The Queen of the Pirate Isle — Text and Context

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In Category - Young Readers
Harte, Bret, 1836-1902 Project Gutenberg 2006
American fiction -- 19th century; Pirates -- Juvenile fiction; Fantasy games -- Juvenile fiction; Gold mines and mining -- California -- Juvenile fiction; Stanislaus River (Calif.) -- Juvenile fiction Readers of public-domain and historical texts
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Words: 9,479
Reading time: 42 min
Text sections: 1
Bret Harte's 1886 children's adventure follows nine-year-old Polly, who imagines herself Queen of the Pirate Isle, as she leads her friends through a gold-mining California landscape where fantasy and reality blur in a cave of Christy Minstrel-like pirates.
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s was easily effected. The Proud Lady was understood to have died. Indeed, most of Polly's impersonations were got rid of in this way, although it by no means prevented their subsequent reappearance. “I thought Mrs. Smith was dead,” remonstrated her mother at the posthumous appearance of that lady with a new infant. “She was buried alive and kem to!” said Polly with a melancholy air. Fortunately, the representation of a resuscitated person required such extraordinary acting, and was, through some uncertainty of conception, so closely allied in facial expression to the Proud Lady, that Mrs. Smith was resuscitated only for a day.

The origin of the title of the Queen of the Pirate Isle may be briefly stated as follows:--

An hour after luncheon, one day, Polly, Hickory Hunt, her cousin, and Wan Lee, a Chinese page, were crossing the nursery floor in a Chinese junk. The sea was calm and the sky cloudless. Any change in the weather was as unexpected as it is in books. Suddenly a West Indian Hurricane, purely local in character and unfelt anywhere else, struck Master Hickory and threw him overboard, whence, wildly swimming for his life and carrying Polly on his back, he eventually reached a Desert Island in the closet. Here the rescued party put up a tent made of a table-cloth providentially snatched from the raging billows, and, from two o'clock until four, passed six weeks on the island, supported only by a piece of candle, a box of matches, and two peppermint lozenges. It was at this time that it became necessary to account for Polly's existence among them, and this was only effected by an alarming sacrifice of their morality; Hickory and Wan Lee instantly became PIRATES, and at once elected Polly as their Queen. The royal duties, which seemed to be purely maternal, consisted in putting the Pirates to bed after a day of rapine and bloodshed, and in feeding them with licorice water through a quill in a small bottle. Limited as her functions were, Polly performed them with inimitable gravity and unquestioned sincerity. Even when her companions sometimes hesitated from actual hunger or fatigue and forgot their guilty part, she never faltered. It was her real existence; her other life of being washed, dressed, and put to bed at certain hours by her mother was the ILLUSION.

Doubt and skepticism came at last,--and came from Wan Lee! Wan Lee of all creatures! Wan Lee, whose silent, stolid, mechanical performance of a pirate's duties--a perfect imitation like all his household work--had been their one delight and fascination!

It was just after the exciting capture of a merchantman, with the indiscriminate slaughter of all on board,--a spectacle on which the round blue eyes of the plump Polly had gazed with royal and maternal tolerance,--and they were burying the booty, two tablespoons and a thimble, in the corner of the closet, when Wan Lee stolidly rose.

“Melican boy pleenty foolee! Melican boy no Pilat!” said the little Chinaman, substituting “l's” for “r's” after his usual fashion.

“Wotcher say?” said Hickory, reddening with sudden confusion.

“Melican boy's papa heap lickee him--s'pose him leal Pilat,” continued Wan Lee doggedly. “Melican boy Pilat INSIDE housee. Chinee boy Pilat OUTSIDE housee. First chop Pilat.”

Staggered by this humiliating statement, Hickory recovered himself in character. “Ah! Ho!” he shrieked, dancing wildly on one leg, “Mutiny and Splordinashun! 'Way with him to the yard-arm.”

“Yald-alm--heap foolee! Alee same clothes-horse for washee washee.”

It was here necessary for the Pirate Queen to assert her authority, which, as I have before stated, was somewhat confusingly maternal.

