The Wreck — Inside the Classic

(5 User reviews)   1384
In Category - Young Readers
Anonymous Project Gutenberg 2006
Children's stories; Siblings -- Juvenile fiction; Shipwrecks -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 7,678
Reading time: 34 min
Text sections: 1
An 1880 children's story about two girls, Ollie and Lucy, whose seaside week together is marked by errands, play, and the looming wreck of a schooner. The narrative moves between domestic scenes and the beach, using recurring objects like a sun-umbrella and a swing to link the girls' ordinary routines with the approaching maritime disaster.
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Ollie had been swinging for nearly an hour in the grove behind the old farm-house, when she heard her mother's voice calling, "Ollie, Ollie! where are you, child?" Ollie stopped swinging and listened. "That is mamma," she said; "I must run quickly and see what she wants." So, jumping down and leaving the swing to "die away" by itself, she skipped along the path which led up to the back door. Her mother was standing on the step, holding a basket in her hand. When she saw Ollie she said, "Ah, here you are; I have been looking for you all over the house."

"I have been swinging, and only just heard you calling," answered Ollie. "Do you want me?"

"Yes," said Mrs. Rogers; "I want some more sugar. I thought we had plenty, but these new cookies that Mrs. Coe told me about do take a great deal more than my old ones. So, go as quickly as you can, my dear, for I am dreadfully bothered for the want of it."

"Yes," said Ollie, taking the basket; "I will not be a minute. Couldn't Willie go with me? See, he is looking through the window. I am sure a little walk would do him good."

"No, not yet," said Mrs. Rogers. "The doctor says he must not leave the house before next week. Now run along."

Ollie threw a kiss toward the window and started down the path. She was just going to open the gate when she heard a "rat-tat-tat" behind her.

"Willie wants something, I am sure," she said, turning back again; "I wonder what it is! He is pointing under that bush, but I do not see anything. Ah, here you are, you rogue! it is you who are wanted;" and she pulled out a great big black rabbit, Willie's especial pet. "It is just as well that I have to go to the house again, for I forgot my sun-umbrella, and I am sure the day is very hot."

The sun-umbrella to which Ollie alluded was one of her birthday presents, and she was always glad when the sun was hot enough to make it useful. The rabbit being laid in Willie's lap, Ollie started off once more, running as fast as she could to make up for lost time. In a few minutes she reached the village. The sugar was soon bought and tucked away in the basket.

Ollie ran along, and was just hesitating whether she should climb the fence and run through Squire Thompson's lot, or go around by the road, when she saw, just before her, Lucy Coit, walking along with her school-books in her bag.

"There is Lucy," said Ollie; "I wonder what she is doing with her bag of books at this time of day. I will run up and ask her."

Ollie soon overtook her schoolmate, and putting her arm around her waist they walked on together.

"I could not imagine what you were carrying your school-books for," said Ollie. "You can't have been kept after school, for you always know your lessons so well."

"No," said Lucy, "I wasn't kept after, but I stayed myself. I couldn't get a sum in fractions right, and Miss Palmer said if I would wait till every one had gone she would show me about it. Now I know it, and I am going down to the beach. Don't you want to go too?"

"Oh, yes," said Ollie; "but I must take this sugar to mamma first. Let's climb over these bars and cut across this field. It is a great deal shorter than by the road."

There were some geese in the field, which evidently did not like to have their privacy intruded upon, for they set up a terrible quacking as the children passed them. Ollie and Lucy, however, quacked back again, and the geese soon left them and continued to nibble away at the grass.

Ollie soon reached her home, and leaving her basket on the table she ran up-stairs to find her mother, for she wanted permission to go to the beach.

"Yes," said Mrs. Rogers, "you may go; but it looks a little showery, and I don't want you to get wet. Watch the clouds, and if you see a storm coming, hurry home, so as to get in before the rain."

Ollie promised to do as she was told and kissing her mother good-by she ran down-stairs. She found Lucy standing by the fence, looking over into Mr. Beech's yard. Mr. Beech lived next to Ollie's papa, and he had one little girl. Every one called her "Chubby," because she was so plump and round.

"Lucy," called Ollie, "what are you doing?"

