The Girl Aviators' Sky Cruise — A Closer Reading
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I. A NEW VENTURE IN SANDY BEACH II. MR. HARDING DECLARES HIMSELF III. A NAVAL VISITOR IV. ALOFT IN A STORM V. PEGGY A HEROINE VI. FARMER GALLOWAY'S "SAFE DEPOSIT" VII. A CASE FOR THE AUTHORITIES VIII. MR. MORTLAKE LOSES SOME DRAWINGS IX. THE FLIGHT OF THE "SILVER COBWEB" X. AN AERIAL POST OFFICE XI. THE MARKED BILL XII. WHAT HAPPENED TO ROY XIII. PLOT AND COUNTERPLOT XIV. HOW THEY WORKED OUT XV. WHAT MORTLAKE DID XVI. THE MISSING SIDE-COMB XVII. JIMSY'S SUSPICIONS ARE ROUSED XVIII. A BOLT FROM THE BLUE XIX. THE GATHERING OF THE MAN-BIRDS XX. AN UNEXPECTED MEETING XXI. THE START OF THE SKY CRUISE XXII. THE WHITE PERIL XXIII. OUT OF THE CLOUDS XXIV. FRIENDS AND FOES--CONCLUSION
A NEW VENTURE IN SANDY BEACH.
"It isn't to be a barn; that's one thing certain. Who ever saw a barn with skylights on it?"
Peggy Prescott, in a pretty, fluffy morning dress of pale green, which set off her blonde beauty to perfection, laid down her racket, and, leaving the tennis-court, joined her brother Roy at the picket fence. The lad, bronzed and toughened by his trip to the Nevada desert, was leaning upon the paling, gazing down the dusty road.
About a quarter of a mile away was the object of his contemplation--a big, new structure, painted a staring red. It had no windows, but in front were great sliding doors. On its flat roof the forms of a dozen or more glazed skylights upreared themselves jauntily.
"No, it's a work-shop of some sort. But what? Old man Harding is interested in it, that's one thing sure. I heard, too, that while we were away, cases of machinery had arrived and been delivered there, and that active work of some sort had been going forward ever since," rejoined Roy, who was clad in white tennis flannels, with white shoes and an outing shirt, set off by a dark-red necktie.
"See Roy," cried Peggy suddenly, "they're putting up some sort of sign on it, or else I'm very much mistaken."
"So they are. I see men on some ladders, and now, look Peg, they are carrying up a big board with something painted on it. Perhaps at last the mystery will be solved, as they say in the dime novels."
"Can you read the printing on that sign?" inquired Peggy.
"Not a word. I can see the letters to know that they are printed characters, but that's all. Tell you what, Peg, just run and get those glasses we used on the desert--there's a good fellow--and we'll soon find out."
"Isn't that just like a brother? Always sending his long-suffering sister on his errands."
"Why, you know you are dying with curiosity yourself, to know what's on that signboard," parried Roy.
"And I suppose you're not," pouted Peggy in mock indignation. "However, I'll get the field glasses to oblige you--just once."
"As if you won't try to secure the first peek through them!" laughed Roy, as sunny Peggy tripped off across the lawn to a big shed in the rear of the Prescott home, where the aeroplanes and their appurtenances were kept.
She soon was back with the field glasses, and, as Roy had prophesied, raised them to her eyes first. Having adjusted the focus, she scrutinized the sign carefully. By this time the big board had been raised horizontally above the doors and was being fixed in position.
Suddenly Peggy gave a little squeal of astonishment and lowered the magnifiers.
"Well, what is it?" chaffed Roy; "an anarchist bomb factory or an establishment for raising goats, or something that will "butt in" just as much on our peace and quiet, or----"
"Roy Prescott," enunciated Peggy, severely shaking one pink-tipped finger under Roy's freckled nose, "this is not a subject for jesting."
"Never more serious in my life, Sis. If you could have seen your own face as you peeked through those glasses----"
Peggy stuffed the binoculars into her brother's brown hands.
"Here, look for yourself," she ordered. Her voice was so imperious that Roy obeyed immediately.
An instant later his sister's expression of dumfounded amazement was mirrored on his own straightforward, good-looking countenance.
"Well, as Bud used to say out West, 'if that ain't the beatingest'!" he gasped.
"What did you read?" demanded Peggy breathlessly. "Repeat it so that I may be sure my eyes didn't play me a trick."
"Not likely, Sis; the letters are big enough. They show up on that red painted barn of a place like a big freckle on a pretty girl's chin."