“Go to bed instantly without your supper,” she said seriously. “Really, I never saw such bad pirates. Say your prayers, and see that you're up early to church tomorrow.”

It should be explained that in deference to Polly's proficiency as a preacher, and probably as a relief to their uneasy consciences, Divine Service had always been held on the Island. But Wan Lee continued:--

“Me no shabbee Pilat INSIDE housee; me shabbee Pilat OUTSIDE housee. S'pose you lun away longside Chinee boy--Chinee boy make you Pilat.”

Hickory softly scratched his leg; while a broad, bashful smile almost closed his small eyes. “Wot?” he asked.

“Mebbe you too flightened to lun away. Melican boy's papa heap lickee.”

This last infamous suggestion fired the corsair's blood. “Dy'ar think we daresen't?” said Hickory desperately, but with an uneasy glance at Polly. “I'll show yer to-morrow.”

The entrance of Polly's mother at this moment put an end to Polly's authority and dispersed the pirate band, but left Wan Lee's proposal and Hickory's rash acceptance ringing in the ears of the Pirate Queen. That evening she was unusually silent. She would have taken Bridget, her nurse, into her confidence, but this would have involved a long explanation of her own feelings, from which, like all imaginative children, she shrank. She, however, made preparation for the proposed flight by settling in her mind which of her two dolls she would take. A wooden creature with easy-going knees and movable hair seemed to be more fit for hard service and any indiscriminate scalping that might turn up hereafter. At supper, she timidly asked a question of Bridget. “Did ye ever hear the loikes uv that, ma'am?” said the Irish handmaid with affectionate pride. “Shure the darlint's head is filled noight and day with ancient history. She's after asking me now if Queens ever run away!” To Polly's remorseful confusion here her good father, equally proud of her precocious interest and his own knowledge, at once interfered with an unintelligible account of the abdication of various queens in history until Polly's head ached again. Well meant as it was, it only settled in the child's mind that she must keep the awful secret to herself and that no one could understand her.

The eventful day dawned without any unusual sign of importance. It was one of the cloudless summer days of the Californian foothills, bright, dry, and, as the morning advanced, hot in the white sunshine. The actual, prosaic house in which the Pirates apparently lived was a mile from a mining settlement on a beautiful ridge of pine woods sloping gently towards a valley on the one side, and on the other falling abruptly into a dark deep olive gulf of pine-trees, rocks, and patches of red soil. Beautiful as the slope was, looking over to the distant snow peaks which seemed to be in another world than theirs, the children found a greater attraction in the fascinating depths of a mysterious gulf, or canyon, as it was called, whose very name filled their ears with a weird music. To creep to the edge of the cliff, to sit upon the brown branches of some fallen pine, and, putting aside the dried tassels, to look down upon the backs of wheeling hawks that seemed to hang in mid-air was a never-failing delight. Here Polly would try to trace the winding red ribbon of road that was continually losing itself among the dense pines of the opposite mountains; here she would listen to the far-off strokes of a woodman's axe, or the rattle of some heavy wagon, miles away, crossing the pebbles of a dried-up watercourse. Here, too, the prevailing colors of the mountains, red and white and green, most showed themselves. There were no frowning rocks to depress the children's fancy, but everywhere along the ridge pure white quartz bared itself through the red earth like smiling teeth; the very pebbles they played with were streaked with shining mica like bits of looking-glass. The distance was always green and summer-like, but the color they most loved, and which was most familiar to them, was the dark red of the ground beneath their feet everywhere. It showed itself in the roadside bushes; its red dust pervaded the leaves of the overhanging laurel; it colored their shoes and pinafores; I am afraid it was often seen in Indian-like patches on their faces and hands. That it may have often given a sanguinary tone to their fancies I have every reason to believe.