"Come here a minute," said Lucy.

Ollie went to the fence, and there she saw Chubby holding a basket full of delicious ripe strawberries. "Why, Chubby," said Ollie, "what are you going to do with those lovely berries? How good they look, don't they, Lucy?"

"Oh," said Chubby, "I must be very careful, for they do roll about so that I can hardly carry them. You may each have one, but I cannot spare more, because they are for my tea-party."

So Chubby passed the basket very carefully to the children, while each one helped herself, and then she started to walk carefully over the grass toward a seat under a big tree.

"And what is your party?" asked Lucy. "It must be a very nice one, I think, if you have such things as those to eat."

"Oh, there it is," said Chubby; and looking in the direction of her finger the children saw a table covered with a white cloth, and a pretty blue tea-set upon it.

They had evidently been very hungry when they began the feast, for not a crumb remained upon one of the plates, and three little girls were sitting there, waiting patiently for a fresh supply of good things. Ollie and Lucy watched Chubby till she set her plate of berries safely upon the table, and then, turning around, they remembered that they had only a short time to stay at the beach, and that consequently they had better not lose any more time in loitering by the way.

It was only a quarter of a mile from Ollie's house to the water, and it did not take long to get over the ground which lay between. Ollie was never tired of the ocean, and it was a rare thing for her to let a day pass without spending some time on the shore.

Some one was there before them, and at first the children could not imagine whom it could be; but as they drew nearer they saw that it was Miss Palmer, their teacher. She had thrown off her hat, and was reading so earnestly that she neither saw nor heard the children till they were close upon her.

Miss Palmer was very much beloved by all of her scholars, and they thought nothing a greater treat than to sit by her side and listen while she told them stories or talked to them. So when our two little friends saw who it was, they ran and sat down, one on each side of her.

Miss Palmer looked up, and upon seeing who it was that had interrupted her she closed her book, and said she was just wishing she had some one to talk to.

"Do you notice how still it is?" she said, "and how close and hot the air is? I fear we are going to have a terrible storm. We must watch the clouds, and run a race with them. If we get home first, all will be well, but if the clouds do, alas for our clothes!"

Just as she spoke they heard a low muttering of thunder, and then suddenly a blast of cold wind rushed by them. The big black clouds rolled rapidly up, and in a moment the whole scene before them was changed. The ocean began to have a lowering, angry look, and a schooner which had been lying lazily in the water gave a bound forward like a live creature, and sped on its way. Miss Palmer sprang to her feet, saying, "Now, children, the time for the race has come. The rain is determined to get there first, but so are we; see who will win the race."

So all three started on at a quick pace. One big drop fell on Lucy's hand, and they hurried on. The race was barely theirs, for just as they stepped in at the door a blinding flash of lightning came, and a crash of thunder almost at the same instant, which made them glad enough that they were safely housed.

Although the thunder and lightning ceased after a while, and even the rain poured itself out, the wind continued to blow furiously. Lucy waited till she dared wait no longer, and then said that she must go home, for she knew her mother was already anxious about her.

"Oh, you can't go, Lucy," said Ollie; "see how that great tree bends; why, you couldn't keep on your feet for one minute."

Just then they looked out of the window and saw Ollie's father riding by. He had just stopped to speak to some one, and Ollie, losing no time, opened the window and called to him.

"Papa, papa," she called, "do you think it is safe for Lucy to try to go home?"

The wind was making such a terrible noise that Ollie's voice could not be heard.

Mr. Rogers dismounted and came to the window. He did not think it at all safe for Lucy to go home in such a gale, and promised instead to go to Mr. Coit's house and beg permission for Lucy to stay all night with Ollie.

Of course both of the children were overjoyed with this arrangement, and begun at once to amuse themselves. Ollie's papa soon came back, bringing with him a bag for Lucy, which contained everything that she could possibly want during the night.

The wind, instead of abating, increased in fury. It roared and screamed about the house like an angry wild beast. It caught up the clothes which old Milly had spread upon the grass to bleach, and whirled them round and round in circles over the house, and carried them off no one knew where. It seized the old bucket which hung in the well, and swung it back and forth with such force that no one dared go near enough to fasten it.