Then he repeated slowly, mimicking a boy reciting a lesson:
"The Mortlake Aeroplane Company. Well, wouldn't that jar you?"
"Roy!" reproved Peggy.
"There's no other way to express it, Sis," protested the boy. "Why, that's the concern that's been advertising so much recently. Just to think, it was right at our door, and we never knew it."
"And that hateful old Mr. Harding is interested in it, too, oh!"
The exclamation and its intonation expressed Peggy's dislike of the gentleman mentioned.
"It's a scheme oh his part to make trouble for us, I'll bet on it," burst out Roy. "But this time I guess it's no phantom airship, but the real thing. What time is that naval lieutenant coming to look over the Prescott aeroplane, Peggy?"
"Some time to-day. He mentioned no particular hour."
"Do you think it possible that he is also going to take in that outfit down the road?"
"It wouldn't surprise me. Maybe that's why they are just putting up the sign. They evidently have refrained from doing so till now in order to keep the nature of their business secret. If we hadn't come back from Nevada sooner than we expected, we might not have known anything about it till the navy had investigated and--approved."
Far down the road, beyond the big red building, came a whirl of dust. From it presently emerged a big maroon car. Peggy scrutinized it through the glasses.
"Mr. Harding is in that auto," she said, rather quietly for Peggy, as the car came to a stop in front of the Mortlake Aeroplane Manufacturing Company's plant.
Shortly before Peggy and Roy Prescott, their aunt, Miss Sallie Prescott, with whom they made their home, and their chums, Jess and Jimsy Bancroft, had returned from the Nevada alkali wastes, the red building which engaged their attention that morning had caused a good deal of speculation in the humdrum Long Island village of Sandy Beach. In the first place, coincident with the completion of the building, a new element had been introduced into the little community by the arrival of several keen-eyed, close-mouthed men, who boarded at the local hotel and were understood to be employees at the new building. But what the nature of their employment was to be, even the keenest of the village "cross examiners" had failed to elicit.
Before long, within the freshly painted wooden walls, still sticky with pigment, there could be heard, all day, and sometimes far into the night, the buzz and whir of machinery and other more mystic sounds. The village was on tenter-hooks of curiosity, but there being no side windows to peer through, and a watchman of ferocious aspect stationed at the door, their inquisitiveness was, perforce, unsatisfied. Not even a sign appeared on the building to indicate the nature of the industry carried on within, and its employees continued to observe the stoniest of silences. They herded together, ignoring all attempts to draw them into conversation. What Peggy and Roy had observed that day had been the first outward sign of the inward business.
From the throbbing automobile, which the boy and girl had observed draw up in front of the Mortlake plant, a man of advanced age alighted, whose yellow skin was stretched tightly, like a drumhead, over his bony face. From the new building, at the same time, there emerged a short, stout personage, garbed in overalls. But the fine quality of his linen, and a diamond pin, which nestled in the silken folds of his capacious necktie, showed as clearly as did his self-assertive manner, that the newcomer was by no means an ordinary workman.
His face was pouchy and heavy, although the whole appearance of the man was by no means ill-looking. His cheeks and chin were clean shaven, the close-cut beard showing bluely under the coarse skin. For the rest, his hair was black and thick, slightly streaked with gray, and heavy eyebrows as dark in hue as his hair, overhung a pair of shrewd, gray eyes like small pent-houses. The man was Eugene Mortlake, the brains of the Mortlake Company. The individual who had just descended from the automobile, throwing a word to the chauffeur over his shoulder, was a person we have met before--Mr. Harding, the banker and local magnate of Sandy Beach, whose money it was that had financed the new aeroplane concern.
MR. HARDING DECLARES HIMSELF.
Readers of the first volume of this series, "The Girl Aviators and The Phantom Airship," will recall Mr. Harding. They will also be likely to recollect his son, Fanning, who made so much trouble for Peggy Prescott and her brother, culminating in a daring attempt to "bluff" them out of entering a competition for a big aerial prize by constructing a phantom aeroplane. Fanning's part in the mystery of the stolen jewels of Mrs. Bancroft, the mother of Jess and Jimsy, will likewise be probably held in memory by those who perused that volume. The elder Harding's part in the attempt to coerce the young Prescotts into parting with their aerial secrets, consisted in trying to foreclose a mortgage he held on the Prescott home, with the alternative of Roy turning over to him the blue prints and descriptions of his devices left the lad by his dead father. How the elder Harding was routed and how the Girl Aviator, Peggy Prescott, came into her own, was all told in this volume. Since that time Mr. Harding's revengeful nature had brooded over what he chose to fancy were his wrongs. What the fruit of his moody and mean meditations was to be, the Mortlake plant, which he had financed, was, in part, the answer.