It was on this ridge that the three children gathered at ten o'clock that morning. An earlier flight had been impossible on account of Wan Lee being obliged to perform his regular duty of blacking the shoes of Polly and Hickory before breakfast,--a menial act which in the pure republic of childhood was never thought inconsistent with the loftiest piratical ambition. On the ridge they met one “Patsey,” the son of a neighbor, sun-burned, broad-brimmed hatted, red-handed, like themselves. As there were afterwards some doubts expressed whether he joined the Pirates of his own free will, or was captured by them, I endeavor to give the colloquy exactly as it occurred:--

Patsey: “Hallo, fellers.”

The Pirates: “Hello!”

Patsey: “Goin' to hunt bars? Dad seed a lot o' tracks at sun-up.”

The Pirates (hesitating): “No--o--”

Patsey: “I am; know where I kin get a six-shooter?”

The Pirates (almost ready to abandon piracy for bear-hunting, but preserving their dignity): “Can't! We've runn'd away for real pirates.”

Patsey: “Not for good!”

The Queen (interposing with sad dignity and real tears in her round blue eyes): “Yes!” (slowly and shaking her head). “Can't go back again. Never! Never! Never! The--the--eye is cast!”

Patsey (bursting with excitement): “No-o! Sho'o! Wanter know.”

The Pirates (a little frightened themselves, but tremulous with gratified vanity): “The Perleese is on our track!”

Patsey: “Lemme go with yer!”

Hickory: “Wot'll yer giv?”

Patsey: “Pistol and er bananer.”

Hickory (with judicious prudence): “Let's see 'em.”

Patsey was off like a shot; his bare little red feet trembling under him. In a few minutes he returned with an old-fashioned revolver known as one of “Allen's pepper-boxes” and a large banana. He was at once enrolled, and the banana eaten.

As yet they had resolved on no definite nefarious plan. Hickory, looking down at Patsey's bare feet, instantly took off his own shoes. This bold act sent a thrill through his companions. Wan Lee took off his cloth leggings, Polly removed her shoes and stockings, but, with royal foresight, tied them up in her handkerchief. The last link between them and civilization was broken.

“Let's go to the Slumgullion.”

“Slumgullion” was the name given by the miners to a certain soft, half-liquid mud, formed of the water and finely powdered earth that was carried off by the sluice-boxes during gold-washing, and eventually collected in a broad pool or lagoon before the outlet. There was a pool of this kind a quarter of a mile away, where there were “diggings” worked by Patsey's father, and thither they proceeded along the ridge in single file. When it was reached they solemnly began to wade in its viscid paint-like shallows. Possibly its unctuousness was pleasant to the touch; possibly there was a fascination in the fact that their parents had forbidden them to go near it, but probably the principal object of this performance was to produce a thick coating of mud on the feet and ankles, which, when dried in the sun, was supposed to harden the skin and render their shoes superfluous. It was also felt to be the first real step towards independence; they looked down at their ensanguined extremities and recognized the impossibility of their ever again crossing (unwashed) the family threshold.

Then they again hesitated. There was a manifest need of some well-defined piratical purpose. The last act was reckless and irretrievable, but it was vague. They gazed at each other. There was a stolid look of resigned and superior tolerance in Wan Lee's eyes.

Polly's glance wandered down the side of the slope to the distant little tunnels or openings made by the miners who were at work in the bowels of the mountain. “I'd like to go into one of them funny holes,” she said to herself, half aloud.

Wan Lee suddenly began to blink his eyes with unwonted excitement. “Catchee tunnel--heap gold,” he said quickly. “When manee come outside to catchee dinner--Pilats go inside catchee tunnel! Shabbee! Pilats catchee gold allee samee Melican man!”

“And take perseshiun,” said Hickory.

“And hoist the Pirate flag,” said Patsey.

“And build a fire, and cook, and have a family,” said Polly.

The idea was fascinating to the point of being irresistible. The eyes of the four children became rounder and rounder. They seized each other's hands and swung them backwards and forwards, occasionally lifting their legs in a solemn rhythmic movement known only to childhood.

“It's orful far off!” said Patsey with a sudden look of dark importance. “Pap says it's free miles on the road. Take all day ter get there.”