At eight o'clock the children went to bed, and in spite of the wind they were soon sleeping soundly. All was still within the house, and both Lucy and Ollie were too much used to storms on the sea-shore to be disturbed by them.

Suddenly, however, Lucy started from her bed. What was that sound? surely it was the slamming of the front door. While she was listening she saw something which made her heart beat fast. It was a rocket which shot by her window. Another and another followed. Lucy sprang out of bed and began to dress. There was hardly a child in Spehunket who did not know the terrible meaning of the rocket soaring into the air in the dead of night.

Lucy hastily slipped on her clothes, and then, going back to the bed, she took Ollie's hand and called softly,

"Ollie, Ollie! wake up. There is a wreck, and I think some of the people have gone down to the beach. Don't you want to go too?"

Ollie started up, looking frightened at being so suddenly roused. "What is it? what is it?" she asked excitedly. "What is the matter?"

"There is a wreck, Ollie," said Lucy, "and the men at the life-saving station are hard at work. Oh, Ollie! just think of the poor things clinging to the ship, and expecting every moment to go down! I must go down there and see if I can't do something to help."

By this time Ollie was wide awake, and as interested as Lucy. It did not take her long to dress, and in a few minutes they went softly down-stairs. Mrs. Rogers' bed-room door was open, and upon looking in the children saw that Ollie's papa and mamma had gone to the beach. As there was no one of whom they could ask permission, each little girl wrapped herself warmly in a woollen shawl, and drawing the bolt of the kitchen door they stepped out into the night.

It was two o'clock, and during the six hours which had passed since they went to bed the wind had abated in force somewhat. The sky was full of black, angry-looking clouds, but the moon was struggling to make herself seen. On the whole, it was not a dark night, and the children found no difficulty whatever in seeing the well-worn path which led through their field to the beach. If they had been doubtful of the way they would have been guided by the bonfires, and by an occasional rocket which shot up into the air; but as it was they knew the road well, and excepting when the moon was hidden for a moment behind a cloud, all was bright around them.

They soon reached the beach, and were there just in time to see the men from the station bring down the life-boat. It was a hard pull through the sand, but the feat was soon accomplished, and the boat was left near the water's edge, to be ready in case the line from the mortar should fail to reach the wreck.

The mortar was standing there, and the men were preparing to send out the line which was to bring succor to the terrified passengers on the wreck. At the word of command the string was pulled--"_Bang_," and off went the line, curving through the air. Every one watched in breathless anxiety to see if it would reach the ship. Yes, on it went, and then dropped down upon the deck.

A shout of joy rose up from the crowd upon the beach, and it must have been answered by those on the wreck, but every sound was lost in the roaring of the wind and of the angry waves. In an instant a stronger line was attached, and to that, after being drawn on board and securely fastened to the mast, a little car was attached and was quickly drawn on board. Into this car one human being could get at a time, and could be drawn over the breakers safely to the shore.

The work of the night now began in earnest. Back and forth went the car. Sometimes it brought back a little child, sometimes a papa or mamma, and at last the sailors one by one, and then, last of all, the faithful captain, who would not leave his ship until he had seen all his passengers and crew safely on the land.

When they began working the car Lucy and Ollie stood by looking on, and longing to help those brave men. But they were only little girls, and what could they do?

"Ollie," said Lucy, "I have an idea. Do you see that bonfire? It is nearly out. If you will gather some sticks and build it up again, I will run back to your house, and get some coffee and a kettle. I think a cup of coffee would refresh these men wonderfully."

"Oh, yes, Lucy," said Ollie, "run--run quickly. Tell Milly to help you. I saw Sambo here a moment ago--oh, here he is. Sambo, Sambo, go back to the house with Miss Lucy and help her bring some things which she wants."

Lucy and Sambo were off in a hurry, and as soon as they were gone Ollie gathered all the drift-wood she could find, and proceeded immediately to brighten up the fire, which had nearly died away. She worked steadily and quietly, and by the time she had a bright blaze Lucy reappeared with a big package of coffee, a pot, and a pail of water. They filled the pot and put it over the fire and waited for it to boil. It seemed a long time before the steam began to rise, but gradually it became more and more dense, until at last the cover of the pot began to dance up and down, and the delightful bubbling sound greeted their ears which told that the water was boiling.