In the volume referred to, it was also related how Peter Bell, an old hermit, had been discovered by means of the Prescott aeroplane, and restored to his brother, a wealthy mining magnate.
In the second volume of the Girl Aviators, we saw what came of the meeting between James Bell, the westerner, and the young flying folk. By the agency of the aeroplane, a mine--otherwise inaccessible--had been opened up by Mr. Bell in a remote part of the desert hills of Nevada. The aeroplane and Peggy Prescott played an important part in their adventures and perils. Notably so, when in a neck-to-neck dash with an express train, the aeroplane won out in a race to file the location papers of the mine at Monument Rocks. The rescue of a desert wanderer from a terrible death on the alkali, and the routing of a gang of rascally outlaws were also set forth in full in that book, which was called "The Girl Aviators on Golden Wings."
The present story commences soon after the return of the party from the Far West, when they were much surprised--as has been said--to observe the mushroom-like rise of the Mortlake factory. But of what the new plant was to mean to them, and how intimately they were to be brought in contact with it, none of them guessed.
"Well, Mortlake," observed Mr. Harding, in his harsh, squeaky voice--not unlike the complaint of a long unused door, "well, Mortlake, we are getting ahead, I see."
The two men had, by this time, passed within the big sliding doors of the freshly-painted shed, and now stood in a maze of machinery and strange looking bits of apparatus. From skylights in the roof--there were no side windows to gratify the inquisitive--the sunlight streamed down on three or four partially completed aircraft. With their yellow wings of vulcanized cloth, and their slender bodies, like long tails, they resembled so many dragon-flies, or "devil's darning needles," assembled in conclave upon the level floor. At the farther end of the shed was a small blast furnace, shooting upward a livid, blue spout of flame, which roared savagely. Actively engaged at their various tasks at lathes and work-benches, were a dozen or more overalled mechanics, the most skillful in their line that could be gathered. Here and there were the motors, the driving power of the "dragon flies." The engines glistened with new paint and bright brass and copper parts. Behind them were ranged big propellers of laminated, or joined wood, in stripes of brown and yellow timber. Altogether, the Mortlake plant was as complete a one for the manufacture of aerial machines as could have been found in the country.
"Yes, we are getting along, Mr. Harding," returned Mortlake, "and it's time, too. By the way, Lieut. Bradbury is due here at noon. I want to have everything as far advanced as possible in time for his visit. You won't mind accompanying me then, while I oversee the workmen?"
Followed by Mr. Harding, he made an active, nervous tour of the work-benches, dropping a reproof here and a nod of commendation or advice there.
When he saw a chance, Mr. Harding spoke.
"So the government really means to give us an opportunity to show the worth of our machines?" he grated out, rubbing his hands as if washing them in some sort of invisible soap.
"Yes, so it seems. At any rate, they notified me that this officer would be here to-day to inspect the place. It means a great deal for us if the government consents to adopt our form of machine for the naval experiments."
"To us! To you, you mean," echoed Mr. Harding, with an unpleasant laugh. "I've put enough capital into this thing now, Mortlake. I'm not the man to throw good money after bad. If we are defeated by any other make of machine at the tests I mean to sell the whole thing and at least realize what I've put into it."
Mortlake turned a little pale under his swarthy skin. He rubbed his blue chin nervously.
"Why, you wouldn't chuck us over now, Mr. Harding," he said deprecatingly. "It was at your solicitation that the plant was put up here, and I had relied on you for unlimited support. Why did you go into the manufacture of aerial machines, if you didn't mean to stick it out?"
"I had two reasons," was the rejoinder, in tones as cold as a frigid blast of wind, "one was that I thought it was certain we should capture the government contract, and the other was--well, I had a little grudge I wished to satisfy."
"But we will capture the government business. I am not afraid. There is no machine to touch the Mortlake that I know of----"
"Yes, there is," interrupted Mr. Harding; "a machine that may be able to discount it in every way."
"Nonsense! Where is such an aeroplane?" "Within a quarter of a mile from here. To be accurate, young Prescott's--you know whom I mean?"
The other nodded abstractedly.
"Well, that youth has a monoplane that has already caused me a lot of trouble." The old man's yellow skin darkened with anger, and his blue pinpoints of eyes grew flinty. "It was partly out of revenge that I decided to start up an opposition business to his. He was in the West till a few days ago, and I never dreamed that he would return till I had secured the government contract. But I am now informed--oh, I have ears everywhere in Sandy Beach--that this boy and his sister, who is in a kind of partnership with him have had the audacity to offer their machine for the government tests also."