The bright faces were overcast.

“Less go down er slide!” said Hickory boldly.

They approached the edge of the cliff. The “slide” was simply a sharp incline zigzagging down the side of the mountain used for sliding goods and provisions from the summit to the tunnel-men at the different openings below. The continual traffic had gradually worn a shallow gully half filled with earth and gravel into the face of the mountain which checked the momentum of the goods in their downward passage, but afforded no foothold for a pedestrian. No one had ever been known to descend a slide. That feat was evidently reserved for the Pirate band. They approached the edge of the slide, hand in hand, hesitated, and the next moment disappeared.

Five minutes later the tunnel-men of the Excelsior mine, a mile below, taking their luncheon on the rude platform of debris before their tunnel, were suddenly driven to shelter in the tunnel from an apparent rain of stones, and rocks, and pebbles, from the cliffs above. Looking up, they were startled at seeing four round objects revolving and bounding in the dust of the slide, which eventually resolved themselves into three boys and a girl. For a moment the good men held their breath in helpless terror. Twice one of the children had struck the outer edge of the bank, and displaced stones that shot a thousand feet down into the dizzy depths of the valley; and now one of them, the girl, had actually rolled out of the slide and was hanging over the chasm supported only by a clump of chamisal to which she clung!

“Hang on by your eyelids, sis! but don't stir, for Heaven's sake!” shouted one of the men, as two others started on a hopeless ascent of the cliff above them.

But a light childish laugh from the clinging little figure seemed to mock them! Then two small heads appeared at the edge of the slide; then a diminutive figure, whose feet were apparently held by some invisible companion, was shoved over the brink and stretched its tiny arms towards the girl. But in vain, the distance was too great. Another laugh of intense youthful enjoyment followed the failure, and a new insecurity was added to the situation by the unsteady hands and shoulders of the relieving party, who were apparently shaking with laughter. Then the extended figure was seen to detach what looked like a small black rope from its shoulders and throw it to the girl. There was another little giggle. The faces of the men below paled in terror. Then Polly,--for it was she,--hanging to the long pigtail of Wan Lee, was drawn with fits of laughter back in safety to the slide. Their childish treble of appreciation was answered by a ringing cheer from below.

“Darned ef I ever want to cut off a Chinaman's pigtail again, boys,” said one of the tunnel-men as he went back to dinner.

Meantime the children had reached the goal and stood before the opening of one of the tunnels. Then these four heroes who had looked with cheerful levity on the deadly peril of their descent became suddenly frightened at the mysterious darkness of the cavern and turned pale at its threshold.

“Mebbee a wicked Joss backside holee, he catchee Pilats,” said Wan Lee gravely.

Hickory began to whimper, Patsey drew back, Polly alone stood her ground, albeit with a trembling lip.

“Let's say our prayers and frighten it away,” she said stoutly.

“No! no!” said Wan Lee, with a sudden alarm. “No frighten Spillits! You waitee! Chinee boy he talkee Spillit not to frighten you.” *

* The Chinese pray devoutly to the Evil Spirits NOT to injure them.

Tucking his hands under his blue blouse, Wan Lee suddenly produced from some mysterious recess of his clothing a quantity of red paper slips which he scattered at the entrance of the cavern. Then drawing from the same inexhaustible receptacle certain squibs or fireworks, he let them off and threw them into the opening. There they went off with a slight fizz and splutter, a momentary glittering of small points in the darkness, and a strong smell of gunpowder. Polly gazed at the spectacle with undisguised awe and fascination. Hickory and Patsey breathed hard with satisfaction: it was beyond their wildest dreams of mystery and romance. Even Wan Lee appeared transfigured into a superior being by the potency of his own spells. But an unaccountable disturbance of some kind in the dim interior of the tunnel quickly drew the blood from their blanched cheeks again. It was a sound like coughing, followed by something like an oath.

“He's made the Evil Spirit orful sick,” said Hickory in a loud whisper.

A slight laugh, that to the children seemed demoniacal, followed.