The coffee was already in the coffee-pot, and in a short time the grateful fragrance rose upon the air.

"Oh, oh," said Ollie, "we have neither milk nor sugar!"

"I never thought of that," said Lucy, in a disappointed tone, "but I know they must have some at the lifesaving-station."

"I knows where they keeps it, miss, for I used to be on the crew once," said Sambo; "I'll be back in a jiffy with it."

So off went Sambo. The sugar was found, but alas, there was no milk.

"Never mind," said Ollie; "they must take it as it is. It will do them just as much good."

Now all this time the brave men of the life-saving station had been hard at work, drawing the car back and forth, and they had just brought in the captain, who, as I said, stood faithfully by his ship until all on board had been rescued, when some one shouted,

"A man--a man in the surf!" They rushed into the water and looked anxiously before them. Yes, there he was, clinging to a piece of the broken mast. His strength was almost gone, and just as a big wave was about to break over him two strong pairs of hands seized and dragged him almost exhausted to the shore.

"Would you like some hot coffee? Would you like some hot coffee?"

"What's that I hear about hot coffee?" said one and another joyfully. "Hot coffee! why, who has been good enough to think of that?"

"A cup of coffee would be a good thing," said Joe Brown; "for the fact is, I for one am just about beat out."

Lucy and Ollie were quite delighted at the success of their undertaking, and for the next half hour were busy enough in pouring and passing the coffee. Not only were the men of the station thankful for a good drink, but so were the poor tired and frightened passengers; and the children had all they could do to fill up the cups fast enough.

They received a great many thanks and a great many praises for their thoughtfulness, and when they were through the captain of the wrecked steamer proposed three cheers for the kind little girls who had done so much to refresh them.

The cheers were hearty enough, and the children were quite embarrassed to have the attention of so many people called to them. They felt quite repaid for all their trouble when they saw how refreshed every one looked after taking a cup of their good hot coffee.

After a while the crowd began to move on toward the station. The crew rolled up their ropes and proceeded to drag up the boat, which they had not needed after all.

All were happy and thankful that no lives had been lost, but the poor passengers were rather melancholy at the thought of probably losing all their luggage. Every one was wet through, and it was necessary that they should get on dry clothes as soon as possible.

All the houses in the village were opened to the sufferers, and soon every one was made comfortable. Clothing of all sorts was lent them, for the morrow, but in the mean time they were glad to go to bed and get a good rest and sleep.

Ollie and Lucy went back to bed too, but no sleep came to them. They talked until they saw the morning dawn, and soon after sunrise they rose and dressed for breakfast.

After breakfast they went down on the beach again to look at the wreck, and they spent a great deal of time there watching it. A great many efforts were made to save her, but all in vain. One day, when the wind was unusually high, a great wave struck her side, a crash was heard, and down she went, out of sight forever, beneath the waves.

"Now," said Lucy, "I suppose I must go home. Mamma will be impatient to see me and to know that I am all right after the storm."

"And you want to see her too, I have no doubt," said Ollie.

The story opens with Ollie swinging in a grove behind the old farm-house, a motion that recurs as a structural motif: the swing is left to “die away” by itself, and later the girls rush to the beach to watch fishermen launch a boat. This alternation between stillness and haste—between the enclosed yard and the open shore—shapes the book’s rhythm. The narrative is built from small, concrete tasks: fetching sugar, packing a closet, walking home from school. Yet these ordinary actions are repeatedly interrupted by signals from the sea, such as the fish-sight flag, which pull the girls toward the beach. The wreck itself is not described in the excerpts, but the title and the recurring beach scenes prepare the reader for a shift from domestic routine to emergency.

The Swing and the Sun-umbrella

The opening image of Ollie swinging establishes a pattern of motion that runs through the book. The swing is a private, repetitive pleasure, but it is also a device that connects Ollie to her mother’s voice and to her brother Willie, who watches from a window. Later, Ollie’s sun-umbrella—a birthday present she is “always glad when the sun was hot enough to make it useful”—appears as a similar object: a personal belonging that marks her movement between home and village. Both items are small, child-centered, and tied to the weather. The umbrella is forgotten and retrieved, just as the swing is left and returned to. These objects anchor the reader in Ollie’s perspective and create a sense of continuity across the scenes.