"Audacity," muttered Mortlake under his breath, but Harding's keen ears caught the remark.
"It is audacity," agreed the leathern-faced old financier; "and it's audacity that we must find some way to checkmate. I've never had a business rival yet that I haven't broken into submission or crushed, and a boy and a girl are not going to outwit me now. They did it once, I admit, but this time I shall arrange things differently."
"That I intend to cinch that government business."
"But what if, as you fear, the Prescotts have a superior aeroplane?"
"My dear Mortlake," the pin-point eyes almost closed, and the thin, bloodless lips drew together in a tight line, "if they have a superior machine, we must arrange so that nobody but ourselves is ever aware of the fact."
With a throaty gurgle, that might, or might not, have been meant for a chuckle, the old man glided through the doors, which, by this time, he had reached, and sliding rather than stepping into his machine, gave the chauffeur some orders. Mortlake, a peculiar expression on his face, looked after the car as it chugged off and then turned and re-entered the shop. His head was bent, and he seemed to be lost in deep thought.
Roy had departed, on an errand, for town. Peggy, indolently enjoying the perfect drowsiness of noonday, was reclining in a gayly colored hammock suspended between two regal maple trees on the lawn. In her hand was a book. On a taboret by her side was a big pink box full of chocolates.
The girl was not reading, however. Her blue eyes were staring straight up through the delicate green tracery of the big maples, at the sky above. She watched, with lazy fascination, tiny white clouds drifting slowly across the blue, like tiny argosies of the heavens. Her mind was far away from Sandy Beach and its peaceful surroundings. The young girl's thoughts were of the desert, the bleak, arid wastes of alkali, which lay so far behind them now. Almost like events that had happened in another life.
Suddenly she was aroused from her reverie by a voice--a remarkably pleasant voice:
"I beg your pardon. Is this the Prescott house?"
"Good gracious, a man!" exclaimed Peggy to herself, getting out of the hammock as gracefully as she could, and with a rather flushed face.
At the gate stood a rickety station hack, which had approached on the soft, dusty road almost noiselessly. Just stepping out of it was a sunburned young man, very upright in carriage, and dressed in a light-gray suit, with a jaunty straw hat. He carried a bamboo cane, which he switched somewhat nervously as the pretty girl advanced toward him across the velvet-like lawn.
"I am Lieut. Bradbury of the navy," said the newcomer, and Peggy noted that his whole appearance was as pleasant and wholesome as his voice. "I came--er in response to your letter to the department, in regard to the forthcoming trials of aeroplanes for the service."
"Oh, yes," exclaimed Peggy, smothering an inclination to giggle, "we--I--that is----"
"I presume that I have called at the right place," said the young officer, with a smile. "They told me----"
"Oh, come in, won't you?" suddenly requested the embarrassed Peggy. "The sun is fearfully hot. Won't you have a straw hat--I mean a seat?"
"Thank you," replied Lieut. Bradbury, gravely sitting in a garden bench at the foot of one of the big maples. His eyes fell on the book Peggy had been reading. It was a treatise on aeronautics.
"It isn't possible that you are R. Prescott?" he asked, glancing up quickly.
"Oh, no. I am only a humble helper. R. Prescott is in town. He--he will be back shortly."
"Indeed. I had hoped to see him personally. I was anxious to inspect the Prescott type of monoplane before visiting another aeroplane plant in this neighborhood, the--the----" The officer drew out a small morocco covered notebook and referred to it.
"The Mortlake Aeroplane Company," he concluded.
"Oh, yes. They are just down the road, within a stone's throw of here. You can see the place from here; that big barn-like structure," volunteered Peggy, heartily wishing that the Mortlake plant had been a hundred miles away.
"Indeed. That's very convenient. I shall be able to make an early train back to New York. Do you suppose that Mr. Prescott will be long?"
"I don't really know. He shouldn't be unless he is delayed. But in the meantime I can show you the aeroplane, if you wish."
"Ah!" the officer glanced at this girl curiously, "but you know what I particularly desired was a practical demonstration."
"Yes, if it were possible."
"I think it can be arranged."
"You have an aviator attached to your place, then?"
Peggy laughed musically. She had quite recovered from her embarrassment now.