“See!” said Wan Lee. “Evil Spillet he likee Chinee; try talkee him.”

The Pirates looked at Wan Lee, not without a certain envy of this manifest favoritism. A fearful desire to continue their awful experiments, instead of pursuing their piratical avocations, was taking possession of them; but Polly, with one of the swift transitions of childhood, immediately began to extemporize a house for the party at the mouth of the tunnel, and, with parental foresight, gathered the fragments of the squibs to build a fire for supper. That frugal meal, consisting of half a ginger biscuit divided into five small portions, each served on a chip of wood, and having a deliciously mysterious flavor of gunpowder and smoke, was soon over. It was necessary after this that the pirates should at once seek repose after a day of adventure, which they did for the space of forty seconds in singularly impossible attitudes and far too aggressive snoring. Indeed, Master Hickory's almost upright pose, with tightly folded arms and darkly frowning brows, was felt to be dramatic, but impossible for a longer period. The brief interval enabled Polly to collect herself and to look around her in her usual motherly fashion. Suddenly she started and uttered a cry. In the excitement of the descent she had quite overlooked her doll, and was now regarding it with round-eyed horror.

“Lady Mary's hair's gone!” she cried, convulsively grasping the Pirate Hickory's legs.

Hickory at once recognized the battered doll under the aristocratic title which Polly had long ago bestowed upon it. He stared at the bald and battered head.

“Ha! ha!” he said hoarsely; “skelped by Injins!”

For an instant the delicious suggestion soothed the imaginative Polly. But it was quickly dispelled by Wan Lee.

“Lady Maley's pigtail hangee top side hillee. Catchee on big quartz stone allee same Polly; me go fetchee.”

“No!” quickly shrieked the others. The prospect of being left in the proximity of Wan Lee's evil spirit, without Wan Lee's exorcising power, was anything but reassuring. “No, don't go!” Even Polly (dropping a maternal tear on the bald head of Lady Mary) protested against this breaking up of the little circle. “Go to bed!” she said authoritatively, “and sleep till morning.”

Thus admonished, the Pirates again retired. This time effectively; for, worn by actual fatigue or soothed by the delicious coolness of the cave, they gradually, one by one, succumbed to real slumber. Polly, withheld from joining them by official and maternal responsibility, sat and blinked at them affectionately.

Gradually she, too, felt herself yielding to the fascination and mystery of the place and the solitude that encompassed her. Beyond the pleasant shadows where she sat, she saw the great world of mountain and valley through a dreamy haze that seemed to rise from the depths below and occasionally hang before the cavern like a veil. Long waves of spicy heat rolling up the mountain from the valley brought her the smell of pine-trees and bay, and made the landscape swim before her eyes. She could hear the far-off cry of teamsters on some unseen road; she could see the far-off cloud of dust following the mountain stagecoach, whose rattling wheels she could not hear. She felt very lonely, but was not quite afraid; she felt very melancholy, but was not entirely sad; and she could have easily awakened her sleeping companions if she wished.

The narrator first meets Polly as the self-styled Queen of the Pirate Isle, a title she has no reasonable right to: she is nine, plump, good-humored, averse to violence, has never been to sea, and does not live on an island. The opening establishes a pattern of imaginative play that is both original and fleeting. Polly has previously been a Beggar Child, a Schoolmistress, a Preacher, an Indian Maiden, and the baffling Mrs. Smith—whose defining prop is a sunbonnet worn wrong side before. The narrator’s wry, affectionate tone signals that this is not a straightforward adventure but a study of how a child’s mind transforms the ordinary world.

The Architecture of Make-Believe

The first chapter catalogues Polly’s impersonations with a deadpan precision that reveals the rules of her fantasy life. Each role is defined by a single, often absurd, detail: the Proud Lady’s haughtiness manifests as “extreme nausea”; Mrs. Smith acquires a weekly infant. Death is no barrier—Mrs. Smith is “buried alive and kem to,” requiring such strenuous acting that she is retired after a day. The narrator treats these inventions with the gravity of a naturalist, noting that most are “purely original in conception” and so vague as to baffle adults. This framework primes the reader to accept the pirate game that follows as one more elaborate, internally consistent fiction.

