to atoms by a mischievous little dog, withholding her hand from rescuing it, her voice from warning the dog off from it simply for the indulgence of that same blind, overpowering jealousy. The destruction was hardly wrought, when repentance and remorse too late had followed--repentance and remorse, intensified a thousandfold by after events on the very same day.

But that guilty secret was still locked within her own heart, weighing heavily upon her conscience, but still unconfessed, still unsuspected by others. Ever since that miserable afternoon she had shrunk from meeting her classmates, and although she had been obliged to do so at school, she had avoided all other opportunities of seeing them, and on one excuse and another had refused to attend the meetings of the club which came together every Friday afternoon, the place of rendezvous being at Mrs. Bradford's, Maggie being the president as she had been the originator of the club.

It was true that Gracie had later discovered that the ruined paper was one of her own, a composition on the very same subject as Lena's, and which had, by the merest accident, and without her knowledge, been exchanged for that of the young classmate whom she chose to consider as her rival; and this had in some measure relieved the weight of sorrow and remorse she had felt when Lena was severely burned and lay for days hovering between life and death. But she could not shut her eyes or blind her conscience to the fact that she had been guilty in intention, if not in actual deed, and she could not shake off the haunting sense of shame or the feeling that others must know of the contemptible action of which she had been guilty.

Knowing nothing of this, Maggie and the other members of the club believed that her avoidance of them and her low spirits were caused by shame and distress for the bad temper and unkindness she had shown to Lena on that memorable day; and now Maggie, feeling sorry for her and also very loath to have any unpleasantness in the club, would fain have persuaded her to join them once more and to put things on their old footing.

Gracie was not doubtful of Maggie, nor of Bessie, nor yet of Belle Powers and Fanny Leroy; in fact, she knew she would be received kindly by the majority of the members, but about Lily and two or three others she had her misgivings, and hence that doubtful, half-deprecating glance at the former, who stood at Maggie's elbow.

Lily caught it, and, although she had intended to be very offish and high and mighty with Gracie for the rest of her days, her heart smote her, and flinging her former resolution to the winds, she followed Maggie's example, and laying her hand persuasively on Gracie's muff, said, with her usual directness:

"Oh, come on, Gracie! Don't let's have any more madness and being offended among us. It's horrid; so let by-gones be by-gones, and come to the club meetings again."

"If they only knew," thought Gracie, "they would not ask me, would not say 'let by-gones be by-gones;'" but she said that she would come to the meeting, and then they parted and went their separate ways.

Joanna H. Mathews opens Bessie Bradford's Prize with a scene that immediately establishes a contrast in voices: Mrs. Granby's blunt, colloquial speech—"a kill-joy she is an' no comfort to nobody"—against Mrs. Richards's more measured, almost poetic phrasing. The dialogue is thick with dialect markers ("comin'," "frettin'," "ain't no great hand to talk") that anchor the story in a specific social milieu. The policeman's household is presented as warm and welcoming, in pointed opposition to Mrs. Fleming's "mournin' an' frettin'." This early tension between characters who bring "sunshine" and those who bring "clouds" sets up a moral framework that runs through the excerpts, where kindness and suspicion are constantly weighed.

Dialect as Social Marker

Mathews uses dialect not merely as local color but as a precise indicator of class and character. Mrs. Granby's speech is full of contractions and dropped consonants: "I don't see what she's comin' for!" and "I told her I'd go there." By contrast, the Bradford sisters and their friends speak in standard English, marking their higher social standing. Even within the same household, Mrs. Richards's remark—"I'll set the sunshine they'll bring against the clouds Mrs. Fleming drags"—is praised by Mrs. Granby as "the po'tryest talkin' I've heard this long while, real live po'try." This meta-commentary draws attention to the author's own craft: the ability to elevate everyday speech into something memorable. The dialect is consistent and purposeful, giving each character a distinct verbal fingerprint.

Suspicion and the Inner Voice

A recurring pattern in the excerpts is the internal monologue of suspicion. Miss Trevor, a nervous old lady, is described as having a "besetting terror that every one who addressed her or looked at her in the street was actuated by purposes of robbery." Her thoughts tumble out in fragmented, repetitive phrases: "What did I come for?" she ejaculates, "yes, come. I wish I was back in Sylvandale—yes, Sylvandale, indeed, 'dale." This verbal tic—repeating key words with a trailing "yes"—creates a sense of agitation and distrust. When Hannah mentions Sylvandale, Miss Trevor's suspicion spikes: "She had heard of swindlers pretending to know of places and people belonging to those whom they would victimize." The narrative voice stays close to her perspective, rendering her fears in vivid, almost paranoid detail.

The Weight of a Name: Sylvandale

The place name "Sylvandale" functions as a narrative hinge. For Miss Trevor, it is home and safety—"I wish I was back in Sylvandale"—but for Hannah, it carries "an unpleasantly familiar sound" because of her connection to Percy Neville. The name triggers recognition and alarm in both characters, though for different reasons. Mathews uses this shared reference to build a bridge between two storylines: Miss Trevor's errand to deposit her savings and Hannah's search for her former charge. The repetition of "Sylvandale" in dialogue and narration emphasizes how a single word can carry emotional weight and narrative significance. It also hints at a web of relationships that extends beyond the immediate scene, linking the city and the village.

Objects of Value: The Satchel and the Savings

Material objects carry symbolic and plot weight in the excerpts. Miss Trevor's "shabby, worn satchel" contains her life savings, and her anxiety about it drives her interactions. She is described as "warily on her guard for snares and pitfalls tending swindlerwise," a phrase that blends her internal state with the narrator's ironic distance. The satchel is both a physical burden and a symbol of her independence—she insists on keeping her money herself, despite her nephew's care. When Hannah touches her arm, Miss Trevor fears robbery: "the hand of the latter in its turn arrested her, giving, if possible, new force to the fears of the old lady." The narrative lingers on these moments of physical contact and suspicion, making the reader feel the weight of Miss Trevor's mistrust.

Readers attentive to Mathews's handling of dialogue and internal thought will find a story that rewards close attention to how characters speak and what they fear. The excerpts suggest a world where trust is fragile and appearances can deceive, but where small acts of kindness—like Belle Powers's interest in her "queer little teacher"—offer counterweights to suspicion. The novel's moral concerns are embedded in its linguistic texture, not merely stated.

I’ve shelved Bessie Bradford’s Prize for decades, and still its careful rendering of a child’s shame over a stolen thing lingers—how trust mends quietly, like a stitch. That same patient trust appears in Jack and his ostrich — Context and Discussion, where a boy’s odd companion teaches him steadiness. Two books, different creatures, yet the same gentle lesson in responsibility. I find that kinship comforting.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

Record your reading impressions

A brief reflection can help important ideas stay with you longer.

Your progress 0 / 10
1

Which reading stage best describes you?

2

Did this book hold your interest?

3

Would you pass this book on to a friend?

4

Did the language feel accessible?

Related eBooks