"No. I guess it's an aviatress--if there is such a word. You see I----"
The catalog subjects for Margaret Burnham's The Girl Aviators' Sky Cruise promise adventure, aeronautics, and women air pilots. Yet the excerpts reveal a narrative that spends more time on surveillance, suspicion, and secret meetings than on flying. The opening chapter introduces Peggy Prescott and her brother Roy speculating about a mysterious red structure, not an airplane. The aeronautical element is delayed, and the girl aviators themselves are largely absent from the provided text, which instead follows Lieutenant Bradbury and others as they spy on a supposed traitor.
Adventure and Aeronautics: A Mismatch with the Excerpts
The catalog lists “Adventure and adventurers -- Juvenile fiction” and “Aeronautics -- Juvenile fiction,” but the excerpts show little of either. The adventure is not aerial but terrestrial: characters hide in bushes, follow suspects, and engage in covert observation. The only mention of flight comes in chapter titles like “The Flight of the ‘Silver Cobweb’” and “The Start of the Sky Cruise,” but the provided text does not depict these events. Instead, readers encounter a tense stakeout in a lane with high hedges, where Lieutenant Bradbury feels “like a cheap detective.” The aeronautics subject seems aspirational rather than descriptive of the actual content.
Women Air Pilots: A Subject Without Evidence
Despite the subject “Women air pilots -- Juvenile fiction,” the excerpts feature no female pilots. Peggy Prescott appears in the opening chapter, but she is described in terms of her “pretty, fluffy morning dress of pale green” and “blonde beauty,” and she is sent to fetch binoculars for her brother. The later excerpts focus entirely on male characters: Lieutenant Bradbury, Mr. Harding, Mortlake, and a boyish figure suspected of treason. The absence of women in aviation roles suggests that the catalog subject may reflect the series title rather than the book’s actual focus, or that the excerpts omit key chapters where the girl aviators take flight.
Structure and Voice: A Detective Story in Disguise
The excerpts reveal a narrative structured around suspicion and revelation. The language is that of a mystery: “plot and counterplot,” “a case for the authorities,” and “Jimsy's suspicions are roused.” The voice shifts between omniscient narration and internal monologue, as when Lieutenant Bradbury thinks, “Perhaps the boy has thought better of it.” The setting is not the sky but dark lanes, alder clumps, and a big bowlder. The climactic moment in the excerpts is a low whistle and a guttural question: “Have you got der plans?” This is espionage fiction, not an aviation adventure. The catalog subjects mislead by emphasizing flight over the actual genre.
Readers approaching The Girl Aviators' Sky Cruise expecting airborne exploits may be surprised by its focus on land-based intrigue. The excerpts suggest a story more concerned with loyalty, betrayal, and detection than with the mechanics or thrill of flying. The girl aviators themselves remain peripheral in the provided text. This note encourages readers to consider how the catalog subjects frame expectations that the book may not fulfill, and to approach the text on its own terms as a mystery with aeronautical trappings.
This note’s silence around the girls themselves—the way the catalog promises flight but the story lingers in shadows—reminded me of afternoons with my grandmother’s old copy of Uncle Wiggly on the farm — Story, Setting & Ideas. Both books felt quieter than their covers suggested, full of watching and waiting. I remember thinking, even as a child, that the real adventure was the noticing.
John Rivera
3 weeks agoCharlotte Hall
2 weeks agoOlivia Nelson
3 weeks agoJoseph Young
1 week ago-
Alexander Gomez - 1 month ago
The Girl Aviators Sky Cruise is a thrilling adventure that perfectly captures the spirit of early aviation. The protagonist is a strong, smart, and fearless female role model, which is refreshing. The descriptions of flying are exhilarating, and the plot is filled with suspense and daring exploits. This book is a delightful mix of history and excitement that kept me on the edge of my seat. A fantastic read for young dreamers. -
William Smith - 4 weeks ago
This book offers an exciting story with a pioneering female aviator, which is great for young readers. The aviation details are interesting and add a unique flavor. However, the writing style feels a bit dated, and some parts of the plot are far-fetched. The pacing is decent, but character development could be deeper. A good choice for aviation enthusiasts or those looking for early feminist literature. -
Kathryn Cruz - 1 week ago
The Girl Aviators Sky Cruise is a letdown. The plot is predictable and full of clichés, with cardboard characters and unrealistic scenarios. The protagonist is supposedly brave but often acts irrationally. The writing is simple and lacks the descriptive depth needed to make the flying scenes exciting. It feels like a dated piece that doesn't hold up well. I wouldn't recommend it to today's young readers who deserve better.
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Noah Clark
2 weeks ago