A Junk, a Hurricane, and a Desert Island

The origin of the pirate title is staged in a nursery: Polly, her cousin Hickory Hunt, and a Chinese page named Wan Lee cross the floor in a Chinese junk. A “West Indian Hurricane, purely local in character” throws Hickory overboard, and he swims to a Desert Island in the closet. The narrator’s deadpan delivery—the hurricane is “as unexpected as it is in books”—underscores the gap between the children’s earnest play and the adult world that observes it. The geography of the game is domestic yet expansive: a closet becomes an island, a tunnel becomes a cave. The reader is invited to watch how ordinary spaces are repurposed.

The Cave of the Red Rovers

The children are led through a dark tunnel into a circular cavern lit by candles, with walls of glittering quartz and mica. The pirates who greet them are men with blackened faces, red bandanas, and “enormous knives and pistols,” yet they bear a “singular resemblance to Christy Minstrels” in their attitudes and kindliness of eye. The leader, the Red Rover of the North Fork of the Stanislaus River, welcomes Polly as Queen. The scene balances menace with farce: one pirate loses his balance while bowing, and the ritual kiss of homage is both solemn and slightly absurd. Polly, frightened but pleased, responds with a timid request for the time—a deflation that the leader meets with the grand line, “Time is made for slaves!”

The Queen’s Maternal Instinct

Throughout the cave episode, Polly’s primary action is protective. She draws her little flock closer with a “small protecting arm,” returns reassuring pressures to the hands of her associates, and speaks for the group. Her maternal instinct is described as “large” and “protecting,” and it is this quality—not her title—that makes her the de facto leader. The narrator notes that she is “by no means displeased with the recognition of her rank,” but her concern is always for the others. This detail, traceable to the excerpt, suggests that the story’s emotional center is not swashbuckling but caretaking within a fantasy frame.

The excerpts end before the adventure concludes, leaving the reader to wonder how Polly’s authority will hold when the game inevitably collides with adult reality. The narrator’s voice—detached, amused, yet tender—invites us to watch the children’s logic unfold without condescension. Pay attention to how Harte uses the California gold-mining setting (the North Fork of the Stanislaus River) as a real-world anchor for the pirates’ cave, and how the Christy Minstrel resemblance undercuts the threat. The story rewards a reader who enjoys watching the mechanics of make-believe as much as the plot itself.

That rainy afternoon, the mist blurred the gold-rush hills outside while Polly’s make-believe pirates echoed something restless in me. I lingered on how childhood danger always feels both thrilling and safe. Then, almost without deciding, I pulled down an old volume about Ned Rogers, and the same quiet satisfaction crept back—that feeling of being lost in a cave, or on an island, far from any clock. Wrecked on Spider Island; Or, How Ned Rogers Found the Treasure — Themes and Context stayed open on my lap, and the rain kept falling, and that was enough.

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  • ...
    Dennis Zachary Sanford - 2 weeks ago
    A whimsical and imaginative story about the Queen of Pirate Isle, a young girl who rules over a make-believe kingdom. The illustrations and prose are delightful, capturing the playful spirit of childhood. It's a short, sweet read that celebrates creativity and adventure, perfect for young dreamers and their parents to enjoy together.

  • ...
    Melissa Mccoy - 1 week ago
    The book is too short to make an impact, and the plot feels underdeveloped. The queen's 'kingdom' is barely explored, and the conflicts are resolved too easily. It's more of a sketch than a full story, and the whimsy doesn't compensate for the lack of substance. Not recommended unless you're looking for a very quick read.

  • ...
    Michelle Carr - 1 week ago
    This charming tale has a lot of heart, and the queen's adventures are fun. However, the story is quite brief and could have been developed further. Still, it's a nice bedtime story with lovely themes of leadership and friendship, though it may leave you wanting more.


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