Errands and Delays

The plot advances through a series of errands that are repeatedly delayed. Ollie is sent for sugar but stops to retrieve Willie’s rabbit, then fetches her sun-umbrella. These interruptions are not obstacles but opportunities for the narrative to expand: the rabbit brings her back to the house, the umbrella reminds her of the heat, and both lead to encounters with other characters. The errand structure gives the story a forward momentum while allowing for digressions. When Ollie meets Lucy on the road, the errand is forgotten; the two girls walk arm in arm, talking. This pattern of starting a task, being diverted, and then resuming is typical of the book’s episodic style. It mirrors the way children’s days are shaped by small missions that open into unexpected social moments.

The Beach as a Threshold

The beach appears as a place of excitement and danger, set apart from the farmhouse and village. The girls “rush” to it after dinner, and the men are “preparing to launch the big boat.” The beach is associated with signals—the fish-sight flag—and with collective activity: the fishermen, the nets, the boat. In contrast, the domestic scenes are quiet and interior: the sitting-room, the upstairs closet, the kitchen. The movement between these spaces is abrupt. Ollie and Lucy go from “wild children” rushing into the house to standing on the shore watching the boat. The beach is a threshold where ordinary rules shift; it is where the wreck, though not yet described, is anticipated. The story uses the beach to introduce a note of peril into an otherwise gentle narrative.

Voices and Signals

The book is full of calls and signals that direct the characters’ movements. Ollie’s mother calls her name; Willie taps on the window; the fish-sight flag is “always used to show that there were fish in sight.” These auditory and visual cues create a network of communication that binds the characters together. Even the rabbit is summoned by a pointing finger. The signals are often urgent: “I must run quickly,” “I wonder what it is!” Yet they are also routine—part of the daily management of a household and a small community. The wreck, when it comes, will likely be announced by another signal—perhaps the life-boat mentioned in the list of illustrations. The story’s reliance on these cues prepares the reader to interpret events through the characters’ senses, not through authorial commentary.

Readers may find it useful to pay attention to how the story moves between indoor and outdoor spaces, and how small objects—the swing, the umbrella, the rabbit—reappear to link scenes. The excerpts do not reveal the wreck itself, but the title and the beach scenes suggest that the girls’ ordinary week will be interrupted by a crisis. The narrative’s strength lies in its patient accumulation of detail: the sugar-basket, the closet nails, the school-books. These details make the world feel solid, so that when the wreck arrives, it will matter because we know what is at stake.

Reading about Ollie and Lucy watching that schooner’s masts tilt against the afternoon sky, I thought of another kind of waiting—the boys in The Motor Boys on the Pacific; Or, the Young Derelict Hunters — Themes and Context, scanning the same vast water for something lost. Both stories hold that peculiar stillness before a rescue, when the ordinary hum of errands and play suddenly feels suspended, like a held breath.

Elijah Williams
1 week ago

Oliver Robinson
1 week ago

Anthony Green
1 week ago

Mia Carter
4 weeks ago

William Rivera
2 weeks ago

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  • ...
    Elizabeth Rivas - 3 weeks ago
    Despite the promising premise, the book fails to deliver. The characters are melodramatic and the plot meanders without focus. The emotional impact is undermined by overwrought prose and a lack of narrative momentum. A disappointing read.

  • ...
    Benjamin Anderson - 2 weeks ago
    The novel offers a compelling psychological portrait of its characters, and the descriptive writing is evocative. However, the pacing is slow in the middle sections, and some subplots are left unresolved. Overall, it's a thoughtful but uneven read.

  • ...
    Jeffery Ochoa - 1 week ago
    "The Wreck" is a powerful and haunting novel that explores the aftermath of tragedy with profound insight. The author's prose is lyrical yet grounded, and the characters are deeply human. The story of survival and guilt is masterfully told, leaving a lasting impact. A literary gem.


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